Film
Nosferatu
Other titles called Nosferatu: the 2024 film.
- Monster horror
- Dark fantasy
- Very dark
F.W. Murnau's unauthorised, uncredited Dracula adaptation is where vampire cinema actually starts: rat-faced, clawed, utterly wrong-looking Count Orlok, shadows crawling up staircases on their own, a plague ship drifting into harbour. Silent, scratchy, sometimes tinted, it moves slowly by modern clocks but builds a genuine dread through composition alone. For anyone curious where the whole genre's visual grammar came from.
Should you watch it?
Watch it if you want dread built from shadow, composition and a face that barely moves, the kind of silent craft that turns a bad dream into a fully furnished nightmare.
Skip it if you need dialogue and momentum to stay hooked, because the silent pacing, intertitles and theatrical acting can feel stagey and slow before the mood takes hold.
What it asks of you: Expect a ninety-four-minute film told in patient, deliberate frames, where you read the title cards and study faces and shadows far more than you listen.
Not sure? Find tonight's pick in a minute.
If you liked this
Dracula1931
Bela Lugosi's Count is the other foundational vampire, all velvet menace and hypnotic stare, made almost simultaneously with sound instead of shadows doing the talking.
But Stagey and stiff by today's standards, with long dialogue-heavy stretches that feel more theatre than cinema.

The Cabinet of Dr. Caligari1920
The German Expressionist film that taught Murnau his tricks — jagged painted sets, warped perspective, a somnambulist doing someone else's bidding. Pure nightmare logic.
But Deliberately artificial visuals and a twisty structure can feel more like a museum piece than a scare.

Bram Stoker's Dracula1992
Coppola throws the novel's full gothic excess at the screen — swooning romance, extravagant costumes, in-camera effects that still look uncanny. Lush where Nosferatu is spare.
But Overripe performances and maximalist style might feel like too much after the original's austerity.

Not sure tonight? Get a pick in a minute, starting from Nosferatu
The wildcard
Something you would not have found on your own.
What We Do in the Shadows2019
It takes Orlok's exact toolkit — the coffin, the hiss, the ancient predator among ordinary people — and runs it entirely for laughs, proving how sturdy Murnau's vampire grammar still is.
A mockumentary sitcom about bickering vampire housemates in Staten Island, gleefully mining every trope Nosferatu helped invent — light sensitivity, hypnosis, coffins — for absurd comedy.
But If you want atmosphere and dread, a laugh-track-adjacent comedy about petty immortal roommates will feel like sacrilege.

More like this (8)
Interview with the Vampire1994
Vampirism reframed as seduction, memory and grief rather than plague — gorgeous, mournful, and the first major film to make being undead feel like a curse worth confessing.
But Its languid, confessional pacing and heavy melodrama won't suit anyone wanting dread over pathos.

Let the Right One In2008
Swedish, wintry, and devastating — a child vampire story that keeps Orlok's sense of the monstrous as something sad and inevitable rather than sexy.
But Slow, quiet, and bleak; the violence is sudden but the mood is mostly aching stillness.

Shadow of the Vampire2000
A wickedly funny what-if about the making of Nosferatu, with Willem Dafoe as an actor who may actually be a vampire. Great tribute, great joke.
But Knowingly campy and self-aware — if you want reverence rather than mischief, this isn't it.

Vampyr1932
Carl Theodor Dreyer's fever-dream vampire film, dreamlike and disorienting in ways even Murnau doesn't quite risk, with imagery that still feels genuinely alien.
But Nearly plotless and hypnotic to the point of frustrating; patience required, payoff is atmosphere not story.

The Lighthouse2019
Robert Eggers shooting in stark black and white, obsessed with texture and dread the way Murnau was — isolation curdling into something monstrous and mythic.
But Deliberately punishing, claustrophobic, and abrasive; not a comfortable or easy watch.

Crimson Peak2015
Del Toro's gothic romance leans hard into the haunted-house, cursed-marriage register Nosferatu shares with old vampire lore — sumptuous, doomed, blood-soaked.
But More melodrama than horror, and its ghost-story mechanics are gentler than genuinely frightening.

The Seventh Seal1957
Orlok is plague made flesh, and Bergman strips the metaphor bare — same fear of death arriving as a visitor you cannot refuse, minus the fangs.
Bergman's knight plays chess with Death across a plague-ravaged medieval landscape — stark black and white, existential dread, images that have outlived their era completely.
But No monster, no jump scares, just slow philosophical dialogue about mortality; a very different kind of patience is required.

Contagion2011
Nosferatu is secretly a plague film with fangs; Contagion removes the vampire entirely and shows the same slow-creeping societal horror as pure disease, no metaphor required.
Steven Soderbergh's clinical, terrifyingly plausible outbreak thriller, tracking a virus through airports and handshakes with the same slow, inexorable dread Orlok's ship brings to harbour.
But Cold, procedural, and ensemble-driven rather than character-focused — some may find it more unsettling than entertaining, especially post-2020.

People
Cast
Max SchreckCount Orlok
Gustav von WangenheimHutter
Greta SchröderEllen
Georg H. SchnellHarding
Ruth LandshoffRuth
Gustav BotzProfessor Sievers
Alexander GranachKnock
John GottowtProfessor Bulwer- Max NemetzA Ship Captain
Wolfgang HeinzSailor 1- Albert VenohrSailor 2
- Eric van VieleSailor (uncredited)
Directing
- F. W. MurnauDirector
Writing
- Bram StokerNovel
- Henrik GaleenScreenplay
Production
- Albin GrauProducer
- Enrico DieckmannProducer
Recommended by
Let the Right One In, Creature from the Black Lagoon, The Mummy, Metropolis, Count Duckula, The Cabinet of Dr. Caligari, What We Do in the Shadows, Gumnaam, What We Do in the Shadows, City of Blood, Anne Rice's Interview with the Vampire, Castlevania, Kuroneko, Dr. Jekyll and Mr. Hyde, À Nous la Liberté, Sunrise: A Song of Two Humans, Broken Blossoms or The Yellow Man and the Girl, Bud Abbott and Lou Costello Meet Frankenstein, The Freshman, Fright Night, The Wolf Man, The Miracle Man, The Lighthouse, Häxan, His Regeneration, The Lost Boys, The Last Command, The Hunchback of Notre Dame, Destiny, Comradeship, Woman in the Moon, The Last Man on Earth, Faust, Aelita: Queen of Mars, Wooden Crosses, Nosferatu the Vampyre, Dracula, Intolerance: Love's Struggle Throughout the Ages, Mad God, Waxworks, The Scarecrow, The Italian Straw Hat, Robin Hood, Shadow of the Vampire, Vampyr, The Golem: How He Came into the World, 7th Heaven, Die Nibelungen: Siegfried, Body and Soul, Dracula: Pages from a Virgin's Diary, The Great Gabbo, The Birth of a Nation, Dracula, The Phantom of the Opera, Diary of a Lost Girl, The Immigrant, Dr. Mabuse, the Gambler, The Unknown, A Tale of Two Cities, The Perils of Pauline, He Who Gets Slapped, The Cave of the Silken Web, Serengeti Shall Not Die, The Phantom Carriage, The Last Laugh, The Last Voyage of the Demeter, The Seashell and the Clergyman, The Hunchback of Notre Dame, The Man Who Laughs, The Wedding March, The Phantom of the Opera, Orphans of the Storm, Battling Butler, Beau Geste, Variety, The Testament of Dr. Mabuse, Foolish Wives, The Black Cat, The Cat Creeps, She, L'Atlantide, The Bat, A Page of Madness, Arsenal, The Three Musketeers, Don Q Son of Zorro, Thérèse Raquin, Under Two Flags, The Night Before Christmas, The Haunted House, The Monster, The Bottle Imp, A Fool There Was, The Vampire's Ghost, Ben-Hur: A Tale of the Christ, The Penalty, The Great K&A Train Robbery, The Hands of Orlac, Phantom, The Loves of Pharaoh, Speedy, The Conquest of the Pole, Maciste in Hell, Cabiria, The Assassination of the Duke de Guise, The Sinking of the Lusitania, The Last Days of Pompeii, The Son of the Sheik, Salome, Swing You Sinners!, La Bohème, Judex, The Enemy, The Fall of Babylon, The Phantom Empire, The Haunted Castle, Ashes of Vengeance, Lock Up Your Daughters, Sparrows, The Midnight Express, The Exquisite Sinner, The Mummy's Ghost, The Patriot, The Golem, Joyless Street, The Student of Prague, Brats, Fires of Fate, The Haunted House, The Gorilla, The Unholy Three, Our Gang, The Ghost Train, A Cottage on Dartmoor, The Mysterious Island, The Branded Woman, Anna, The Last of the Mohicans, The Mountain Eagle, Madame DuBarry, Old San Francisco, The Student Prince in Old Heidelberg, Innocents of Paris, Wildfire, Scars of Dracula, Girl Shy, Asphalt, Tabu: A Story of the South Seas, The Octopus, Blacksmith Scene, The Mysterious Dr. Fu Manchu, Secrets of a Soul, Tristan and Isolde, London After Midnight, The Invisible Dr. Mabuse, The Fall of the House of Usher, Bimbo's Initiation, The Four Horsemen of the Apocalypse, Dracula 2000, The Magician, La Roue, The Vampire Bat, The Bells, The Dybbuk, Safe in Hell, Mark of the Vampire, Downhill, Quo Vadis?, Gul-e-Bakavali, The Student of Prague, The Flaming Disk, Tillie's Punctured Romance, Tramp, Tramp, Tramp, The Master Mystery, Madame Butterfly, Memories of Prison, The Thirteenth Guest, The Leopard Woman, Hell-Bound Train, The Telltale Heart, Filibus, A Man's Mate, The Son of Tarzan, Hands Up!, Suspense, The Wrecker, An Unseen Enemy, The Spanish Dancer, The Lonedale Operator, The Girl and Her Trust, Submarine, 20,000 Leagues Under the Sea, Spies, In Old California, The Tales of the Thousand and One Nights, Shiraz: A Romance of India, The Story of the Kelly Gang, The Fight for the Matterhorn, Storm Over Mont Blanc, What Price Glory, Flesh and Blood, The Tower of Lies, A Connecticut Yankee in King Arthur's Court