Film

Nosferatu

Robert Eggers' gothic remake trades jump scares for suffocating dread, following a young woman haunted by a monstrous suitor as plague creeps through a German port town. Sumptuous, slow, and genuinely upsetting in its portrait of desire as disease. For viewers who want their horror atmospheric, patient, and a little perverse rather than jolt-a-minute.

TMDb rating6.7

If you liked this

Bram Stoker's Dracula1992

Coppola's fever-dream vampire romance shares Eggers' appetite for operatic dread and doomed desire, all velvet capes, heaving bosoms and genuine erotic menace.

But The theatrical performances and 90s effects can tip into camp if you're expecting the newer film's austere restraint.

Bram Stoker's Dracula poster

Crimson Peak2015

Del Toro's haunted-house gothic gives you rotting mansions, forbidden desire and slow dread, wrapped in gorgeous, blood-red production design.

But It's more ghost story than vampire tale, and the pacing favors mood over scares.

Crimson Peak poster

The Witch2016

Eggers' breakout film has the same folk-horror dread and puritanical guilt, a family unraveling under an ancient evil in the New England woods.

But Glacial pace and thick period dialect demand patience some viewers won't have.

The Witch poster

The wildcard

Something you would not have found on your own.

Vampyr1932

It's the ur-text for treating vampirism as atmosphere rather than plot—Eggers' plague-fog Wisborg owes it a direct debt.

Dreyer's near-silent fever dream drowns its vampire tale in fog and shadow-logic, more nightmare than narrative—an eerie ancestor to Eggers' painterly dread.

But Almost no dialogue and a deliberately disorienting structure make it a tough watch if you need a clear plot.

Vampyr poster
More like this (8)

Interview with the Vampire1994

A lush, tragic take on vampirism as curse and seduction, with the same interest in monsters who suffer for what they are.

But Its emotional register leans melodrama rather than horror, so don't expect much dread.

Interview with the Vampire poster

Let the Right One In2008

A colder, quieter vampire story that swaps gothic excess for Scandinavian bleakness and finds something genuinely moving in monstrous loneliness.

But Subtitles and a near-total absence of jump scares might frustrate anyone wanting visceral horror.

Let the Right One In poster

The Lighthouse2019

More Eggers, same commitment to suffocating atmosphere and slow psychological collapse, this time between two men losing their minds together.

But No vampires, no romance—just salt spray, madness and a story that resists easy explanation.

The Lighthouse poster

Shadow of the Vampire2000no page yet

A wickedly clever what-if about the making of the original 1922 film, imagining its lead actor as an actual vampire.

But The joke is niche—you'll enjoy it far more if you already know the silent original.

Sleepy Hollow1999

Burton's gothic horror gives you fog-choked forests, a headless menace and the same appetite for beautiful, theatrical dread.

But It's broader and more playful than Eggers' austere approach, closer to a haunted-house ride than slow-burn horror.

Sleepy Hollow poster

Dracula1931

The granddaddy of screen vampires, Lugosi's hypnotic performance still defines the seductive-monster archetype Orlok twists into something uglier.

But Stagey and slow by modern standards, more historical curiosity than visceral horror.

Dracula poster

Vampire Hunter D: Bloodlust2001

Same core engine—obsessive, fatal desire between human and monster—rendered in a wildly different medium and visual language.

A gorgeous, melancholic anime about a doomed noblewoman drawn to her vampire suitor, painted in the same gothic-romance register as Eggers' film.

But Animated action sequences and a pulpier plot sit oddly if you want strictly somber horror.

Vampire Hunter D: Bloodlust poster

What We Do in the Shadows2014

Same vampire rules and iconography as Nosferatu, stripped of menace to show how close horror and comedy really sit.

A deadpan mockumentary about vampire roommates squabbling over chores, using the exact same lore Eggers plays straight, just for laughs.

But If you want dread, this is the opposite—gentle, silly, and allergic to scares.

What We Do in the Shadows poster

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Bram Stoker's Dracula