Film
Anna
Other titles called Anna: the 2019 film.
A haunted-doll film where two men steal an artifact to document paranormal activity on camera, only to have the entity turn hostile. Shot with found-footage energy but conventional framing, it's a lean creature-focused horror that privileges atmosphere over jump scares. For viewers who like their supernatural threats tangible and relentless.
Should you watch it?
Watch it if you like low-budget horror that leans on a creepy object and a handful of characters rather than big set pieces, with a found-footage-adjacent restlessness and a doll that quietly gets under your skin.
Skip it if you want a polished, well-paced scare machine; this is rough around the edges, takes its time to find its footing, and its cheap look and uneven acting can pull you out of the mood.
What it asks of you: Roughly ninety-eight minutes of patient setup and small, unsettling escalations, so expect to sit with slow stretches and tolerate a modest budget showing through.
Not sure? Find tonight's pick in a minute.
If you liked this
Sinister2012
A writer uncovers a cache of snuff films in his new house, each documenting a family's mysterious death. Methodical dread, genuinely upsetting imagery, and a villain so effective they barely need to appear on screen.
But Extremely bleak. The finale punches harder if you're okay with horror that doesn't offer catharsis or safety.
The Ring2002
A cursed videotape kills you in seven days. American horror at its most elegantly structured—each plot beat tightens the noose, and the mythology feels lived-in rather than explained away.
But The pacing is slow. If you need immediate scares, you'll spend the first hour waiting for the film to justify its reputation.
The Autopsy of Jane Doe2016
Two coroners examine a corpse with no apparent cause of death. Confined, clever, and genuinely unnerving—the kind of horror that understands that not seeing something is scarier than seeing it.
But Claustrophobic and grim. Very little relief, and the body-horror elements won't appeal if you're squeamish.
Not sure tonight? Get a pick in a minute, starting from Anna
The wildcard
Something you would not have found on your own.
Lake Mungo2009
Both center on an external entity (haunted object vs. haunting presence) being studied or investigated, then turning the investigation into a nightmare.
After a teenager drowns, her family reviews photographs and discovers her ghost appears in their images. A mockumentary-styled horror that uses real documentary language to make the impossible feel documented. Slow, strange, and profoundly sad.
But Presented as a TV documentary about grief. If you're looking for scares or action, you'll find mostly stillness and conversation. Deliberately unglamorous.
More like this (8)
Insidious2011
A boy falls into a coma and his consciousness becomes trapped in a nightmare dimension. Creatively framed jump scares, a strong sense of otherworldly geography, and Darth Maul as a demon.
But The sequels diluted what worked here. Watching the first one requires pretending they don't exist.
Hereditary2018
A family unravels after a death, slowly realizing something malevolent has been woven into their lineage. Methodical, visually stunning, and genuinely sick—the kind of horror that stays with you.
But Extremely slow-burn and deeply nihilistic. The last act operates on pure dread, not plot momentum.
A Tale of Two Sisters2003
A Korean horror film about two sisters returning home after hospitalization. Gorgeous cinematography, a narrative that shifts under you, and a stepmother scene that will haunt you.
But Deliberately opaque. If you need a film to spell out its meaning, this will frustrate you.
The Conjuring2013
Paranormal investigators confront a haunting in a Rhode Island farmhouse. Classically structured, impeccably shot, and full of precise scares that feel earned rather than lazy.
But Occasionally slips into mainstream jump-scare formula. The possessions feel less urgent than the setup promises.
Poltergeist1982
A suburban family's house becomes a nexus for spiritual chaos. Spielberg's production sensibility applied to genuine horror—tactile, ingeniously designed, and completely convincing.
But Dated effects. The poltergeist sequences rely on practical work that reads as quaint now.
The Blair Witch Project1999
Three filmmakers disappear in the woods while searching for a legendary witch. Pioneered found-footage horror and proved you don't need a budget to create real dread.
But The shaking camera will make you nauseous, and half the audience will find the invisible-threat approach pretentious.
The Wailing2016
Both feature an apparently malevolent supernatural entity whose true nature remains unclear even to those trying to stop it—investigation yields only more questions.
A Korean thriller where a detective investigates a string of murders that may or may not be supernatural. Baroque plot, genuinely ambiguous supernatural threat, visually overwhelming and morally complex. It takes everything seriously.
But Opaque as a brick. Two hours and forty minutes of intentional misdirection. You'll finish unsure if you've understood anything, and that ambiguity either fascinates or infuriates.
Nosferatu1922
Both feature an ancient, almost unknowable supernatural force brought into contact with the mundane world, after which rationality collapses entirely.
The definitive vampire film: a creature is summoned unknowingly and begins to hunt. Silent, expressionist, and disturbingly elegant—every shadow means something. Proof that horror's power has nothing to do with budget or technology.
But It's a century old and in black and white. Silent cinema language requires patience, and Orlok spends much of the film offscreen—both things modern viewers often resent.
People
Cast
- Justin DuncanJacob
- Gerald CrumShawn
Kristin CochellJasmine- Shanon SneddenClair
Arianne MartinSareen
Directing
- Michael CrumDirector