Film
The Wicker Man
A police sergeant lands on a remote Scottish island hunting a missing girl, only to find the locals have traded Christianity for older, stranger customs. It's horror built from sunlight, folk song, and polite unease rather than jump scares, tightening slowly until its notorious ending. Essential for anyone curious where the whole 'folk horror' genre actually begins.
If you liked this
Midsommar2019
Ari Aster takes the same premise - an outsider drawn into an isolated community's ancient rites - and drenches it in daylight, gorgeous ritual, and a finale that earns every excruciating second of its build.
But It's nearly two and a half hours of slow-burn dread, which tests patience before the payoff arrives.

The Witch2016
Robert Eggers strands a Puritan family against a hostile wilderness, building dread from religious conviction and isolation rather than jump scares - the same suspicion that faith itself might be the trap.
But Archaic dialogue and glacial pacing make it a demanding watch if you want quick thrills.

Kill List2011
Ben Wheatley's hitman thriller quietly mutates into full folk-horror territory, ambushing you with a violent, ritualistic climax that rhymes eerily with Sergeant Howie's fate.
But The tonal whiplash and extreme violence can feel like a different film has hijacked the one you started watching.

The wildcard
Something you would not have found on your own.
Häxan1922
Wicker Man runs on the collision between rationalist modernity and surviving pagan belief - Häxan is the film that first tried to document that exact collision, decades before folk horror had a name.
This phantasmagoric silent-era mix of documentary and staged reenactment traces centuries of witch trials and pagan belief, with an eerie fascination that set the template folk horror would later formalise into scares.
But Silent, essayistic, and genuinely bizarre, it demands patience for antique pacing and intertitles.

More like this (8)
Apostle2018
A man infiltrates a remote island cult searching for his missing sister, and the parable of an outsider undone by a community's zealotry plays out with bloodier, more baroque results.
But Gareth Evans leans hard into gore and spectacle, trading slow dread for outright brutality.

Rosemary's Baby1968
Polanski's classic shares the same slow tightening of the noose - a protagonist realising, far too late, that everyone around them has been in on something terrible from the start.
But It's a quieter, more claustrophobic dread with no ritual spectacle or countryside scenery to enjoy.

Hot Fuzz2007
Edgar Wright spoofs the exact 'idyllic English village hiding monstrous secrets' formula, and it's a genuine delight to watch the trope get played entirely for laughs and gore.
But If you want more horror than affectionate parody, the tone will feel like a bait and switch.

The Ritual2017
Four friends lost in a Scandinavian forest stumble into a pagan cult's territory, delivering the same sense of ancient belief patiently waiting for outsiders to wander in.
But It leans harder into monster-movie horror in its back half, losing some folk-horror subtlety.

Men in Black1997
Alex Garland's fever dream sends a woman to an English village where something is uncannily wrong with every man she meets, echoing a community operating on rules you don't understand.
But It's willfully abstract and surreal, with an ending that divides audiences rather than satisfies.

A Field in England2013
Ben Wheatley's hallucinatory black-and-white Civil War oddity strips folk horror to its psychedelic bones - alchemy, madness, and men lost in the English countryside.
But It's genuinely strange and near-plotless, frustrating for anyone wanting narrative momentum.

The Prisoner1967
Swap paganism for espionage and you get the same architecture: a genial community, a sinister collective purpose, and one man realising too late that leaving was never really an option.
A secret agent wakes in a picturesque, cheerful village he can't leave, where any neighbour might be complicit - the same slow paranoia of an outsider realising the community is arrayed against him, filtered through Cold War spy fiction.
But Its trippy, allegorical bent, especially the finale, prioritises ideas over answers, which can frustrate viewers wanting resolution.

Wild Wild Country2018
It swaps fiction for fact - the closest thing to Summerisle you'll find on a map, a real community organised around belief that outsiders find bewildering and threatening, and vice versa.
This real-life saga of the Rajneeshpuram commune in 1980s Oregon shows an actual insular community clashing with outsiders, complete with charismatic leadership and escalating menace - the same tensions dramatised here, but true and far messier.
But It's six hours of documentary moral ambiguity, without the tidy horror-movie shape or ending.

People
Cast
Edward WoodwardSergeant Neil Howie
Christopher LeeLord Summerisle
Britt EklandWillow MacGreagor
Diane CilentoMiss Rose
Ingrid PittLibrarian
Roy BoydBroome
Lesley MackieDaisy- Walter CarrSchool Master
- Irene SuntersMay Morrison
Lindsay KempAlder MacGreagor- Ian CampbellOak
- Kevin CollinsOld Fisherman
Directing
- Jake WrightAssistant Director
- Sue MerryContinuity
- Robin HardyDirector
Writing
- David PinnerNovel
- Anthony ShafferScreenplay
Production
- Maggie CartierCasting
- Jilda SmithLocation Manager
- Peter SnellProducer
- Ted MorleyProduction Manager
- Beryl HarveyProduction Secretary
- Mike GowansUnit Manager
Recommended by
Local Hero, Compliance, Midnight Mass, The Stepford Wives, Whisky Galore!, Lord of the Flies, I Know Where I'm Going!, Straw Dogs, The Box of Delights, Hot Fuzz, Worzel Gummidge, Calvary, Midsommar, The Ox-Bow Incident, Rockets Galore, Trick 'r Treat, The Village, The Ninth Gate, Over the Garden Wall, Troll 2, Widow's Bay, Taboo, Apostle, Don't Look Now, Brigadoon, Kill List, Carnival of Souls, Häxan, The Ritual, A Field in England, Britannia, Sleepy Hollow, Onibaba, The Omen, The Devil Rides Out, Climax, Night of the Demon, Witchfinder General, Shetland