Television series

The Box of Delights

A six-part BBC serial from 1984, adapted from John Masefield's 1935 novel, in which schoolboy Kay Harker is handed a mysterious box that lets him shrink, fly and slip backward through history. Wobbly early video effects sit oddly and wonderfully alongside real dread - talking wolves, resurrected Romans, a soft-spoken villain who never raises his voice. Christmas cosiness laced with genuine unease.

If you liked this

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe2005

Same BBC-era magic-in-plain-England feel - a wardrobe leads to snow and talking beasts just as Kay's box leads him into strange country.

But Even more dated effects and pacing, and an earnestness that's stiffer than the Box's playful, unsettled oddness.

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe poster

Moondial1988no page yet

Another British children's serial built on a strange object and a time-slip into old danger, with a genuinely unsettling atmosphere.

But Slower and sadder than Box of Delights - a melancholy ghost story rather than a Christmas romp.

The Wind in the Willows1983no page yet

The same handmade stop-motion warmth - a cosy rural England full of secret rooms, riverbanks and odd little creatures.

But Much gentler and slower, with none of the real menace that Herne the Hunter and his wolves bring.

The wildcard

Something you would not have found on your own.

A Matter of Life and Death1946

Box of Delights descends from exactly this British tradition of treating ordinary English settings as portals for enormous imagination - the same delighted conviction that reality has a trapdoor in it somewhere.

The granddaddy of British screen fantasy - a dying airman's mind conjures a vast bureaucratic afterlife out of ordinary wartime England.

But It's a theatrical wartime romance for adults, with no children, no Christmas, and a deliberately stagey pace.

A Matter of Life and Death poster
More like this (7)

Watership Down1978

British animation unafraid to frighten children, with the same sense that magic and danger sit close together in the English countryside.

But Considerably darker and bloodier than the cosy Christmas tone Box of Delights eventually settles into.

Watership Down poster

Paddington2014

If you want the warmth and whimsy without the eeriness, this delivers pure heart, London charm and a very good bear.

But No mystery, no magic box, no wolves - just kindness, marmalade and impeccable manners.

Paddington poster

The Snowman1982no page yet

A short, wordless slice of English Christmas magic with the same wintry hush and the same sense of flying through impossible skies.

But Barely half an hour long, and there's no real story beyond its lovely, quiet images.

Worzel Gummidge1979

Rural English whimsy built around a talking scarecrow, with genuine folkloric strangeness humming under the comedy.

But Broader and sillier, with far less atmosphere and dread than Box of Delights' wintery mystery.

Worzel Gummidge poster

The Borrowers1992no page yet

Another small, resourceful hero navigating a hidden magical world tucked inside ordinary England.

But Smaller stakes and gentler stuff - whimsical adventure rather than the strange, near-cosmic menace of the Punch and Judy man.

The Wicker Man1973

Both draw on old British folk survivals - Herne the Hunter, pagan rites under a Christian veneer - one plays it as wonder, the other as nightmare.

Takes the same pagan folk-magic that gives Box of Delights its wolves and its ancient Romans, and lets it turn properly monstrous.

But Adult horror with real dread and a bleak ending - about as far from a children's Christmas serial as you can get.

The Wicker Man poster

Pan's Labyrinth2006

The same structural idea as Kay and his box: a child handed access to another world by a strange, not-quite-trustworthy figure, where wonder and real danger are inseparable.

A lonely child escapes a frightening adult world into a magical realm ruled by an ambiguous guide, told with extraordinary visual invention.

But Spanish-language, violent, and adult in its themes - nothing here is safe for a Christmas afternoon audience.

Pan's Labyrinth poster