Television series
Malory Towers
- Coming-of-age
- Light-hearted
A BBC adaptation of Enid Blyton's beloved boarding school novels, following a new girl navigating friendships, rivalries, and self-discovery at an elite Cornish academy in the 1940s. Visually gorgeous, emotionally genuine, and surprisingly modern in its treatment of belonging and identity. Perfect for anyone who wants comfort without condescension, adventure without cynicism.
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The Miniaturist2017
Beautifully shot period drama with the same focus on female agency and complex relationships within confined spaces. The Amsterdam setting is lush, the mysteries genuinely compelling, and the ensemble cast is phenomenal.
But Only two seasons and it ends on an ambiguous note that frustrated some viewers. Also darker and more morally murky than Malory Towers.

Ginny & Georgia2021
Contemporary take on the coming-of-age ensemble formula with real bite. Smart about female friendships, school hierarchies, and the gap between how people present themselves and who they actually are. Genuinely funny.
But Much more cynical and sometimes darker than you might expect. Tackles sexual content and adult themes that Malory Towers carefully avoids.

Anne with an E2017
Another literary adaptation that respects its source while deepening it for modern audiences. Period-perfect, visually sumptuous, and genuinely moving. The portrayal of female friendship and self-acceptance is beautiful.
But Later seasons introduce heavier themes—racism, trauma, sexuality—that shift the tone considerably. Some find it loses the warmth that made it special.

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The wildcard
Something you would not have found on your own.
The Box of Delights1984
Both are BBC productions steeped in a particular vision of British childhood as something precious and visually beautiful—not glossy modern versions of it, but the real thing, filmed with genuine affection for the era and the emotional truth of growing up.
A BBC classic that shares Malory Towers' commitment to creating a fully realized world of British childhood adventure and wonder. Gorgeously filmed, genuinely magical without being saccharine, and absolutely hypnotic. Pure imagination made visible.
But It's a period film from the 1980s with pacing that demands patience. By modern standards it moves slowly, and some of the special effects are clearly dated. Not for viewers who need constant momentum.

More like this (8)
The Marvelous Mrs. Maisel2017
Period comedy-drama about a woman finding her voice and her people. Gorgeous production design, snappy dialogue, and an ensemble that actually feels like a family. Utterly rewatchable.
But It's adult-focused and often bawdy. No boarding school wholesomeness here—it's sophistication and scandal in 1950s New York.

Dickinson2019
A period coming-of-age story that refuses to be reverent about its own era. Smart, visually inventive, and genuinely funny. The female friendships are central and complicated in the best way.
But Anachronistic soundtrack and irreverent tone might feel jarring if you want pure period immersion. Also much edgier than Malory Towers in every direction.

Heartbeat1992
A different kind of ensemble drama but equally warm and character-driven. British setting, strong sense of community, and that same comfort-watch quality where you just want to spend time with these people.
But It's about police officers, not schoolchildren, so the tone is more procedural. Also significantly older production values and pacing.

The Summer I Turned Pretty2022
Captures that specific magic of a formative summer where friendships are tested and remade, crushes feel life-or-death, and self-discovery happens in small moments. Beautiful cinematography and genuinely sweet.
But Considerably more romance-focused and less grounded than Malory Towers. The love triangle feels central in a way that might overshadow the friendship dynamics you're watching for.

The Trip2010
British period drama with excellent ensemble work and strong female characters. The setting is atmospheric, the relationships feel earned, and there's real warmth underneath the drama.
But Smaller scale and quieter than you might want. Some find the pacing slow and the stakes less immediate than more action-driven period pieces.

Good Omens2019
A British production with tremendous heart and humor, strong ensemble dynamics, and a genuine sense that these characters care about each other. It's funny without being cynical about belief and friendship.
But It's fantasy and irreverent about religion in ways that won't appeal to everyone. The tone is campy rather than grounded, and it's very much for adults.

Heartstopper2022
Both capture the intensity of school friendships and the way that bonds formed young feel permanent and world-changing. Both understand that the small moments—inside jokes, shared meals, midnight conversations—are what actually matter. Heartstopper just puts it in a completely different package.
Animated comedy-drama about friendship and first love that understands the emotional stakes of school relationships with stunning clarity. Joyful, warm, and made with real artistry. The ensemble dynamics are perfect.
But It's focused on LGBTQ+ narratives and teen romance in ways that might feel like a different beast from traditional boarding school drama. Also much shorter episodes and a different visual language altogether.

Swallows and Amazons1974
Both trust young people entirely. Both understand that friendship and loyalty and proving yourself matter more than anything external. Both are filmed with real love for the landscapes they're set in. Swallows and Amazons is the spiritual ancestor of this kind of story—the template for how to make a film about childhood that respects children's emotional lives as serious and real.
A nearly perfect film about children on an adventure that trusts them to be the centers of their own story. Beautifully shot, genuinely thrilling without condescension, and full of the kind of unsupervised freedom that feels like a vanished world. Pure joy.
But It's a 1974 film and it shows—not everyone responds to that specific visual language or pacing. Some find the nautical adventure elements slow, and there's less character melodrama than modern viewers might expect.

People
Cast
Production
- Kate HewlettCo-Executive Producer
- Amy BuscombeExecutive Producer
- Anne LoiExecutive Producer
- Jo SargentExecutive Producer
- Josh ScherbaExecutive Producer
- Michael GoldsmithExecutive Producer
- Rachel FlowerdayExecutive Producer
- Sasha HailsExecutive Producer
- Angela BoudreaultProducer
- Gráinne McNamaraProducer
- Jim CorstonProducer