Film

The Hound of the Baskervilles

Other titles called The Hound of the Baskervilles: the 1959 film.

Basil Rathbone's definitive Holmes investigates a cursed family and a supernatural hound on the moors. This 1939 film is atmospheric Gothic mystery that builds dread through fog and shadow rather than jump scares. Essential for anyone discovering why Holmes endures, and a masterclass in how to adapt literature without betraying it.

TMDb rating3.6

Should you watch it?

Watch it if you love a tidy, old-fashioned whodunit where fog-bound moors, a sinister legend and a sharp detective's deductions carry the suspense more than gore does.

Skip it if you want modern pacing or grit; this 1939 black-and-white picture moves at a stately, stage-bound clip and its creaky studio moors may feel more quaint than eerie.

What it asks of you: Around eighty minutes, so it is brisk for a mystery, but it wants patience with dialogue-heavy scenes and rewards close attention to clues and who is where.

If you liked this

Murder on the Orient Express1974

Agatha Christie's locked-room puzzle with an ensemble cast solving an impossible crime. Elegant, intricate, genuinely clever—it rewards attention and respects your intelligence.

But The pacing is glacial by modern standards, and the solution requires you to sit through considerable exposition at the end.

Murder on the Orient Express poster

Sherlock2010

Modern Holmes and Watson solving crimes in contemporary London with witty banter and genuine affection between them. Sharp, stylish, and funny in ways that feel earned rather than forced.

But The show becomes increasingly baroque and self-indulgent as it progresses, losing the tight mystery plotting of early episodes.

Sherlock poster

Knives Out2019

A whodunit that loves detective fiction and plays fair with the audience. Daniel Craig's Southern-fried Poirot is a joy, and the plot has real surprises even if you guess early.

But The genre pastiche can feel a touch self-congratulatory, and some viewers find the meta-textual element distracting.

Knives Out poster

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The wildcard

Something you would not have found on your own.

The Lodger: A Story of the London Fog1927

Both are Gothic mysteries where atmosphere and setting matter more than the mechanics of plot; both use the London fog as a character.

Hitchcock's silent film about a mysterious tenant and Jack the Ripper suspicions. Pure visual storytelling—fog, shadows, and suggestion create terror without a word.

But It's silent, it's 97 years old, and it moves at silent-film pace. The intertitles require attention, and the resolution is abrupt.

The Lodger: A Story of the London Fog poster
More like this (8)

The Maltese Falcon1941

Dashiell Hammett's laconic private detective Spade in a noir that defined the form. Bogart is magnetic, the dialogue crackles, and the mystery unfolds with genuine momentum.

But The pacing is brisk to the point where you might miss details; the femme fatale is underwritten by modern standards.

The Maltese Falcon poster

The Lady from Shanghai1947

Orson Welles' noir is visually baroque and morally murky in ways that feel dangerous. The hall-of-mirrors finale is cinema, pure and simple.

But The plot is genuinely hard to follow, and that's not a flaw—but it can exhaust viewers looking for clarity.

The Lady from Shanghai poster

Rebecca1940

Hitchcock's Gothic mystery about a house, a marriage, and a dead woman whose shadow refuses to lift. Suspenseful and genuinely romantic in a way that deepens the dread.

But It moves slowly by Hitchcock's own standards, and the resolution relies on exposition rather than revelation.

Rebecca poster

The Big Sleep1946

Chandler's Marlowe with Bogart and Bacall generating impossible chemistry. The plot is famously incomprehensible, but you won't care—the ride is the point.

But The story genuinely doesn't make logical sense, even by noir standards. If plot coherence matters to you, this will frustrate.

The Big Sleep poster

The Wicker Man1973

A detective arrives on a Scottish island to investigate a missing girl and discovers something far more sinister. Unsettling, intelligent, and genuinely unique.

But It's pagan horror wrapped in mystery, and the ending is bleak. If you want reassurance, this isn't it.

The Wicker Man poster

Laura1944

Otto Preminger's noir about a detective obsessed with a dead woman's portrait. Elegant, moody, and structurally clever in ways that still surprise.

But Very mid-century in its gender politics; the pacing is deliberate, and some find the mystery less engaging than the atmosphere.

Laura poster

Twin Peaks1990

Both are mysteries that understand the supernatural is sometimes more interesting than the rational; both create unease through suggestion and mood.

Lynch's small-town mystery about a murdered girl unfolds into something that defies genre. Unsettling, darkly comic, visually hypnotic, and genuinely unpredictable.

But The show collapses under the weight of its own mythology in Season 2; the Black Lodge finale is deliberately incoherent.

Twin Peaks poster

Funeral in Berlin1966

Both feature brilliant detectives in foreign lands unraveling a mystery with more style than urgency; both value the intelligence of the protagonist over spectacle.

Michael Caine's Harry Palmer is a working-class spy solving Cold War puzzles with dry wit. More grounded and morally complex than Bond, filmed with cool precision.

But It's very much a product of 1960s espionage fiction; the plot is secondary to mood and character, which frustrates plot-driven viewers.

Funeral in Berlin poster

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