Television series
The Owl House
The Owl House is Disney Channel's scrappiest, weirdest show—a bisexual teenage witch's apprentice bouncing between Earth and a demon dimension full of grumpy elders, secret rebellions, and a giant sentient door named Hooty. It's fast, funny, unafraid of real stakes, and quietly one of the most openly queer shows Disney has ever aired. Great for anyone who wants Saturday-morning energy with actual emotional teeth.
If you liked this
Gravity Falls2012
Same creator, same brain: mystery-comedy with a genuinely intricate long game hiding under the jokes. If you loved the tonal whiplash and hidden lore of The Owl House, this is where Alex Hirsch built the muscles for it.
But More mystery-of-the-week than sprawling serialized fantasy, and the magic system is thinner than Owl House's.
Amphibia2019
Disney's own cousin show: a human kid stranded in a bizarre animal-run world, slowly building a found family while a much bigger political story ticks along underneath. The payoff in later seasons is enormous.
But Starts slower and more episodic before the serialized plot really grabs you.
She-Ra and the Princesses of Power2018
A full-throated serialized fantasy war with queer romance at its center and a found family that earns every tear it wrings out of you by the finale.
But Leans more melodramatic and romantic than comedic; the humor is gentler and less chaotic.
The wildcard
Something you would not have found on your own.
Kiki's Delivery Service1989
Both are apprenticeship stories about a girl with no natural gift proving herself through work, kindness and stubbornness — Luz's arc in miniature, decades before her, and far gentler.
Miyazaki's quiet, gorgeous film about a young witch leaving home to make her own way, doubting herself, and finding a new town to belong to. It's the tender, unhurried ancestor of every apprentice-witch story since.
But Nearly plotless by design — a slow, meditative coming-of-age with almost no fantasy conflict at all.
More like this (7)
Steven Universe2013
The show that proved kids' cartoons could carry real queerness and real grief without losing their gentleness. A slow-build masterclass in found family and quiet emotional stakes.
But Much slower pace with fewer jokes per minute; some seasons sit in feelings for a long time.
Hilda2018no page yet
A curious girl wandering a world stuffed with trolls, spirits and bureaucratic elves, told with gorgeous, storybook-warm animation and a cozy sense of wonder.
But Far calmer and less serialized — no big looming villain arc, just episodic adventure.
Little Witch Academia2017
An anime about a talentless girl clawing her way into a school of witches through sheer stubbornness and hope — Luz's spiritual sibling, just with a Japanese studio's polish.
But Only 25 episodes and confined mostly to one school, without Owl House's dimension-hopping scope.
Star vs. the Forces of Evil2015no page yet
A wand-wielding princess crash-lands on Earth and chaos ensues — the same unhinged comic energy and sudden tonal left turns that made Owl House feel unpredictable.
But Later seasons swing dark abruptly, and quality gets uneven toward the end.
Kipo and the Age of Wonderbeasts2020no page yet
A relentlessly hopeful kid navigates a post-apocalyptic world run by mutant animals, with the same optimism-through-weirdness and found-family heart Owl House trades in.
But Only three shorter seasons, and lighter on witch mythology if that's what hooked you.
Over the Garden Wall2014
Same structure of episodic detours through a fantastical realm hiding a bigger emotional mystery, but compressed into a single sitting and pitched at a far sadder, stranger register.
A ten-episode animated miniseries about two brothers lost in a strange autumnal woodland, drifting between whimsy and genuine dread. It's short, beautifully drawn, and lingers in your chest for days.
But Melancholic and elliptical rather than funny — a mood piece, not a comedy-adventure.
Buffy the Vampire Slayer1997
The mentor-apprentice bond, the demon-fighting chosen-family structure and the eventual queer romance are all here first — just aged up, slowed down, and stripped of the cartoon safety net.
A teenage girl balancing school and monster-fighting under a gruff mentor, with a found family of misfits and — eventually — openly queer relationships woven through the drama.
But Live-action, much more adult in tone, with genuine horror, romance and violence Owl House never touches.
People
Cast
Writing
- Dana TerraceCreator
Recommended by
Heartstopper, Gravity Falls, The Dragon Prince, She-Ra and the Princesses of Power, Steven Universe, Amphibia