Film
Wendell & Wild
A stop-motion romp where two chaotic demons (voiced by Keegan-Michael Key and Jordan Peele) con their way topside through a grieving punk-rock girl. Henry Selick directs with baroque visual invention, packed with gags and heart underneath the chaos. It's anarchic and gorgeously weird—for people who loved Coraline's darkness but want more laughs.
Should you watch it?
Watch it if you love gothic, scrappy stop-motion where the grotesque and the giddy share a frame, and a story about a kid who refuses to be pitied into a smaller life.
Skip it if you need a tidy, easy-going kids' film, since the jokes keep rubbing against ghoulish imagery and the chaotic set pieces can feel crowded.
What it asks of you: Settle in for a brisk hour and three quarters of bizarre invention, where the mood lurches quickly from giddy to uneasy and the visuals demand your eye.
Not sure? Find tonight's pick in a minute.
If you liked this
Coraline2009
Henry Selick's other masterpiece: same director, same stop-motion craft, same willingness to scare children while making them laugh. If you loved the visual invention here, this is non-negotiable.
But It's slower and more genuinely unsettling—less plot momentum, more dread. Some find it bleak rather than fun.

The Owl House2020
A Disney show about a human girl in a demon realm, mixing horror-comedy with real character work and queer romance. Same tonal balance of silly and sincere, with phenomenal voice acting and world-building.
But It's serialized across three seasons; you can't just dip in. First season moves slower than Wendell & Wild's manic pace.

Craig of the Creek2018
Cartoon adventure with genuine warmth, diverse characters, and a tone that respects both kids and adults. Less anarchic than Wendell & Wild but shares the same belief that fun doesn't require cynicism.
But It's gentler and more grounded—no demons, no supernatural stakes. If you want chaos, this is too cozy.

Not sure tonight? Get a pick in a minute, starting from Wendell & Wild
The wildcard
Something you would not have found on your own.
Fantastic Mr. Fox2009
Both are character-driven stop-motion films where the craft is the star and personality trumps plot. Both believe animation is for adults too.
Wes Anderson's stop-motion about a con-artist fox outwitting farmers. Same stop-motion craft as Wendell & Wild, same commitment to visual detail, but deadpan and melancholic instead of manic. Shows what the medium can do.
But Slow, quiet, almost mannered. If you want chaos and loudness, Anderson's restraint will feel cold or boring.

More like this (6)
Over the Garden Wall2014
A miniseries that nails what Wendell & Wild attempts: comedy, horror, and melancholy woven tight. Autumn-dark, surprisingly moving, with two charming con-artist brothers at its heart.
But Only ten episodes total, and it ends definitively. Some want more world; others find that part of its perfection.

Hilda2018
Adventure-horror-comedy following a girl navigating a supernatural landscape. Smart, visually inventive, genuinely funny without losing stakes. Season one especially captures that Wendell & Wild energy.
But Shifts more serious and serialized as it goes. Early episodes are lighter than later ones.

Amphibia2019
A girl trapped in a frog world learning to be a hero. Underrated gem with the same mix of comedy, adventure, and genuine emotional payoff. Gets better each season.
But Very long commitment—three full seasons. Slow burn compared to Wendell & Wild's sprint.

Gravity Falls2012
Twins in a weird town full of mysteries. Tighter than Amphibia, faster-paced, genuinely hilarious, with a mystery box that actually pays off. Cult classic for good reason.
But Only two seasons, so it ends just as you're settling in. Some feel shortchanged; others call it perfect timing.

Carmen Sandiego2019
A heist-adventure series with style, humor, and heart. Less horror than Wendell & Wild, but similar energy—colorful, clever, fast-moving, and genuinely fun for all ages.
But It's more lighthearted romp than anything dark. If you came for the creepiness, this won't deliver.

Arcane: League of Legends2021
Both prove modern animation isn't a kids' medium. Both use visual invention and character voice acting (especially Key and Peele-style comedy) to elevate what could be simple premises. Both reward watching closely.
League of Legends adaptation that transcends its source. Riot's animation studio created something genuinely staggering—every scene looks different, characters you adore collide with systems that crush them. Funny, brutal, stunning.
But It's serious underneath the style. If you want to laugh the whole time, Arcane will break your heart instead. Video game people can skip it; newcomers won't.

People
Cast
Lyric RossKat Elliot (voice)
Keegan-Michael KeyWendell (voice)
Jordan PeeleWild (voice)
Sam ZelayaRaúl Cocolotl (voice)
James HongFather Bests (voice)
Angela BassettSister Helley (voice)
Gabrielle DennisWilma Elliot (voice)- Gary GatewoodDelroy Elliot (voice)
Igal NaorManberg (voice)
Tamara SmartSiobhan (voice)
Seema VirdiSloane (voice)
Ramona YoungSweetie (voice)
Directing
- Henry SelickDirector
- Melissa St. OngeFirst Assistant Director
Writing
- Clay McLeod ChapmanBook
- Henry SelickBook
- Henry SelickScreenplay
- Jordan PeeleScreenplay
Production
- Clay McLeod ChapmanAssociate Producer
- Terri TaylorCasting
- Ally ConoverCasting Associate
- Sarah Domeier LindoCasting Associate
- Amy McLeishCo-Producer
- Sarah SerataCo-Producer
- Eddie GamarraExecutive Producer
- Ian CooperExecutive Producer
- Joel ZadakExecutive Producer
- Kamil OshundaraExecutive Producer
- Lindsay WilliamsExecutive Producer
- Peter PrincipatoExecutive Producer
- Julie RaglandLine Producer
- Ellen Goldsmith-VeinProducer
- Henry SelickProducer
- Jordan PeeleProducer
- Win RosenfeldProducer
- Kristina SoderquistProduction Accountant
- Maddie LoftesnesProduction Coordinator
- Jenn FeeProduction Manager
- Olivier MourouxPublicist
Recommended by
Coraline, ParaNorman, Nimona, The Amazing Maurice, All Tender Things, UglyDolls