Television series
Merlin
A BBC reimagining of Arthurian legend that follows young Merlin as he arrives in Camelot with hidden magical powers, navigating court intrigue, destiny, and an unlikely friendship with the prince who'll become king. It's earnest fantasy adventure with genuine warmth—think magic and sword-fights filtered through British charm and a cast that genuinely seems to like each other.
Should you watch it?
Watch it if you love Saturday-evening adventure with a warm heart, where a young sorcerer's secret friendship with a prince carries more weight than any single monster of the week.
Skip it if you want gritty realism or slow-burn mythology; this is brisk, cheerful family fantasy with cheap-looking creature effects and plenty of earnest, teatime sincerity.
What it asks of you: Sixty-minute episodes that run easily one after another, with light peril, a steady comic streak, and little demand beyond following who is secretly hiding what.
Not sure? Find tonight's pick in a minute.
If you liked this
Smallville2001
Ten seasons of a young hero discovering his powers while protecting his hometown and falling in with a band of loyal friends. Perfectly pitched between teen drama and genuine stakes, with a cast that grows into the material beautifully.
But The early seasons are sometimes clumsy with their metaphors, and the show takes time to find what it's really about. Monster-of-the-week repetition can wear thin.

The Witcher2019
Epic fantasy with a witty, morally complicated protagonist, richly layered world-building, and action sequences that actually mean something. It trusts you to follow complex threads without spelling everything out.
But Season two fumbles some character decisions, and the show demands you pay close attention. The tonal shifts between grounded and mythic can feel jarring at first.

Grimm2011
A detective discovers a hidden supernatural world existing alongside ours. Fast-paced, inventive, and genuinely funny, with excellent chemistry between leads and a mythology that deepens without overwhelming the procedural comfort of the format.
But The show runs five seasons and not all of it sticks the landing. Some creature designs are more budget-conscious than intimidating.

Not sure tonight? Get a pick in a minute, starting from Merlin
The wildcard
Something you would not have found on your own.
Kaamelott2005
Both take Arthurian legend seriously enough to deconstruct it. Where Merlin plays it straight, Kaamelott asks: what if these legendary figures were just people trying to manage an impossible situation?
A French comedy series reimagines Arthurian legend as a dysfunctional royal household where Arthur struggles to lead incompetent knights and a wife who despises him. It's absurdist, brilliantly written, and finds comedy in the collision between legend and reality—something Merlin only hints at.
But It's entirely in French, obviously. The humour is character-based and subtle rather than plot-driven, so if you need constant action or clear narrative momentum, you'll lose patience.

More like this (8)
The Magicians2015
Smart, funny, surprisingly dark take on the chosen-one fantasy. Beautiful production, genuine character development, and it's unafraid to undercut its own mythology with doubt and real consequences for magic.
But The first season is rough—it takes time to find its voice. Some viewers find the tone-shifting between comedy and darkness exhausting rather than effective.

Arrow2012
Green Arrow becomes a dark, driven vigilante in contemporary Starling City. Exceptional action choreography, a cast with real chemistry, and genuine willingness to let character arcs breathe across seasons rather than reset them.
But The later seasons lose focus and introduce increasingly convoluted mythology. Fans will warn you about specific seasons to either skip or endure.

Supernatural2005
Two brothers hunt monsters and demons across America with impeccable comedic timing and surprisingly moving emotional arcs. Fifteen seasons means you can live in this world for ages, and the show knows how to balance horror with genuine warmth.
But Fifteen seasons means it also meanders, repeats itself, and tests your patience. The mythology becomes increasingly unwieldy, and not every idea lands.

Buffy the Vampire Slayer1997
A young woman discovers she's destined to fight evil while navigating high school and adulthood. Witty, inventive, genuinely moving, and genuinely influential—it still holds up because it means what it says about its characters.
But The early seasons are visibly low-budget, and the show occasionally mistakes loneliness for depth. Some metaphors don't survive the years well.

Vikings2013
Ragnar Lothbrok leads Norse warriors into legend with visceral action, complex family dynamics, and a willingness to let your heroes fail and suffer. Gorgeously shot and genuinely epic in scope.
But The show loses narrative focus after Ragnar's arc concludes, and it sometimes confuses brutality with depth. Later seasons lean heavily on shock value.

The 10th Kingdom2000
A mother and daughter from modern New York are pulled into a fairy-tale world that's darker and stranger than the stories. It's a miniseries with genuine heart, excellent production for its era, and a real sense of adventure.
But It's a 2000 miniseries, so the effects and pacing feel dated. The tonal shifts between comedy and genuine darkness might feel uneven to modern viewers.

The Owl House2020
Both centre on a young person discovering hidden power and building a found family with unlikely allies. The Owl House is what Merlin would look like if it trusted its emotional core as much as its adventure.
A girl stumbles into a demon realm and discovers magic while falling into a complex, earned relationship with a charismatic mentor. It's animated, gorgeously designed, genuinely funny, and treats its young protagonist's emotional journey with complete sincerity—something Merlin does brilliantly but Merlin never had the visual language to show.
But It's animated, which some viewers still resist. The first season takes a few episodes to establish stakes, and if you need immediate plot momentum, it won't grab you.

Excalibur1981
Merlin is BBC naturalism meeting fantasy adventure. Excalibur is Wagner's Arthurian epic told through a camera—it's what happens when you treat the same legend with maximalist, dreamlike intensity instead of grounded warmth. Both are Merlin stories, but they've chosen completely different languages.
John Boorman's film is opera in chainmail—hypnotic, ritualistic, visually stunning, and so committed to Arthurian legend's mystical weirdness that it doesn't bother with conventional narrative. It's haunting, ambitious, and made for people who love myth as myth, not just as backdrop.
But It's almost three hours of deliberately paced, deliberately strange cinema. If you need dialogue to make sense and plot to move in straight lines, this will feel self-indulgent and slow. Some scenes are genuinely silly.

People
Cast
Production
- Gareth WilliamsAssociate Producer
- Amanda WilkieCo-Producer
- Rachel KnightCo-Producer
- Johnny CappsExecutive Producer
- Julian MurphyExecutive Producer
- Rachael LundSupervising Producer
Recommended by
The Wheel of Time, The Chronicles of Narnia, Knightmare, Catweazle, Galavant, The Sword in the Stone, Legend of the Seeker, Robin of Sherwood, Willow, The Mists of Avalon, The Shannara Chronicles, Robin Hood, Ivanhoe, Legend of Earthsea, H2O: Just Add Water