Television series
Supernatural
Fifteen seasons of two brothers, one leather-seated Impala, and pretty much every monster folklore ever invented. It starts as moody procedural horror—salt lines, silver bullets, small-town dread—then swells into full apocalyptic mythology with angels, demons and God's own family drama. The tone lurches from gore to gag reel and back, but the Winchesters' brotherhood is the engine that never stalls. Comfort horror for the long haul.
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Buffy the Vampire Slayer1997
The template Supernatural quietly reworked: monster-of-the-week horror fused with a found-family core and real emotional stakes. Whedon's dialogue crackles, the mythology deepens season by season, and it invented half the genre grammar the CW built its identity on.
But Late-90s effects and fashion age badly, and the early seasons take a while to find their voice.

The X-Files1993
Mulder and Scully basically wrote the case-of-the-week/mythology-arc structure Supernatural runs on for fifteen years. Slow-burn dread, government conspiracy, and monsters that still hold up as genuinely unsettling.
But Nine seasons of mythology sprawl that even the show itself sometimes loses track of.

Angel1999
Buffy's spinoff goes darker and more noir—a vampire detective agency in LA wrestling with redemption, which is basically Castiel's entire arc a decade early. Great if you want the found-family horror with more moral weight.
But Its best material arrives mid-series; the opening run is uneven detective-of-the-week stuff.

The wildcard
Something you would not have found on your own.
Fullmetal Alchemist: Brotherhood2009
Swap the Impala for alchemy and you've still got two brothers bound by guilt, chasing something they broke, fighting monstrous enemies episode after episode while a bigger cosmic conspiracy assembles behind them.
Two brothers wrecked by one terrible mistake go monster-hunting across a war-scarred country to fix what they broke. Same brotherhood-under-fire engine as Supernatural, told through gorgeous, emotionally merciless anime storytelling.
But It's 64 episodes of anime — a real ask if you've never tried the format, and the tone swings wildly between slapstick and devastation.

More like this (7)
Grimm2011
A cop who discovers he's the last of a line of monster hunters, working fairy-tale creatures into a police procedural. Same practical-effects creature-feature spirit as early Supernatural, with a steadier long game.
But Plays it straighter and safer—less mythology ambition, less of that brotherly banter that makes Supernatural sing.

Constantine2014no page yet
A chain-smoking demon-hunting exorcist dragging his own guilt around like a weapon. Same pulpy occult energy as Supernatural's angel-and-demon years, just with more British sarcasm and a shorter, tighter run.
But Cancelled after one season, so the mythology never gets to breathe or pay off properly.
Lucifer2016
Takes Supernatural's devil and makes him the charming lead of a police procedural in LA. Angels, demons, and heaven's bureaucracy played for laughs and romance rather than dread.
But Tonally much softer—more rom-com than horror, so the stakes rarely feel dangerous.

Teen Wolf2011no page yet
CW-adjacent werewolf soap with the same pretty-cast, monster-of-the-season structure and surprisingly game commitment to its own mythology. Comfort horror for anyone who misses the show's early small-town-under-siege years.
But Younger, soapier, more concerned with romance triangles than the moral weight Supernatural eventually chases.
Charmed1998
Three witch sisters, one Book of Shadows, endless demons-of-the-week — the sibling-team-against-evil engine running on estrogen instead of flannel. Cheesy in exactly the way that makes it endearing.
But Special effects and demon makeup are pure late-90s WB budget; don't expect scares.

Wynonna Earp2016no page yet
A descendant of Wyatt Earp hunting resurrected outlaw-demons in a small town, with the same gallows humour and sibling bickering that makes Supernatural's family dynamic work. Underseen, cult-beloved, worth the four seasons.
But Budget constraints show, and its cancellation leaves a couple of threads frustratingly loose.
The Leftovers2014
Strip away the monster hunts and Supernatural is really about grief, resurrection, and what you owe the people death keeps taking from you — which is the entire subject of this show, played with total seriousness instead of gallows humour.
What if two percent of the world's population just vanished, and everyone left had to keep living? A devastating, strange, deeply serious meditation on loss and faith from one of the best writers in television.
But No monsters, no jokes, no comfort — this is Supernatural's questions asked without any of its armour of humour.

People
Cast
Writing
- Eric KripkeCreator
- Davy PerezExecutive Story Editor
- Steve YockeyExecutive Story Editor
- Davy PerezStory Editor
- Jenny KleinStory Editor
- Robert BerensStory Editor
Production
- Hilary BrinkmanAssociate Producer
- Kristin CroninAssociate Producer
- Pablito C. TancincoAssociate Producer
- Shawn WagonerAssociate Producer
- Todd Philip AronauerAssociate Producer
- Adam GlassCo-Executive Producer
- Andrew DabbCo-Executive Producer
- Ben EdlundCo-Executive Producer
- Brad BucknerCo-Executive Producer
- Eric CharmeloCo-Executive Producer
- Eugenie Ross-LemingCo-Executive Producer
- Jim MichaelsCo-Executive Producer
- John ShibanCo-Executive Producer
- John ShowalterCo-Executive Producer
- Kim MannersCo-Executive Producer
- Meredith GlynnCo-Executive Producer
- Nicole SnyderCo-Executive Producer
- Peter JohnsonCo-Executive Producer
- Phil SgricciaCo-Executive Producer
- Richard HatemCo-Executive Producer
- Robbie ThompsonCo-Executive Producer
- Robert BerensCo-Executive Producer
- Steve YockeyCo-Executive Producer
- Craig MathesonCo-Producer
- Davy PerezCo-Producer
- Jeremy CarverCo-Producer
- Jerry WanekCo-Producer
- Julie SiegeCo-Producer
- Kevin ParksCo-Producer
- Meredith GlynnCo-Producer
- Pablito C. TancincoCo-Producer
- Robbie ThompsonCo-Producer
- Serge LaDouceurCo-Producer
- Shawn WagonerCo-Producer
- Steve YockeyCo-Producer
- Ben EdlundConsulting Producer
- Brad BucknerConsulting Producer
- Eugenie Ross-LemingConsulting Producer
- Nancy WonConsulting Producer
- Adam GlassExecutive Producer
- Andrew DabbExecutive Producer
- Ben EdlundExecutive Producer
- Brad BucknerExecutive Producer
- Eric KripkeExecutive Producer
- Eugenie Ross-LemingExecutive Producer
- Jeremy CarverExecutive Producer
- John ShibanExecutive Producer
- Kim MannersExecutive Producer
- McGExecutive Producer
- Phil SgricciaExecutive Producer
- Robert BerensExecutive Producer
- Robert SingerExecutive Producer
- Sera GambleExecutive Producer
- Andrew DabbProducer
- Daniel LoflinProducer
- Davy PerezProducer
- Meredith GlynnProducer
- Pablito C. TancincoProducer
- Steve YockeyProducer
- Todd Philip AronauerProducer
- Adam GlassSupervising Producer
- Andrew DabbSupervising Producer
- Daniel LoflinSupervising Producer
- Matt WittenSupervising Producer
- Meredith GlynnSupervising Producer
- Peter JohnsonSupervising Producer
- Phil SgricciaSupervising Producer
- Robert BerensSupervising Producer
- Sera GambleSupervising Producer
Recommended by
The X-Files, Buffy the Vampire Slayer, Warehouse 13, The Vampire Diaries, Grimm, Angel, Preacher, Lucifer