Television series

The Vampire Diaries

Small-town girl loves a 163-year-old vampire; his more dangerous brother loves her too. From there it spirals through witches, doppelgängers, resurrections, and a body count that never quits, all played dead straight by a cast having far too much fun. Eight seasons of soapy, breakneck plotting — comfort food for anyone who wants romance, gore, and a cliffhanger every ten minutes.

TVMaze rating7.9

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The Originals2013no page yet

Klaus and Elijah were the show's most compelling threat, so watching them get their own series — centred on family, guilt, and a thousand years of grudges — is basically buying the good seats.

But It leans harder into mythology and less into teen romance, so newcomers to the world may feel like they've walked into someone else's argument.

Buffy the Vampire Slayer1997

The blueprint for every monster-of-the-week teen soap that followed, including this one — funnier, sharper, and unafraid to let its metaphors do real emotional damage.

But The effects and fashion have aged in ways that are charming to some and distracting to others; early seasons take a while to find their footing.

Buffy the Vampire Slayer poster

True Blood2008

Same small-town-girl-meets-vampire setup, dialled up into something raunchier, funnier, and considerably bloodier — Louisiana swamp gothic with a drawl and no patience for restraint.

But It's much more explicit in every sense — sex, violence, tone — and the back half of the run sprawls in directions that test your patience.

True Blood poster

The wildcard

Something you would not have found on your own.

Dark Shadows1966no page yet

TVD's whole engine — vampire love triangle, doomed romance, small-town gothic secrets — was basically invented here, decades before the CW existed.

The original vampire soap opera, shot live on a shoestring, that invented the genre TVD lives in: doomed romance, ancient curses, and a small town that can't stop dying.

But It's slow, theatrical, and the production values are pure 1960s daytime TV — expect wobbly sets and long dialogue scenes rather than slick effects.

More like this (7)

Teen Wolf2011no page yet

Trades vampires for werewolves but keeps the formula intact: hot teenagers, ancient evils, and a small town that apparently sits on a supernatural fault line.

But The mythology gets increasingly baggy as new threats pile on, and the tone swings between horror and comedy more unevenly than TVD's.

Supernatural2005

Two brothers, a car, and a never-ending parade of monsters — if you liked the sibling stakes between Damon and Stefan, this gives you fifteen seasons of it.

But It's a much longer commitment and leans more into episodic monster hunts than the tangled romantic plotting TVD fans might be craving.

Supernatural poster

Shadowhunters: The Mortal Instruments2016no page yet

Another world of hidden supernatural societies, forbidden romances, and a heroine discovering her destiny — glossy, earnest, and unashamed of its melodrama.

But The production values and writing are a notch below TVD's, and it never quite escapes the shadow of the books it's adapting.

Riverdale2017

Same CW house style — gorgeous cast, absurd plotting, a small town hiding way too many secrets — just swap vampires for murder mysteries and time travel.

But It gets stranger and more self-parodic with each season, to the point where "unhinged" becomes the main selling point rather than a bug.

Riverdale poster

Charmed1998

Three witch sisters, demons of the week, and family loyalty tested constantly — another long-running supernatural soap that balances camp with genuine heart.

But It's more sisterly than romantic, and the early-2000s effects and fashion are firmly of their moment.

Charmed poster

Twilight2008

The film that arguably paved the way for TVD's existence — same DNA of brooding immortal boyfriend and ordinary girl swept into danger, just condensed into five movies.

But The pacing is slower and the tone more earnest than ironic; if you came to TVD for its self-aware wit, this plays it entirely straight.

Twilight poster

Let the Right One In2008

Strip away the CW gloss and love triangle and you get this: the same premise — a lonely kid falls for a vampire — played as quiet, unsettling tragedy instead of romance.

A hushed, wintry Swedish film about a bullied boy and the vampire child next door — tender and deeply unsettling in ways TVD only ever gestures toward.

But There's no romance-novel sweep here, just discomfort and dread; if you want swoon rather than dread, this will actively work against you.

Let the Right One In poster

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