Television series
Lost Girl
Lost Girl is a supernatural drama that blends monster-of-the-week mystery with serialized mythology. Bo, a succubus navigating between human and Fae worlds, anchors a show that's equal parts paranormal investigation, romantic tension, and genuine world-building. It's for viewers who want their fantasy grounded in character and willing to embrace camp without apology.
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Supernatural2005
Two leads with real chemistry hunt monsters across seasons of mythology that deepens and darkens. Episodes balance horror, humour, and heart in ways that feel earned rather than tonal whiplash.
But Fifteen seasons is a commitment. Pacing dips in the middle, and the show sometimes seems uncertain whether it wants to conclude.

The Vampire Diaries2009
A supernatural ensemble where romantic entanglement and mythological stakes matter equally. Smart writing about immortal beings stuck with mortal emotion, plus a cast that plays both comedy and consequence well.
But Heavy on love triangles if that exhausts you. The first season takes time to establish why you should care about these people.

Grimm2011
A detective discovers supernatural creatures are real and hiding in plain sight. Weekly cases let you enjoy standalone episodes while an overarching mythology builds something worth following to the end.
But Shifts between episodic and serialized storytelling unevenly. Later seasons prioritise mythology over the pleasures of early procedural episodes.

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The wildcard
Something you would not have found on your own.
Carmilla2014
Both centre a female supernatural being navigating attraction and identity while uncovering layered secrets about their own nature; both embrace female desire and vulnerability as strengths rather than weaknesses.
A web series told in vlogs and video calls—an entirely different format from Lost Girl but with the same sapphic tension, playful banter, and the slow revelation that supernatural mythology runs deeper than anyone admits. Vampire mythology reimagined for the internet age.
But Short episode lengths (3-5 minutes) take adjustment. Funding constraints mean visual scope is deliberately modest compared to cable television.

More like this (8)
The Witcher2019
A monster hunter navigates complex moral grey zones in a richly detailed fantasy world. Multiple POVs and timelines weave into something that rewards attention and rewatch.
But Scatters its narrative across three timelines initially. Dense lore and production design demand you stay focused.

Penny Dreadful2014
Literary monsters and Victorian gothic atmosphere collide in a show that treats supernatural horror as intimate and psychological. Performances elevate period melodrama into something genuinely unsettling.
But Moves slowly by design. If you need momentum over atmosphere, this suffocates rather than thrills.

True Blood2008
Vampires as a social metaphor in contemporary America, mixing procedural mysteries with long-form character arcs. Unafraid of camp and sensuality without shying from darkness.
But Tonal inconsistency worsens as seasons progress. Final seasons disappoint after strong early runs.

The Magicians2015
Graduates of a secret magic university solve problems both personal and cosmic across five seasons. Blends fantasy adventure, character vulnerability, and genuine stakes with wit that doesn't undercut the drama.
But First episode feels derivative of Harry Potter. Takes until episode three to establish its own voice and vision.

Being Human2009
A vampire, a werewolf, and a ghost share a house and navigate mortality, belonging, and what it means to be human. British warmth and dark comedy ground something that could easily collapse into gimmick.
But Only five seasons, which feels right but leaves you wanting more. Ends definitively rather than with maximum closure.

Buffy the Vampire Slayer1997
Teenage Slayer fights vampires and demons while homework, romance, and growing up compete for attention. Pioneering work in blending genre thrills with character-driven storytelling and genuine stakes.
But Early seasons show their age in effects and some writing. Tone wavers before the show finds its footing in season two.

Constantine2014
Both feature protagonists caught between supernatural factions, unable to fully trust either side; both structure themselves around weekly cases that reveal larger truths about the lead character's origin and allegiance.
A demon hunter expert in occult minutiae solves supernatural cases using knowledge and moral compromise. One season of sharp writing that proves you don't need eight years to tell a complete story with texture and character.
But Cancelled after one season on a cliffhanger. If unresolved endings wound you, this is not your watch.

Undone2019
Both explore female identity emerging through supernatural discovery; both use the supernatural framework to ask serious questions about autonomy, belonging, and the reliability of your own mind.
A rotoscoped animated series about a young woman discovering she might have supernatural abilities—or might be experiencing a mental health crisis. Visually stunning, tonally sophisticated, refusing easy answers about identity and reality.
But Animation style is divisive; some find it stunning, others find it distracting. Psychological ambiguity frustrates viewers needing concrete answers.

People
Cast
Writing
- Michelle LovrettaCreator
Production
- Vanessa PiazzaAssociate Producer
- Jeremy BoxenConsulting Producer
- Jay FirestoneExecutive Producer
- Michelle LovrettaExecutive Producer
- Paul RapovskiExecutive Producer
- Peter MohanExecutive Producer
- Plato FountidakisExecutive Producer