Television series
Go, Dog. Go!
- Action
- Light-hearted
- Dip in and out
A nimble animated series about Tag, a problem-solving dog, and her best friend Scooch navigating a vibrant city full of small adventures. Each thirteen-minute episode is a self-contained puzzle to unwind—never patronizing, always kind. It's for kids who like thinking their way through problems and adults who remember what good children's television feels like.
If you liked this
Bluey2018
Joyful, inventive, and genuinely funny for everyone in the room. Each episode celebrates curiosity and play while respecting that kids have real feelings and complicated questions.
But If you're looking for chaos or edge, it's relentlessly warm and optimistic. Some adults find that wearying.

Craig of the Creek2018
Adventure and problem-solving in a richly detailed neighborhood where kids are allowed to be resourceful and a little bit dirty. Beautifully drawn, wonderfully paced, genuinely funny.
But The early seasons have a gentleness that some find slow. It builds rather than explodes.

She-Ra and the Princesses of Power2018
An animated show about teamwork, problem-solving, and girls who think their way out of trouble. Sharp writing, real stakes without cruelty, and it trusts its audience's intelligence completely.
But It's longer-form than Tag—building across seasons. If you want thirteen-minute self-contained stories, this commits differently.

Not sure tonight? Get a pick in a minute, starting from Go, Dog. Go!
The wildcard
Something you would not have found on your own.
Elinor Wonders Why2020
Both teach problem-solving as a joy rather than a chore, and both respect that kids genuinely think—no dumbing down, no false stakes.
A girl and her friends investigate the natural world through observation and experimentation. It's not a cartoon—it's live-action with animated segments that show what the kids are discovering. The real difference is that Tag solves city problems; Elinor is doing actual science, and the show respects that it's a real way of thinking.
But The live-action framing means it feels fundamentally different from what you're used to. If you want pure animation, this hybrid approach might feel awkward.

More like this (6)
The Owl House2020
A girl lands in a magical world and immediately starts asking questions and making allies. Clever, genuinely inventive, with characters who solve problems by understanding each other.
But Darker in tone than Go, Dog. Go!—there's real menace. The first episode is slow.

Amphibia2019
A girl in a frog world learns to think on her feet and work with people she didn't expect to trust. Episode structure allows for small adventures and bigger arcs; never wastes a moment.
But Takes a few episodes to find its rhythm. Early seasons lean quirky before deepening into something more.

Hilda2018
A girl in a monster-filled forest solves problems through curiosity, kindness, and quick thinking. Gorgeously drawn, genuinely inventive, and surprisingly emotionally sophisticated.
But Darker and more complex than Tag—it's aiming at older kids. The art is painterly rather than poppy.

Carmen Sandiego2019
A thief with a moral code outsmarting opponents through preparation and clever thinking. Slick, fun, visually inventive, and genuinely thrilling without violence.
But More caper than cozy. If you want the warmth Tag has, this is cooler and sleeker.

Infinity Train2019
Kids on a mysterious train solve the puzzles each car presents. High-concept, visually stunning, each episode is a complete idea. Really clever premise work.
But Gets darker and more abstract as it goes. Some episodes feel more interested in weirdness than heart.

Puffin Rock2015
Like Tag, it's interested in curiosity and exploration without chaos, but where Tag is urban and zippy, Puffin Rock is rural and thoughtful—the same kindness applied at a different speed.
An Irish animated series narrated by Chris O'Dowd (and you hear how much he loves it). A puffin and his friends investigate their island—kind, curious, genuinely funny, with a rhythm that feels more like a storybook than a cartoon. Cozy in a way most animated shows aren't.
But It's quieter and slower than modern children's animation. The pacing is almost old-fashioned. And it's not as slapstick-funny as kids expect.

People
Cast
Writing
- Mark BankerExecutive Story Editor
- Matt SmithExecutive Story Editor
- Lukas MillsStory Editor
- Matt SmithStory Editor
- Nicole BelisleStory Editor
Production
- Adam PeltzmanExecutive Producer
- Amir NasrabadiExecutive Producer
- Chris AngelilliExecutive Producer
- Josh ScherbaExecutive Producer
- Lynn Kestin SesslerExecutive Producer
- Stephanie BettsExecutive Producer
- Morgana DuqueProducer