Television series
Every Witch Way
- Urban fantasy
- Light-hearted
Every Witch Way is a Nickelodeon comedy about a teenage girl who discovers she's a witch while navigating high school in Miami. It's cheerful, magic-adjacent fun with genuine heart beneath the supernatural chaos—think social awkwardness amplified by actual spellcasting. Perfect for pre-teens and anyone who loved the messy thrill of being fourteen.
Should you watch it?
Watch it if you want a light, bright teen sitcom with a sprinkle of spellwork, where the magic is a side dish to crushes, cliques and gossip-driven school drama.
Skip it if you need your fantasy to carry real stakes, since the spells here mostly serve the social maneuvering and the jokes land gently rather than hard.
What it asks of you: Half-hour episodes, one after another, with a sitcom's quick pace and little need to track a long arc; you can dip in and keep up without much memory work.
Not sure? Find tonight's pick in a minute.
If you liked this
The Owl House2020
A young girl discovers magic and mentorship in a demon realm, with the same blend of comedy, real character growth, and found family that made every witch way work. The voice acting is stellar and it earns its emotional beats.
But It's animated, which puts some people off. Also genuinely darker than you might expect—it deals with trauma and identity in ways that can be heavy.
Amphibia2019
A girl trapped in a frog world learns confidence and loyalty while solving magical mysteries. Same Nickelodeon-adjacent warmth, same focus on friendship as the real magic, with plots that actually escalate and surprise you.
But The first season is deliberately low-stakes slice-of-life. If you want high drama immediately, it takes time to earn that.
Gravity Falls2012
Siblings uncover supernatural secrets in a weird Oregon town. It has the same mystery-box structure and emotional core—watching characters grow through adversity and genuinely caring about them by the end.
But It wraps up decisively in two seasons, which is perfect but means there's an endpoint. Also genuinely spooky sometimes, which younger viewers might find unsettling.
Not sure tonight? Get a pick in a minute, starting from Every Witch Way
The wildcard
Something you would not have found on your own.
The Marvelous Mrs. Maisel2017
Both are about a young person (or in this case, a woman discovering youth) suddenly realizing their potential and refusing to let social constraints contain them. The magic is metaphorical.
A 1950s housewife discovers her gift for stand-up comedy and reinvents herself entirely. Like Emma discovering her power, it's about a woman suddenly realizing she has abilities she never knew—and choosing to use them despite the chaos.
But It's for adults, set in the 1950s, and has nothing to do with magic or high school. The pacing is theatrical rather than comedic in the modern sense.
More like this (8)
Chilling Adventures of Sabrina2018
A teenage witch balances the magical and mundane worlds. Netflix's darker take on the concept explores consequences and agency in ways the original didn't, with a brilliant cast and design.
But It's genuinely gothic and deals with cults, abuse, and death. Far grittier than Every Witch Way—loses the lightness entirely.
She-Ra and the Princesses of Power2018
A girl discovers her superpowers and joins a rebellion, learning hard lessons about friendship and responsibility. Gorgeous animation, genuinely funny, and the character arcs are earned rather than told to you.
But The first few episodes feel slightly generic. It takes a few hours to hit its stride. Also very queer, which some find wonderful and others find uneasy.
The Magicians2015
College students discover real magic exists and attend a secret university. It's witchcraft for slightly older audiences—darker, sexier, with genuine stakes and a world that makes sense.
But It gets very adult very fast. Violence, sexual content, depression—this is not a lighter show. Also cancelled on a cliffhanger after five seasons.
Kipo and the Age of Wonderbeasts2020
A girl explores a post-apocalyptic world full of mutant creatures, learning about herself and others. Joyful, weird, genuinely inventive, with a protagonist who solves problems through curiosity rather than combat.
But The art style is maximalist and won't appeal to everyone. Some find it exhausting rather than charming.
Trollhunters: Tales of Arcadia2016
A teenager discovers a hidden magical world beneath his town and becomes its unlikely guardian. Guillermo del Toro's fingerprints are all over it—gorgeous design, real danger, and characters you believe in.
But It's more action-heavy than comedy. Also relies on CGI that looks dated now, which can pull you out.
Craig of the Creek2018
A group of kids have adventures in a creek near their homes, with genuine warmth and humour. It captures the specific magic of childhood—the feeling that ordinary places hold extraordinary possibility.
But It's deliberately gentle and slice-of-life. If you need plot momentum and high stakes, this moves slowly on purpose.
Hilda2018
Both follow a young girl newly aware of a magical world she must navigate while figuring out who she is. But Hilda is about growing up by leaving everything behind, while Emma grows up by staying put and transforming her circumstances.
A girl runs away to the woods and discovers a vast supernatural world, making hard choices about loyalty and identity. It has the adventure of Every Witch Way but grounds it in real emotional stakes—watching Hilda grow up across seasons is genuinely moving.
But It's serialized rather than episodic, so you can't dip in casually. Also features some truly unsettling imagery—it's creepier than it first appears.
Kill la Kill2013
Both use the supernatural school setting to explore identity and agency. Kill la Kill is what happens when a teenage-discovering-powers story gets filtered through Japanese avant-garde excess—same core, utterly different register.
A girl attends a bizarre academy where clothing grants superpowers and discovers she's far stronger than she knew. It sounds absurd because it is—wildly inventive, funny, visually extraordinary, and genuinely about self-acceptance beneath the chaos.
But It's anime with exaggerated fanservice and violence. The aesthetic is deliberately extreme and won't click for everyone. Also twelve intense episodes rather than a slow burn.
