Film
Apollo 13
Ron Howard's Apollo 13 turns a real NASA near-catastrophe into two hours of pure procedural nail-biting: no villain, no monster, just brilliant people running low on oxygen and options. It's a disaster movie built from slide-rule math and duct tape, anchored by Hanks's steady command presence. For anyone who finds competence thrilling and history genuinely gripping.
If you liked this
The Right Stuff1983
Same space program, years earlier — the Mercury astronauts becoming national heroes and lab rats in equal measure, with the same institutional grit and dry humor Apollo 13 captures so well.
But Three hours long and structurally shaggier, with less of a single driving crisis to pull you through.

Sully2016
Hanks again, this time landing a plane on the Hudson — same calm-under-fire heroism, same obsession with the technical details that actually saved lives.
But Thinner and more compressed; the investigation subplot pads a story that's essentially over in minutes.

Hidden Figures2016
NASA's other untold engineering triumph, following the Black women mathematicians who made the math work while fighting for a seat at the table.
But Warmer and more crowd-pleasing than Apollo 13's clipped realism; some may find its uplift a touch tidy.

The wildcard
Something you would not have found on your own.
Chernobyl2019
Swap Mission Control for a nuclear plant's control room: engineers doing desperate math against a ticking clock, except here heroism can only limit the catastrophe, not undo it. Same procedural DNA, opposite ending.
Five hours of the same white-knuckle technical problem-solving, but aimed at a disaster that actually happened and actually went wrong, with nowhere near as much mercy.
But Bleak and often infuriating rather than inspiring; this is institutional failure, not institutional triumph.

More like this (8)
Captain Phillips2013
Hanks in another true-story crisis, all procedure and negotiation and the terrifying gap between plan and reality at sea.
But More violent and morally murkier — no easy triumph waiting at the end.

Argo2012
A true-story extraction thriller that turns bureaucratic problem-solving into nail-biting suspense, with the same pleasure of smart people improvising under a deadline.
But Plays fast and loose with historical accuracy in ways Apollo 13 mostly doesn't.

The Martian2015
Fictional but built on the same faith in engineering as salvation — a stranded astronaut solving one problem at a time to stay alive.
But Lighter and jokier in tone; the stakes never feel quite as mortal as the real thing.

Deepwater Horizon2016
The same disaster-movie machinery — warning signs ignored, systems failing in sequence, ordinary workers doing the actual saving — but with no happy rescue waiting.
But Grimmer and angrier; it's interested in assigning blame in a way Apollo 13 pointedly isn't.

First Man2018
A quieter, more interior look at the space program, trading Apollo 13's ensemble energy for one man's private grief and obsession.
But Deliberately cold and withholding — don't expect the crowd-pleasing warmth of Howard's film.

United 932006
The same real-time, no-stars reconstruction of a crisis unfolding minute by minute, stripped of movie-star polish for something rawer.
But Devastating rather than uplifting — there's no triumphant splashdown at the end of this one.

Das Boot1981
Swap the command module for a WWII U-boat: same sealed vessel, same crew forced to fix impossible mechanical failures to survive, same friction between command and crew under crushing pressure.
A claustrophobic German classic that turns the sheer mechanics of survival — leaks, gauges, depth charges — into unbearable suspense, decades before Apollo 13 did it in space.
But Three-plus hours, subtitled, and morally uncomfortable — you're rooting for a Nazi submarine crew to live.

The Wages of Fear1953
Strip away the patriotism and the rescue and you're left with the bare structural idea Apollo 13 runs on: ordinary men, a broken machine, and zero margin for error — done first, decades earlier, in French.
A black-and-white French thriller about truck drivers hauling unstable nitroglycerin over mountain roads — pure, sweat-soaked tension from people just trying to finish the job alive.
But Nihilistic where Apollo 13 is hopeful; it's less about heroism than about what desperation does to people.

People
Cast
Tom HanksJim Lovell
Bill PaxtonFred Haise
Kevin BaconJack Swigert
Gary SiniseKen Mattingly
Ed HarrisGene Kranz
Kathleen QuinlanMarilyn Lovell
Mary Kate SchellhardtBarbara Lovell
Emily Ann LloydSusan Lovell
Miko HughesJeffrey Lovell
Max Elliott SladeJay Lovell
Jean Speegle HowardBlanch Lovell
Tracy ReinerMary Haise
Directing
- Ron HowardDirector
- Aldric La'Auli PorterFirst Assistant Director
- Bruce MoriartyFirst Assistant Director
- Eva Z. CabreraScript Supervisor
- Janna SternScript Supervisor
- Jane PaulSecond Assistant Director
- Susan PickettSecond Assistant Director
- William M. ConnorSecond Second Assistant Director
- Todd HallowellSecond Unit Director
Writing
- Jeffrey KlugerNovel
- Jim LovellNovel
- Al ReinertScreenplay
- William Broyles Jr.Screenplay
Production
- Lynne ReddingADR Voice Casting
- Hope ShawAssistant Accountant
- Keri WeisblumAssistant Accountant
- Rosario AguirreAssistant Accountant
- Susan GiordanoAssistant Accountant
- Andrew L. UllmanAssistant Location Manager
- Lila YacoubAssistant Production Coordinator
- Aldric La'Auli PorterAssociate Producer
- Louisa VelisAssociate Producer
- Michael BostickAssociate Producer
- Jane JenkinsCasting
- Janet HirshensonCasting
- Susanna GriffithCasting Associate
- Todd HallowellExecutive Producer
- Ajay DassExtras Casting
- Kathryn MindalaFirst Assistant Accountant
- Scott RossGeneral Manager
- Anthony J. SaenzLocation Assistant
- Matthew PookLocation Assistant
- Ned R. ShapiroLocation Manager
- Brian GrazerProducer
- Alfred CervantesProduction Assistant
- Chris CliftonProduction Assistant
- Dennis ClayProduction Assistant
- Jeffray C. EagleProduction Assistant
- Jimmy LindseyProduction Assistant
- K. Marshall SmithProduction Assistant
- Kirk DouglasProduction Assistant
- Lars SloanProduction Assistant
- Michael BarsonProduction Assistant
- Michael McDevittProduction Assistant
- Misty ConnProduction Assistant
- Paul SwenProduction Assistant
- Susan JamisonProduction Assistant
- Brooke Rand McDonaldProduction Coordinator
- Kelly L'EstrangeProduction Coordinator
- Lisa J. WattersProduction Coordinator
- Virginia DнazProduction Coordinator
- Wendi HaasProduction Coordinator
- Michelle MorrisseyProduction Supervisor
- Andrew LipschultzPublicist
- Carl CliffordUnit Production Manager
Recommended by
Forrest Gump, Interstellar, A Beautiful Mind, The Right Stuff, For All Mankind, K-19: The Widowmaker, Gravity, The Martian, Apollo 11, First Man, Hidden Figures, Chernobyl, In the Shadow of the Moon, Sully, For All Mankind, Ford v Ferrari, Robinson Crusoe on Mars, United 93, Project Hail Mary, Deepwater Horizon, October Sky, Captain Phillips, Kon-Tiki