Television series
For All Mankind
For All Mankind rewrites the Cold War so the Soviets land on the moon first, and NASA never gets permission to stand down. Across decades it follows astronauts, engineers and their families as ambition, grief and politics keep pushing the program further - permanent lunar bases, Mars, beyond. It's soapy, hopeful, occasionally corny, and often genuinely moving: for anyone who wants history rewritten kinder, and their science fiction grounded in real engineering and heartbreak.
If you liked this
Battlestar Galactica2003
Same creator, Ronald D. Moore, applying the same unflinching political and moral pressure to an ensemble under existential strain - difficult leaders, impossible choices, a program that keeps costing more than it gives back.
But Darker and more mythic, heavier on war and religion, and missing the hopeful warmth that makes FAM feel like home.

The Right Stuff1983
The real Mercury program, told with Tom Wolfe swagger - this is the actual history FAM springboards off, full of the same test-pilot bravado and press-conference politics.
But Dated pacing and a much more macho, mythologising lens, with none of FAM's interest in the women left out of the record.

Apollo 131995
Ron Howard's tense true story delivers the exact feeling of FAM's best hours - engineers solving impossible problems in real time, with lives on the line.
But One mission, two hours, no alternate history and none of the decades-spanning family soap opera.

The wildcard
Something you would not have found on your own.
From the Earth to the Moon1998no page yet
This is the real history FAM's alternate timeline diverges from at the exact moment the Soviets don't win - same institutional detail, same astronauts-as-family focus, just true.
The true story FAM splits away from - a twelve-hour HBO docudrama covering the entire real Apollo program with the same insider mission-control intimacy, minus the speculation.
But No fictional twist, some dated effects, and a more reverent, less soapy tone than FAM's family drama.
More like this (8)
Halt and Catch Fire2014
Same instinct for ambitious people building something new against real historical currents, decade by decade, just with garage computers instead of rockets.
But A slow, uncertain first season, and the stakes are commercial rather than literally life-or-death.

The Expanse2015
Rigorous, character-first space politics and believable hardware scratch the same itch for grounded, plausible science fiction, just further into an imagined future.
But More genre trappings and denser factional politics to track than FAM ever asks of you.

Chernobyl2019
The same nervous engineering tension and Cold War institutional dread, applied to a real catastrophe instead of a triumph - gripping, meticulous, unbearably tense.
But Bleak with no hopeful arc; five hours of dread rather than decades of triumph and heartbreak.

Mad Men2007
A decades-spanning ensemble charting ambition and a changing America through work and marriage, with the same slow-burn attention to period texture.
But No space, no science, purely character drama - might feel like a genre swap too far for some.

The Americans2013
Cold War tension lived through a marriage and a family, with the same fascination for how geopolitics reshapes the people inside it.
But Spies rather than astronauts, colder and more paranoid, with far less optimism running through it.

First Man2018
An intimate, grief-soaked account of Armstrong and the real moon landing - the closest single film in tone to FAM's quieter, sadder moments.
But Internal and hushed rather than sprawling; it may feel slow after FAM's ensemble momentum.

Woman in the Moon1929no page yet
Same yearning to claim the moon as human destiny, imagined as pure fantasy long before it was possible - proof the dream predates the politics by decades.
Fritz Lang's silent epic imagines a lunar expedition, complete with a countdown and launch procedure, decades before rockets existed - the dream FAM's Cold War politics eventually make real.
But Silent, over two hours, and its melodramatic acting style will feel slow and alien to modern eyes.
Space Force2020no page yet
Strips the drama out and plays the same institutional chaos - rival branches, astronaut egos, agency politics - purely for laughs.
The same bureaucratic space-agency machinery, ego clashes and political interference as FAM, run through entirely for cringe comedy with Steve Carell in charge.
But Broad workplace satire with uneven laughs and a tonal 180 from FAM's earnestness that some will find jarring.
People
Cast
Writing
- Ben NediviCreator
- Matt WolpertCreator
- Ronald D. MooreCreator
- Sabrina AlmeidaExecutive Story Editor
- Stephanie ShannonExecutive Story Editor
- Stephanie ShannonStory Editor
Production
- Nicholas FuentesAssociate Producer
- Patricia ValenzuelaAssociate Producer
- Paul KnechtgesAssociate Producer
- Bradley ThompsonCo-Executive Producer
- David WeddleCo-Executive Producer
- Joe MenoskyCo-Executive Producer
- Nichole BeattieCo-Executive Producer
- Seth EdelsteinCo-Executive Producer
- Steve OsterCo-Executive Producer
- Ben McGinnisCo-Producer
- Elicia BessetteCo-Producer
- Jenina KibukaCo-Producer
- Patricia ValenzuelaCo-Producer
- Stephanie ShannonCo-Producer
- Steve OsterConsulting Producer
- Ben NediviExecutive Producer
- Bradley ThompsonExecutive Producer
- David WeddleExecutive Producer
- Maril DavisExecutive Producer
- Matt WolpertExecutive Producer
- Naren ShankarExecutive Producer
- Nichole BeattieExecutive Producer
- Ronald D. MooreExecutive Producer
- Seth GordonExecutive Producer
- Huey M. ParkProducer
- Seth EdelsteinProducer
- Ben McGinnisSupervising Producer
Recommended by
The Expanse, Interstellar, The Right Stuff, Battlestar Galactica, Foundation, Halt and Catch Fire, Babylon 5, Armageddon