Television series
Salvage 1
- Space opera
- Treasure hunt
- Light-hearted
A junkman builds a homemade spaceship with a ragtag crew to salvage debris from the moon and sell it back on Earth. Salvage 1 is cheerful, ingenious sci-fi adventure that treats its premise dead seriously while remaining fundamentally goofy. For anyone who loves scrappy underdogs, 1970s optimism, and the idea that a salvage operation could genuinely be thrilling.
If you liked this
The Expanse2015
Space-based salvage and resourcefulness matter here too—characters make do, improvise, and survive on the margins of a vast system. Smart, grounded sci-fi that respects both the technical and human sides of space exploration.
But Tone shifts toward the darker and more political. Nowhere near as whimsical, and the first season takes time to find its footing.

For All Mankind2019
Alternate-history space race that captures the same spirit of boundless American optimism and can-do engineering. Beautifully made, genuinely moves you, and finds drama in the logistics of getting to space.
But More serious and sweeping in scope. The heart is there but it's not looking for laughs the way Salvage 1 is.

Firefly2002
A crew of misfits in a beat-up ship doing salvage work and odd jobs to survive. Same DNA of scrappy competence, humor, and found-family warmth, just transported to space opera instead of hard sci-fi.
But Canceled after one season, so you'll be left wanting more. The tone is scrappier and sometimes darker than Salvage 1's breezier adventure.

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The wildcard
Something you would not have found on your own.
The Right Stuff1983
Both celebrate American ingenuity and the belief that a team of talented underdogs can achieve the impossible through sheer will and resourcefulness. The dream is the same; Salvage 1 just takes the joke one step further.
The real history of American space exploration, told with enormous heart and humor. It captures that same spirit of audacious dreaming and ordinary people doing impossible things. Thrilling, funny, and genuinely moving.
But Nearly four hours long. The '80s filmmaking style is unmistakable. It's an epic, not a compact adventure, and pacing varies by segment.

More like this (6)
Buck Rogers in the 25th Century1979
Released the same year, equally earnest about its ridiculous premise. Fun adventure-of-the-week format with charm, practical effects, and a genuine sense of wonder about space.
But Wildly uneven week to week. Some episodes are inspired, others feel like filler. The first season is stronger than what follows.

Space: 19991975
A space station and its crew stranded and displaced. Serious, ambitious sci-fi adventure with strong practical design. Proof that the 1970s could do space stories with real visual sophistication.
But Much more solemn and often slow-paced. If you're watching for fun and lightness, the grimness might wear on you.

Planet of the Apes1968
Ambitious, intelligent sci-fi adventure that arrives fully formed. Thematically rich, visually striking, and it doesn't talk down to the audience about its ideas.
But Serious and morally heavy. The adventure is secondary to what it's trying to say about humanity and society.

Flash Gordon1980
Campy, colorful space adventure shot just after Salvage 1 wrapped. Knows exactly how silly it is and commits completely. Queen's soundtrack alone makes it unforgettable.
But Intentionally ridiculous in ways that might feel too arch if you're after genuine stakes. Style over substance, by design.

Marooned1969
Grounded, procedural space drama about a rescue mission gone wrong. Treats space exploration with engineering realism and shows the problem-solving that made NASA feel possible.
But Slow and methodical. There's minimal action and a lot of sitting around waiting to see if people survive. Not an adventure in the fun sense.

Robinson Crusoe on Mars1964
A lone astronaut stranded on Mars makes do with salvage and ingenuity. Clever, economical sci-fi that builds its whole world from limited resources and practical thinking.
But Very low budget shows everywhere. The pacing is leisurely and some sequences feel padded. Curiosity has to carry you through.

People
Cast
Writing
- Mike Lloyd RossCreator
- Richard ChapmanStory Editor
- Ruel FischmannStory Editor
Production
- Craig SchillerAssociate Producer
- Carl PingitoreCo-Producer
- Mike Lloyd RossCo-Producer
- Harris KatlemanExecutive Producer
- Harve BennettExecutive Producer
- Norman S. PowellProducer
- Ralph SariegoProducer
- Mike Lloyd RossSupervising Producer