Television series
Foundation
A galaxy-spanning saga built on a mathematician's prophecy that empire will fall in five hundred years. Apple's most expensive swing plays it straight: statuesque visuals, glacial pacing, big ideas about fate versus free will. It leaps centuries between seasons, trading intimate character work for cosmic scale. Watch it for the ideas and the sets, not for warmth or urgency.
If you liked this
Dune2021
Villeneuve's desert empire has the same hush and scale as Foundation — ancient prophecy, dynastic scheming, a chosen figure caught between houses. It's the visual and thematic cousin, minus the multi-season commitment.
But It's one movie, not a saga — the slow-burn politics you love in Foundation get compressed into spectacle.

Battlestar Galactica2003
A fallen civilization fleeing across the stars, wrestling with fate, faith and the mathematics of survival — BSG is Foundation's spiritual sibling, but with more grief and better cliffhangers.
But Early seasons look dated, and the religious mythology gets heavier and stranger than anything Foundation attempts.

The Expanse2015
Political intrigue across a solar system, factions maneuvering for power while a larger cosmic mystery looms — it's the hard-science, character-first version of the empire-in-decline story Foundation is telling.
But Slower to reward patience at first, and its politics are more grounded than Foundation's mythic sweep.

The wildcard
Something you would not have found on your own.
Cosmos1980
Hari Seldon's psychohistory is basically Sagan's faith that reason and science can predict and save us, turned into fiction; Cosmos is the real, non-fictional version of that belief across deep time.
Sagan's own attempt to make deep time and cosmic scale feel personal and urgent — the same awe Foundation reaches for with actors and sets, achieved here with a soft voice and real telescopes.
But It's a documentary with 1980s production values — no drama, no plot, just one man's wonder and a lot of patience required.

More like this (8)
Andor2022
Imperial machinery, bureaucratic cruelty, and rebellion built in the shadows — Andor takes the empire-versus-insurgents shape of Foundation and makes it feel terrifyingly plausible rather than mythic.
But No prophecy, no chosen ones — if you came to Foundation for cosmic destiny, this is deliberately smaller and grimmer.

Babylon 51993
A space station at the center of a five-year arc about empires rising and falling, prophecy, and the weight of history — Babylon 5 did serialized galactic scale before it was fashionable.
But The effects and acting show their age badly, and the pacing is even more patient than Foundation's.

Silo2023
Apple's other big swing: a buried civilization, a woman asking dangerous questions, and a slow unspooling mystery about what's really being preserved and why — same house style, tighter scale.
But It's claustrophobic rather than cosmic — no galaxy-hopping, just one silo and its secrets.

For All Mankind2019
An alternate-history space race spanning decades, following characters across generations as history bends — it shares Foundation's appetite for time-jumps and big what-if thinking, grounded closer to our own world.
But It's alternate history, not far-future sci-fi — the stakes are political and personal, not galaxy-ending.

Star Trek: Deep Space Nine1993
A long-form political saga about empires, faith, and a chosen figure caught in prophecy neither he nor anyone else can escape — DS9 did serialized space politics with real patience decades earlier.
But It's slower to start and steeped in Trek lore that takes real commitment to unpack.

Blade Runner 20492017
Same director's eye for scale and stillness, same interest in what's manufactured versus what's real — if Foundation's visuals are your favorite part, this is the closest thing in tone.
But It's a noir mystery, not an empire saga — the connection is mood and imagery, not plot.

I, Claudius1976
The Cleons, a single genetic line trying to rule forever, are direct descendants of Rome's imperial families; I, Claudius is the historical blueprint for exactly the succession crisis Foundation dresses up in space opera.
Poison, madness, and dynastic succession inside a crumbling Roman court — all the palace intrigue of the Cleon dynasty, played by actual humans instead of clones, with even sharper scheming.
But No spaceships, no science — it's a stagey 1970s studio production that asks you to do without the sci-fi trappings entirely.

Flash Gordon1980
Strip Foundation of its philosophy and you get this: an evil emperor, a rebellion, a doomed civilization — Flash Gordon is the pulp-magazine root that Asimov's own genre grew out of, played entirely for fun.
Pure pulp: gaudy costumes, a doomed empire, a tyrant emperor, and rockets held together with spit and swagger — the campy, unashamed ancestor of the galactic-empire story Foundation tells with a straight face.
But It is deeply silly and knows it — if you want gravity and grand ideas, this will only give you glitter and Queen songs.

People
Cast
Writing
- David S. GoyerCreator
- Josh FriedmanCreator
- Olivia PurnellExecutive Story Editor
- Greg GoetzStaff Writer
- Sarah NolenStory Editor
Production
- Joseph KeyesAssociate Producer
- Morgan ShawAssociate Producer
- Tara DoolanAssociate Producer
- Eric CarrascoCo-Executive Producer
- Jane EspensonCo-Executive Producer
- Laurie BorgCo-Executive Producer
- Leigh Dana JacksonCo-Executive Producer
- Russell RothbergCo-Executive Producer
- Victoria MorrowCo-Executive Producer
- Adam C. BanksCo-Producer
- Colin AzzopardiCo-Producer
- Jim MauroCo-Producer
- Kelly CalliganCo-Producer
- Simon AguirreCo-Producer
- Tara DoolanCo-Producer
- Tyler HolmesCo-Producer
- Caitlin ParrishConsulting Producer
- Chad McQuayConsulting Producer
- Liz PhangConsulting Producer
- Alex GravesExecutive Producer
- Bill BostExecutive Producer
- Cameron WelshExecutive Producer
- Christopher J. ByrneExecutive Producer
- Dana GoldbergExecutive Producer
- David EllisonExecutive Producer
- David KobExecutive Producer
- David S. GoyerExecutive Producer
- Jane EspensonExecutive Producer
- Josh FriedmanExecutive Producer
- Leigh Dana JacksonExecutive Producer
- Marcy RossExecutive Producer
- Matt ThunellExecutive Producer
- Robyn AsimovExecutive Producer
- Roxann DawsonExecutive Producer
- Rupert SandersExecutive Producer
- Aislinn Ní ChuinneagáinLine Producer
- Alessio SpinelliLine Producer
- Catherine DunneLine Producer
- Jo HomewoodLine Producer
- David KobProducer
- Doug MorenoProducer
- Macdara KelleherProducer
- Michael J. MaloneProducer
- Tim SouthamProducer
- David KobSupervising Producer
- Eric CarrascoSupervising Producer
- Marcus GardleySupervising Producer