Film
Chasing Pluto
Chasing Pluto is a NOVA documentary that follows New Horizons' nine-year mission to Pluto, culminating in humanity's first close encounter with this distant, enigmatic world. It captures the genuine wonder of planetary exploration—the painstaking engineering, the scientific hunger, the moment when blurry speculation becomes vivid reality. It's for anyone who's ever looked up and wanted to know.
If you liked this
The Right Stuff1983
The DNA of space exploration: ambition, courage, and the collision between individual heroism and institutional bureaucracy. It captures why we go and what it costs.
But Nearly three hours long, and partly a period drama about 1950s military culture rather than purely about space itself.

Apollo 131995
Gripping, beautifully constructed chronicle of a lunar mission gone wrong and the improvisation that brought the crew home. Tension earned, not manufactured.
But If you already know the outcome (which you do), the drama depends entirely on filmmaking craft. Some find it manipulative.

Cosmos1980
Carl Sagan's vision remade with modern visuals and wonder intact. Each episode is a guided tour through genuine discovery. Neil deGrasse Tyson's enthusiasm is contagious.
But Educational television that doesn't hide being educational. If you want narrative over explanation, look elsewhere.

Not sure tonight? Get a pick in a minute, starting from Chasing Pluto
The wildcard
Something you would not have found on your own.
The Fountain2006
Both are about the drive to reach outward and the revelation that what we find changes us fundamentally. Pluto was smaller and stranger than expected; this film suggests that's where the real meaning lives.
Darren Aronofsky's wildly ambitious film uses space exploration as the frame for a meditation on love, death, and time across three centuries. Visually stunning and emotionally overwhelming.
But Deliberately cryptic and nonlinear. Some viewers find it pretentious or incomprehensible. It demands patience and allows ambiguity.

More like this (7)
First Man2018
Focuses on the emotional and psychological weight of the Apollo program through Neil Armstrong's experience. Intimate and immersive, especially in the spacecraft scenes.
But Deliberately unglamorous and introspective. Some find it too slow; others wish it had more spectacle.

Hidden Figures2016
The human machinery behind the Space Race: brilliant Black women doing the math that made it possible. Inspiring without being saccharine, smart without being cold.
But Simplifies some historical complexity for emotional clarity. The inspiring-biography structure is familiar.

For All Mankind1989
Montage-heavy documentary using actual NASA footage to show the Apollo program's scale and beauty. Feels like watching history unfold at the speed of awe.
But Minimal narrative or context—it's visual poetry, not explanation. Some viewers want to understand what they're seeing.

The Planets2019
BBC series where Brian Cox tours each planet with both scientific precision and genuine wonder. Combines real footage, animation, and his infectious curiosity.
But Four years old now, and some of the planetary imagery is archival rather than cutting-edge. Cox's enthusiasm is relentless if that bothers you.

A Brief History of Time1991
Stephen Hawking explains the universe with uncommon clarity. Philosophical and visual, treating cosmology as a genuine human quest, not just facts.
But Made in 1991 with limited animation budget. Some sequences feel dated. Hawking's speaking voice is synthesized.

The Sky at Night1957
Long-running British series that captures amateur astronomy with infectious enthusiasm. Feels like sitting with friends who love looking up. Warmth without condescension.
But Low production values; some episodes are dated. Depends entirely on your tolerance for earnest British presenters talking about their hobbies.

La Haine1995
Both are about proximity and revelation. Chasing Pluto spends nine years to see something distant clearly. La Haine shows how the near and visible can still be utterly invisible to those with power to see.
Mathieu Kassovitz's black-and-white film about 24 hours in a housing project outside Paris. Raw, propulsive, visually innovative, and morally urgent about visibility and invisibility.
But French with subtitles. Depicts violence and structural injustice without offering solutions. Some find it bleak; its energy can read as aggression.

People
Cast
- Craig SechlerSelf - Narrator
Directing
- Terri RandallDirector
Writing
- Terri RandallWriter
Production
- Leslie MullenAssociate Producer
- Peggah NavabAssociate Producer
- David GrinspoonConsulting Producer
- Laurie CahalaneCoordinating Producer
- Terri RandallProducer
- Linda CallahanProduction Coordinator
- Leora Randall-TavoriResearcher
- Kevin YoungSupervising Producer
- Ariam McCraryUnit Manager