Film
Sideways
A shaggy, funny, quietly devastating buddy movie disguised as a wine tour. Paul Giamatti's failed novelist and Thomas Haden Church's fading actor bicker their way through Santa Barbara vineyards, each avoiding the wreckage of his own life. It's droll rather than broad, more interested in disappointment than romance, and ends up saying more about male friendship and self-sabotage than most films twice its length.
If you liked this
About Schmidt2002
Alexander Payne's other great study of a man confronting how little he's built, with Jack Nicholson stripping away every trace of charm for a performance that's sad, funny, and unbearably honest.
But Slower and lonelier than Sideways, with almost no one to root for.

Nebraska2013
Payne trades wine country for the Great Plains, following an old man and his son on a road trip that's just as funny about disappointment and just as tender underneath.
But Black-and-white and deliberately flat in tone; some find it too muted to love.

The Descendants2011
Payne and George Clooney find the same bittersweet register — a man forced to reckon with his failures while everyone around him keeps living. Gorgeous Hawaii setting, real grief underneath the jokes.
But Heavier emotional stakes, involving a dying spouse, than Sideways ever risks.

The wildcard
Something you would not have found on your own.
Detectorists2014
Same mismatched pair — one dreamier, one more grounded — bonded by a faintly ridiculous hobby instead of wine, and the same rhythm of small humiliations shot through with real affection.
The gentlest show ever made about male friendship and quiet disappointment — two metal-detecting obsessives in rural England, funny in the same hushed, observational way Sideways is funny, but even kinder.
But Almost nothing happens; if you need plot momentum, this show will frustrate you.

More like this (8)
Election1999
Payne's earliest and sharpest comedy of humiliation, with Matthew Broderick as a teacher whose smallness gets exposed by a student he can't stand. Same appetite for watching decent people behave badly.
But Meaner and more cynical, with nobody as sympathetic as Miles.

Wonder Boys2000no page yet
Michael Douglas plays a blocked novelist adrift in his own mediocrity, ferrying a troubled student through one chaotic weekend. Same wry sympathy for writers who can't finish what they started.
But Busier plot and more characters, leaving less time to just sit with the mood.
Broken Flowers2005
Bill Murray drifting from ex to ex on a road trip that never quite becomes a comedy or a tragedy. If you liked Sideways for its silences, this pushes further into them.
But Deliberately inert; Murray barely reacts to anything, which some viewers find maddening.

The Trip2011
Steve Coogan and Rob Brydon eat and bicker their way across the English countryside, doing for restaurants what Sideways did for pinot noir. Genuinely hilarious, semi-improvised, oddly moving by the end.
But More sketch comedy than plot; little of Sideways's underlying sadness.

Y Tu Mamá También2001
A different kind of road trip — two young men and an older woman driving to a beach that may not exist. Same structure of travel-as-confession, filtered through youth and grief.
But Sexually explicit and politically pointed in ways Sideways never approaches.

Enough Said2013no page yet
Julia Louis-Dreyfus finds middle-aged romance messy and funny in equal measure, with the same appetite for adults being awkward, self-sabotaging, and quietly hopeful about love arriving too late.
But Gentler and more optimistic; lacks Sideways's undertow of failure.
Two for the Road1967
Sideways's template already existed decades earlier: a relationship charted through repeated road trips, told out of order, mixing comedy and sourness in exactly the same proportions.
Albert Finney and Audrey Hepburn play a marriage in freefall across a decade of European road trips, jumping through time with the same tart mix of humor and heartbreak Sideways later borrowed.
But Sixties pacing and a nonlinear structure that takes patience to untangle.

Old Joy2006no page yet
Strip away the wine and the wit and you get this: two friends, one settled and one drifting, on a trip that quietly measures how far apart they've grown.
A near-silent, achingly minimal film about two old friends camping in the Oregon woods, the distance between them measured in pauses rather than jokes. It's what Sideways would be with the punchlines removed.
But Almost no dialogue or event; it demands patience and won't reward anyone looking for laughs.
People
Cast
Paul GiamattiMiles
Virginia MadsenMaya
Sandra OhStephanie
Marylouise BurkeMiles's Mother
Jessica HechtVictoria
Missy DotyCammi
M.C. GaineyCammi's Husband
Alysia ReinerChristine Erganian
Shake TukhmanyanMrs. Erganian
Shaun DukeMike Erganian
Robert CovarrubiasMiles's Building Manager
Directing
- Alexander PayneDirector
- George ParraFirst Assistant Director
- Rebecca RobertsonScript Supervisor
Writing
- Rex PickettNovel
- Alexander PayneScreenplay
- Jim TaylorScreenplay
Production
- John JacksonCasting
- George ParraCo-Producer
- David GreditzerLocation Assistant
- Michael LondonProducer
- Yvonne YaconelliProduction Supervisor
Recommended by
Chef, Smoke Signals, The Trip, My Dinner with Andre, About Schmidt, High Fidelity, American Splendor, Little Miss Sunshine, Nebraska, Withnail & I, Broken Flowers, Election, The Trip, Fallen Leaves, The Descendants, Adaptation., Downsizing, The Trip to Italy, Young Adult, The Station Agent