Film
Hawks
Hawks is a 1988 British film about two dying men who form an unlikely friendship in a hospital ward and plan an escape to live fully before the end. It's a strange, tender comedy-drama that treats its grim premise with gallows humour and genuine warmth. For anyone who's ever wondered what matters when time runs out.
If you liked this
The Bucket List2007
Two terminally ill men befriend each other and pursue a list of life experiences before dying. Warm, funny, and emotionally honest about mortality without being maudlin or sentimental about it.
But The earnestness sometimes tips toward sentiment, and the resolution feels a touch neat for such weighty subject matter.

About Schmidt2002
Jack Nicholson as a recently retired widower navigating loss, loneliness, and whether his life meant anything. Sharp, darkly comic, and deeply sad all at once without ever becoming depressing.
But It's slow and deliberately unresolved. If you need clear emotional closure or constant plot momentum, this will frustrate you.

Ikiru1952
A Japanese bureaucrat learns he's dying and searches for meaning in his remaining time. Kurosawa's masterpiece; heartbreaking, philosophical, and quietly revolutionary about what a life well-lived means.
But It's three hours, in black-and-white, with a deliberate pace. The emotional weight builds slowly and demands your full attention.

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The wildcard
Something you would not have found on your own.
Touching the Void2003
Both films are about ordinary men stripped down to essentials, confronting their own mortality and discovering what's actually worth fighting for.
A documentary about two mountaineers who faced death on an Andean peak, using interviews and dramatic reconstruction. It's suspenseful, visceral, and philosophical about why we push ourselves toward the edge when we have everything to lose.
But Extensive discussion of severe injury and agony. The physical suffering is never graphically shown but is unflinchingly described—not for the squeamish.

More like this (8)
Cocoon1985
Elderly residents of a retirement community find rejuvenation and new purpose through an extraordinary discovery. Joyful and life-affirming without dismissing age or mortality as inconvenient problems to ignore.
But The science-fiction premise is genuinely strange, and some may find its optimism about transcendence too spiritually ambitious.

Terms of Endearment1983
A multigenerational family drama about love, illness, and letting go. Funny, cruel, tender, and absolutely devastating. James L. Brooks at his finest with a perfect ensemble cast.
But The climactic tragedy is sudden and cuts deep. If you need emotional safety from your entertainment, this isn't it.

Wit2001
Emma Thompson plays a literature professor battling terminal cancer and fighting to retain her identity in a hospital system that reduces her to her disease. Achingly intelligent and darkly funny.
But It's a chamber piece that lives almost entirely in one woman's mind and medical spaces. If you need narrative propulsion or a large cast, the focus may feel claustrophobic.

The Straight Story1999
A seventy-three-year-old man rides his lawnmower across Iowa to reconcile with his estranged brother. It sounds whimsical but it's David Lynch's most human film—patient, meditative, genuinely moving.
But Almost nothing happens. If you need conflict, stakes, or traditional drama, this will seem unbearably quiet.

Sideways2004
Two middle-aged men take a wine country trip before one remarries. A perfect blend of comedy, melancholy, and male friendship. Sad and funny with an honesty about disappointment and time running out.
But The male characters are pretty selfish and morally compromised. Some viewers find their behaviour indefensible rather than sympathetic.

Last Chance Harvey2008
A failed songwriter and a lonely insurance clerk meet in London and find unexpected connection at life's halfway point. Modest but genuine, with two excellent lead performances capturing real vulnerability.
But It's very small and quiet. The plot is essentially just two people meeting and talking; if you need external stakes or momentum, this won't satisfy you.

Glengarry Glen Ross1992
Both use dark humour as a coping mechanism for powerlessness. Both centre on the strange bonds formed between men when something essential is at stake.
David Mamet's adaptation of his play: ruthless salesmen in a high-pressure office competing for survival. Brutal, funny, and entirely devoted to men measuring their lives by what they've won and lost.
But Relentlessly cynical and angry. The misanthropy is so complete it becomes a nihilist comedy—some find it exhilarating, others exhausting.

The Station Agent2003
Both films believe that unlikely human connection can be funny and redemptive, and that the real story lives in the small gestures between people who should have nothing in common.
A withdrawn man with dwarfism who loves trains inherits a derelict railway station and gradually opens himself to unexpected friendships. Funny, tender, and defiantly optimistic without ever being naive about loneliness.
But The pace is glacial and the drama is internal. There's no plot in the conventional sense—just people slowly learning to connect.

People
Cast
Timothy DaltonBancroft
Anthony EdwardsDeckermensky
Janet McTeerHazel
Camille CoduriMaureen
Julie T. WallaceWard Sister
Connie BoothNurse Javis
Sheila HancockRegina
Robert LangWalter Bancroft
Jill BennettVivian Bancroft
Caroline LangrisheCarol
Geoffrey PalmerSAAB Salesman
Benjamin WhitrowMr Granger
Directing
- Robert Ellis MillerDirector
Writing
- Barry GibbIdea
- David EnglishIdea
- Roy ClarkeScreenplay
Production
- Morrie EisenmanExecutive Producer
- Richard BeckerExecutive Producer
- Joep BannenbergLine Producer
- Keith CaveleProducer
- Steve LanningProducer