Film

Let Them All Talk

Name: Let Them All Talk
Genre: Comedy, Drama
Released: 2020
Cast: Meryl Streep, Lucas Hedges, Gemma Chan, Dianne Wiest, Candice Bergen

Social drama

A Meryl Streep vehicle about a famous author sailing to Europe with old friends and her nephew, directed by Steven Soderbergh. It's a character study disguised as a lark—warm, digressive, funny in quiet ways. For people who like their comedies conversational and their dramas unsentimental.

TMDb rating

2.8

Should you watch it?

Watch it if you enjoy talky, sharp-tongued comedy where the pleasure lives in conversation, with old friends bickering over meals and cabin-deck small talk rather than in plot turns.

Skip it if you want a brisk story with clear stakes; this one drifts through long dinners and ambling exchanges, and its comedy often feels more wistful than laugh-out-loud.

What it asks of you: Settle in for about nearly two hours at an unhurried pace, letting scenes breathe and jokes land slowly, with a gentle, reflective tone rather than constant energy.

Not sure? Find tonight's pick in a minute.

If you liked this

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The Savages2007

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A Prairie Home Companion2006

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Not sure tonight? Get a pick in a minute, starting from Let Them All Talk

The wildcard

Something you would not have found on your own.

Tokyo Story1953

Both films are built from small conversations and unspectacular moments between people who know each other. Both understand that wounds don't announce themselves; they live in the space between words.

Ozu's masterpiece about an elderly couple visiting their children and grandchildren in Tokyo. Almost nothing happens; everything matters. It's about time, aging, distance, and how we sustain love across it. Tranquil and devastating.

But The pacing is deliberate to the point of stillness. Western viewers often find it boring until they suddenly don't. Subtitles required.

Sideways2004

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The Devil Wears Prada2006

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But Earnest about therapy and feelings in ways that sometimes feel like it's teaching. The comedy can drown in sincerity; not every episode finds the balance.

BPM (Beats per Minute)2017

A French film about ACT UP in the 1990s—politics, love, rage, and friendship. It's urgent without being didactic. The friendship at its center feels lived-in and complicated and real.

But It's in French with subtitles. It's also about AIDS activism in a way that can be hard; it doesn't soften the loss or the anger.

Transparent2014

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But Early seasons especially are structurally messy and sometimes indulgent. Patience is required; it rewards you slowly.

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Lulu Wang's film about a Chinese family keeping a terminal diagnosis secret from the patient. Comedy and tragedy are woven so tightly you can't separate them. It's about what we hide and why, with real warmth.

But It's culturally specific in ways that might feel opaque if family secrecy isn't familiar to you. The emotional register is understated.

The Sopranos1999

Both use therapy or introspection as their narrative engine. Both are interested in aging, in people we know intimately surprising us, in the gap between who we think we are and who we actually are.

Tony Soprano sees a therapist; the show follows both the sessions and the life that makes him need them. It created the template for prestige TV, but more than that—it's about a man trying to change and repeatedly failing, with intelligence and dark comedy.

But Sixty-something hours is a commitment, and the later seasons lose focus. Violence and moral compromise are not redeemed or resolved. The ending divides people violently.