Film
The Others
A slow-burning gothic ghost story built on candlelight, closed curtains, and Nicole Kidman's taut, controlled dread. Alejandro Amenábar directs with the patience of an old master, trading jump scares for atmosphere and a puzzle that rewards close attention. It's for people who like their horror cerebral — quiet corridors, half-glimpsed figures, a twist that recontextualises everything you thought you understood.
If you liked this
The Sixth Sense1999
Shyamalan's breakout twist thriller shares The Others' trick of building an entire film around information withheld until the last possible moment—and rewards a rewatch just as fully.
But The twist is now so culturally famous it's hard to experience cold, which blunts a film built entirely on surprise.

The Innocents1961
Deborah Kerr in a black-and-white adaptation of Henry James's The Turn of the Screw, all creaking corridors and unbearable ambiguity about whether the ghosts are real or invented.
But Its pace is glacial by modern standards, and the horror is entirely suggested rather than shown.

The Orphanage2007
Guillermo del Toro produced this Spanish ghost story about a mother searching for her missing son in an old orphanage—grief, dread and a gut-punch ending in equal measure.
But Subtitled and unhurried, with an emotional weight that lands harder than any scare.

The wildcard
Something you would not have found on your own.
The Haunting of Bly Manor2020
Draws from the same Henry James well as The Others—an isolated house, children who may be complicit in their own haunting, and a slow structural reveal rather than scares. Nine hours instead of ninety minutes lets the dread breathe differently.
Mike Flanagan's gothic mystery about an au pair, two uncanny orphans and a house that remembers everything gives a nearly identical premise room to become something stranger and sadder.
But It's a full commitment at nine episodes, and the romance subplot splits opinion sharply.

More like this (8)
Crimson Peak2015
Del Toro again, this time in full colour and gothic excess—a haunted mansion, a doomed bride, ghosts rendered as gorgeous rotting apparitions rather than jump-scare props.
But It's more melodrama than horror, and the scares are set dressing for a romance-tragedy plot.

Rebecca1940
Hitchcock's first Hollywood film is a haunted-house story without an actual ghost—just a dead first wife whose presence saturates every room of a great house.
But No supernatural element at all, so if you came for actual hauntings you'll be disappointed.

The Woman in Black2012
Daniel Radcliffe post-Potter in a properly bleak period ghost story, all fog and dread and a vengeful spirit who plays entirely fair by the rules she's given.
But Leans harder into jump scares than The Others ever does, which some will find cheaper.

The Haunting1963
Robert Wise's black-and-white haunted-house classic proves you never need to show anything to terrify an audience—sound design and camera angles do all the work.
But Sixties dialogue and pacing will feel stagey to viewers used to modern horror rhythms.

Session 92001
A crew of asbestos removers in an abandoned mental hospital slowly come apart—dread built from silence and confined spaces rather than any explicit ghost.
But Ambiguous almost to a fault; some viewers find the ending frustratingly unresolved rather than satisfying.

The Awakening2011no page yet
Rebecca Hall as a professional ghost-debunker who takes a case at a 1920s boarding school and finds her scepticism failing her—handsome, wintry, very British dread.
But Less known and less polished than the others here, with a third act that overreaches slightly.
The Uninvited1944
Made nearly sixty years before The Others, it invented the mood Amenábar borrows wholesale—a family in a shuttered house, ambiguous spectral presences, dread delivered through atmosphere rather than effects.
Ray Milland and his sister inherit a clifftop house that starts behaving strangely—a genuinely elegant 1940s ghost story that quietly founded the genre's grammar.
But Its black-and-white restraint and old-Hollywood pace will feel tame next to anything made after 1970.

The Babadook2014
Swaps the stately gothic register for raw domestic horror: another mother alone in a dark house with a child, except here the haunting is inseparable from grief and denial rather than a puzzle to be solved.
A widowed mother's exhaustion curdles into something monstrous in this ferociously acted Australian horror film, using the haunted-house frame to talk about depression and grief instead of ghosts.
But Far more raw and psychologically brutal than The Others—this isn't elegant dread, it's suffocating and messy by design.

People
Cast
Nicole KidmanGrace Stewart
Alakina MannAnne Stewart
James BentleyNicholas Stewart
Fionnula FlanaganMrs. Bertha Mills
Christopher EcclestonCharles Stewart
Eric SykesMr. Edmund Tuttle
Elaine CassidyLydia
Keith AllenMr. Marlish
Renée AshersonOld Lady
Michelle FairleyMrs. Marlish- Gordon ReidAssistant
- Alexander VinceVictor Marlish
Directing
- Javier ChinchillaAssistant Director
- Alejandro AmenábarDirector
- Carmen SorianoScript Supervisor
- Guillermo EscribanoSecond Assistant Director
- Luis CasacubertaSecond Second Assistant Director
- Carlos SantanaThird Assistant Director
Writing
- Alejandro AmenábarWriter
Production
- Javier de OlezaAccountant
- Juan Luis PedreroAssistant Accountant
- Eduardo Chapero-JacksonAssociate Producer
- Jina JayCasting
- Shaheen BaigCasting
- Camilla EvansCasting Assistant
- Eva MusleraController
- David GreenbaumExecutive Assistant
- Bob WeinsteinExecutive Producer
- Harvey WeinsteinExecutive Producer
- Paula WagnerExecutive Producer
- Rick SchwartzExecutive Producer
- Tom CruiseExecutive Producer
- Emiliano OteguiLine Producer
- Miguel Ángel GonzálezLine Producer
- Fernando BovairaProducer
- José Luis CuerdaProducer
- Sunmin ParkProducer
- Brian GibbsProduction Accountant
- Marian Fernández PascalProduction Assistant
- Jonathan SangerProduction Consultant
- Trilby NortonProduction Coordinator
- Daniel M. VillalbaProduction Runner
- Claire AmondarayProduction Trainee
- José Antonio García TapiaUnit Manager
Recommended by
The Sixth Sense, Stir of Echoes, An Occurrence at Owl Creek Bridge, Rosemary's Baby, Crimson Peak, The Woman in Black, The Innocents, A Quiet Place, Shutter Island, Gaslight, The Illusionist, Rebecca, The Haunting of Hill House, The Boy, The Orphanage, Midnight Mass, Diabolique, The Village, The Haunting, Insidious, Orphan, Relic, The Babadook, The Witch, Ghost, The Uninvited, Servant, Lee Cronin's The Mummy, The Devil's Backbone, Under the Shadow, Don't Look Now, Session 9, Carnival of Souls, Poltergeist, Dark Water, Sleepy Hollow, Lake Mungo, A Tale of Two Sisters, Village of the Damned