Film

The Others

A slow-burning gothic ghost story built on candlelight, closed curtains, and Nicole Kidman's taut, controlled dread. Alejandro Amenábar directs with the patience of an old master, trading jump scares for atmosphere and a puzzle that rewards close attention. It's for people who like their horror cerebral — quiet corridors, half-glimpsed figures, a twist that recontextualises everything you thought you understood.

TMDb rating7.6

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The Sixth Sense1999

Shyamalan's breakout twist thriller shares The Others' trick of building an entire film around information withheld until the last possible moment—and rewards a rewatch just as fully.

But The twist is now so culturally famous it's hard to experience cold, which blunts a film built entirely on surprise.

The Sixth Sense poster

The Innocents1961

Deborah Kerr in a black-and-white adaptation of Henry James's The Turn of the Screw, all creaking corridors and unbearable ambiguity about whether the ghosts are real or invented.

But Its pace is glacial by modern standards, and the horror is entirely suggested rather than shown.

The Innocents poster

The Orphanage2007

Guillermo del Toro produced this Spanish ghost story about a mother searching for her missing son in an old orphanage—grief, dread and a gut-punch ending in equal measure.

But Subtitled and unhurried, with an emotional weight that lands harder than any scare.

The Orphanage poster

The wildcard

Something you would not have found on your own.

The Haunting of Bly Manor2020

Draws from the same Henry James well as The Others—an isolated house, children who may be complicit in their own haunting, and a slow structural reveal rather than scares. Nine hours instead of ninety minutes lets the dread breathe differently.

Mike Flanagan's gothic mystery about an au pair, two uncanny orphans and a house that remembers everything gives a nearly identical premise room to become something stranger and sadder.

But It's a full commitment at nine episodes, and the romance subplot splits opinion sharply.

The Haunting of Bly Manor poster
More like this (8)

Crimson Peak2015

Del Toro again, this time in full colour and gothic excess—a haunted mansion, a doomed bride, ghosts rendered as gorgeous rotting apparitions rather than jump-scare props.

But It's more melodrama than horror, and the scares are set dressing for a romance-tragedy plot.

Crimson Peak poster

Rebecca1940

Hitchcock's first Hollywood film is a haunted-house story without an actual ghost—just a dead first wife whose presence saturates every room of a great house.

But No supernatural element at all, so if you came for actual hauntings you'll be disappointed.

Rebecca poster

The Woman in Black2012

Daniel Radcliffe post-Potter in a properly bleak period ghost story, all fog and dread and a vengeful spirit who plays entirely fair by the rules she's given.

But Leans harder into jump scares than The Others ever does, which some will find cheaper.

The Woman in Black poster

The Haunting1963

Robert Wise's black-and-white haunted-house classic proves you never need to show anything to terrify an audience—sound design and camera angles do all the work.

But Sixties dialogue and pacing will feel stagey to viewers used to modern horror rhythms.

The Haunting poster

Session 92001

A crew of asbestos removers in an abandoned mental hospital slowly come apart—dread built from silence and confined spaces rather than any explicit ghost.

But Ambiguous almost to a fault; some viewers find the ending frustratingly unresolved rather than satisfying.

Session 9 poster

The Awakening2011no page yet

Rebecca Hall as a professional ghost-debunker who takes a case at a 1920s boarding school and finds her scepticism failing her—handsome, wintry, very British dread.

But Less known and less polished than the others here, with a third act that overreaches slightly.

The Uninvited1944

Made nearly sixty years before The Others, it invented the mood Amenábar borrows wholesale—a family in a shuttered house, ambiguous spectral presences, dread delivered through atmosphere rather than effects.

Ray Milland and his sister inherit a clifftop house that starts behaving strangely—a genuinely elegant 1940s ghost story that quietly founded the genre's grammar.

But Its black-and-white restraint and old-Hollywood pace will feel tame next to anything made after 1970.

The Uninvited poster

The Babadook2014

Swaps the stately gothic register for raw domestic horror: another mother alone in a dark house with a child, except here the haunting is inseparable from grief and denial rather than a puzzle to be solved.

A widowed mother's exhaustion curdles into something monstrous in this ferociously acted Australian horror film, using the haunted-house frame to talk about depression and grief instead of ghosts.

But Far more raw and psychologically brutal than The Others—this isn't elegant dread, it's suffocating and messy by design.

The Babadook poster

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