Film

Adam's Rib

George Cukor's screwball classic pits Spencer Tracy and Katharine Hepburn as married lawyers who land on opposite sides of an attempted-murder trial, and turns the courtroom into a referendum on their own marriage. It's dazzlingly fast, endlessly quotable, and quietly serious under the banter — a comedy that actually has an argument to make about equality, not just a joke to land.

TMDb rating7.1

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Woman of the Year1942

The Tracy-Hepburn chemistry that powers Adam's Rib started here, seven years earlier, with the same premise of two brilliant equals figuring out whether marriage can survive competition.

But The gender politics resolve in a way that feels more dated and less generous than Adam's Rib's ending.

Woman of the Year poster

His Girl Friday1940

If you loved the machine-gun dialogue and the sense of two sharp people who can't stop sparring or loving each other, this is the fastest, funniest version of that formula ever made.

But Cary Grant's editor is a much more ruthless, self-interested operator than Adam or Amanda — the romance is meaner.

His Girl Friday poster

Intolerable Cruelty2003no page yet

A modern-dress descendant: two lawyers on opposing sides of divorce cases, trading legal barbs and falling for each other, with Coen brothers polish and a genuinely great George Clooney performance.

But It's broader and more cynical, with none of Adam's Rib's underlying sincerity about what equality in a marriage should look like.

The wildcard

Something you would not have found on your own.

RBG2018

Adam's Rib dramatizes, as comedy, the exact equal-protection argument Ginsburg spent her career turning into actual law — watching RBG shows you the joke becoming jurisprudence.

A documentary portrait of Ruth Bader Ginsburg, who has said she loved this film as a young woman and later built real legal arguments — cited in actual Supreme Court cases — on the same idea Amanda Bonner argues in a Hollywood courtroom: that the law shouldn't treat men and women differently.

But It's a straightforward, reverent documentary with none of the wit or performance fireworks — you're trading Hepburn's timing for archival footage and talking heads.

RBG poster

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