Film

The Taming of the Shrew

Franco Zeffirelli's lavish, brawling take on Shakespeare's problem comedy, built almost entirely around the real marital chemistry of Elizabeth Taylor and Richard Burton. It's loud, physical, gorgeously dressed and unapologetically theatrical — more interested in watching two enormous personalities collide than in Shakespeare's language. Good for anyone who wants spectacle and star power over subtlety, and can stomach a play that hasn't aged gracefully.

TMDb rating6.9

If you liked this

Who's Afraid of Virginia Woolf?1966

Same married combatants, same appetite for watching two people perform devotion and cruelty at once — except here the gloves come off entirely and the laughs curdle into something much uglier.

But Raw, exhausting and deliberately claustrophobic, with nothing like the sunny costume-comedy gloss you just watched.

Who's Afraid of Virginia Woolf? poster

Romeo and Juliet1968

Zeffirelli again, this time aimed at tragedy instead of comedy, with the same operatic colour, sweeping camerawork and hunger for beautiful young faces filling every frame.

But Trades sparring wit for teenage doom — if you came for banter, this won't scratch that itch.

Romeo and Juliet poster

10 Things I Hate About You1999

The exact same plot — a stroppy older sister must be tamed before the sweet younger one can date — dropped into a 90s American high school, and it's a genuine joy.

But The Shakespeare is sanded down to almost nothing; purists may wince at how loosely it wears the source.

10 Things I Hate About You poster

The wildcard

Something you would not have found on your own.

Adam's Rib1949

Same engine — two enormous, mismatched egos who fall for each other by fighting — but run through classic Hollywood screwball instead of Renaissance Italy, decades before Taylor and Burton took a swing at it.

Tracy and Hepburn play lawyers on opposite sides of a case, turning courtroom combat into the sharpest battle-of-the-sexes comedy Hollywood ever produced, with real off-screen sparks fuelling every scene.

But Black and white, dialogue-driven and legally talky — a world away from Zeffirelli's brawling colour and physical slapstick.

Adam's Rib poster
More like this (8)

Much Ado About Nothing1993

Another Shakespeare comedy about a man and woman who insult each other into love, shot in sunlit Tuscan warmth by a cast that's visibly, gloriously smitten.

But Branagh's version is gentler and more egalitarian — less power struggle, more mutual teasing between equals.

Much Ado About Nothing poster

Cleopatra1963no page yet

Taylor and Burton's first on-screen collision, four years earlier, on a scale so absurd it nearly bankrupted a studio — you can watch the real chemistry ignite in real time.

But It's a bloated four-hour historical epic, not a comedy, and drags in ways Shrew never does.

The Lion in Winter1968

A royal marriage as blood sport, all cutting dialogue and towering performances, for anyone who wants another period piece where verbal warfare is the whole point.

But Colder and far more political — this is a fight over a throne, not a courtship.

The Lion in Winter poster

My Fair Lady1964

A different kind of taming — a man reshaping a woman to his own design — told as a lush, tuneful musical with enormous charm and wit.

But The class politics are even more uncomfortable by modern standards, and it swaps combat for songs.

My Fair Lady poster

Twelfth Night1996no page yet

A gentler, more melancholy Shakespeare comedy about disguise and misdirected desire, handsomely mounted, with excellent performances from Imogen Stubbs and Helena Bonham Carter.

But Quieter and sadder in tone — nobody's throwing furniture or breaking chairs over anyone's head here.

Kiss Me Kate1953

The same Shrew story turned into a backstage Cole Porter musical — a fun way to see how many costumes one plot can wear.

But Broad, old-fashioned musical staging; the songs will land harder than the Shakespeare underneath them.

Kiss Me Kate poster

Burton and Taylor2013no page yet

Explains the chemistry that makes the film sing: Taylor and Burton weren't just acting a marriage on that Padua set, they were performing their own — and this shows what it actually cost them.

A TV biopic, with Helena Bonham Carter and Dominic West, about the real Taylor-Burton marriage in its later, exhausted years — the private storm behind all that on-screen sparring.

But It's sad rather than fun, a small-scale portrait of two depleted people rather than a costume romp.

The War of the Roses1989

Same idea — marriage as a fight for dominance, played for laughs — pushed forward three centuries and stripped of any hope that taming ends happily.

Kathleen Turner and Michael Douglas push courtship-as-combat to its logical, savage endpoint — a divorcing couple wrecking their house and each other in a pitch-black comedy that never flinches.

But It's genuinely nasty by the end, with none of the warmth or reconciliation Shrew insists on.

The War of the Roses poster

People

Cast

Directing

Writing

Production

Recommended by