Film
The Taming of the Shrew
Franco Zeffirelli's lavish, brawling take on Shakespeare's problem comedy, built almost entirely around the real marital chemistry of Elizabeth Taylor and Richard Burton. It's loud, physical, gorgeously dressed and unapologetically theatrical — more interested in watching two enormous personalities collide than in Shakespeare's language. Good for anyone who wants spectacle and star power over subtlety, and can stomach a play that hasn't aged gracefully.
If you liked this
Who's Afraid of Virginia Woolf?1966
Same married combatants, same appetite for watching two people perform devotion and cruelty at once — except here the gloves come off entirely and the laughs curdle into something much uglier.
But Raw, exhausting and deliberately claustrophobic, with nothing like the sunny costume-comedy gloss you just watched.

Romeo and Juliet1968
Zeffirelli again, this time aimed at tragedy instead of comedy, with the same operatic colour, sweeping camerawork and hunger for beautiful young faces filling every frame.
But Trades sparring wit for teenage doom — if you came for banter, this won't scratch that itch.

10 Things I Hate About You1999
The exact same plot — a stroppy older sister must be tamed before the sweet younger one can date — dropped into a 90s American high school, and it's a genuine joy.
But The Shakespeare is sanded down to almost nothing; purists may wince at how loosely it wears the source.

The wildcard
Something you would not have found on your own.
Adam's Rib1949
Same engine — two enormous, mismatched egos who fall for each other by fighting — but run through classic Hollywood screwball instead of Renaissance Italy, decades before Taylor and Burton took a swing at it.
Tracy and Hepburn play lawyers on opposite sides of a case, turning courtroom combat into the sharpest battle-of-the-sexes comedy Hollywood ever produced, with real off-screen sparks fuelling every scene.
But Black and white, dialogue-driven and legally talky — a world away from Zeffirelli's brawling colour and physical slapstick.

More like this (8)
Much Ado About Nothing1993
Another Shakespeare comedy about a man and woman who insult each other into love, shot in sunlit Tuscan warmth by a cast that's visibly, gloriously smitten.
But Branagh's version is gentler and more egalitarian — less power struggle, more mutual teasing between equals.

Cleopatra1963no page yet
Taylor and Burton's first on-screen collision, four years earlier, on a scale so absurd it nearly bankrupted a studio — you can watch the real chemistry ignite in real time.
But It's a bloated four-hour historical epic, not a comedy, and drags in ways Shrew never does.
The Lion in Winter1968
A royal marriage as blood sport, all cutting dialogue and towering performances, for anyone who wants another period piece where verbal warfare is the whole point.
But Colder and far more political — this is a fight over a throne, not a courtship.

My Fair Lady1964
A different kind of taming — a man reshaping a woman to his own design — told as a lush, tuneful musical with enormous charm and wit.
But The class politics are even more uncomfortable by modern standards, and it swaps combat for songs.

Twelfth Night1996no page yet
A gentler, more melancholy Shakespeare comedy about disguise and misdirected desire, handsomely mounted, with excellent performances from Imogen Stubbs and Helena Bonham Carter.
But Quieter and sadder in tone — nobody's throwing furniture or breaking chairs over anyone's head here.
Kiss Me Kate1953
The same Shrew story turned into a backstage Cole Porter musical — a fun way to see how many costumes one plot can wear.
But Broad, old-fashioned musical staging; the songs will land harder than the Shakespeare underneath them.

Burton and Taylor2013no page yet
Explains the chemistry that makes the film sing: Taylor and Burton weren't just acting a marriage on that Padua set, they were performing their own — and this shows what it actually cost them.
A TV biopic, with Helena Bonham Carter and Dominic West, about the real Taylor-Burton marriage in its later, exhausted years — the private storm behind all that on-screen sparring.
But It's sad rather than fun, a small-scale portrait of two depleted people rather than a costume romp.
The War of the Roses1989
Same idea — marriage as a fight for dominance, played for laughs — pushed forward three centuries and stripped of any hope that taming ends happily.
Kathleen Turner and Michael Douglas push courtship-as-combat to its logical, savage endpoint — a divorcing couple wrecking their house and each other in a pitch-black comedy that never flinches.
But It's genuinely nasty by the end, with none of the warmth or reconciliation Shrew insists on.

People
Cast
Elizabeth TaylorKatharina
Richard BurtonPetruchio
Natasha PyneBianca
Michael YorkLucentio
Cyril CusackGrumio
Michael HordernBaptista
Alfred LynchTranio
Alan WebbGremio
Victor SpinettiHortensio
Roy HolderBiondello
Mark DignamVincentio
Bice ValoriThe Widow
Directing
- Albino CoccoAssistant Director
- Carlo LastricatiAssistant Director
- Rinaldo RicciAssistant Director
- Elaine SchreyeckContinuity
- Franco ZeffirelliDirector
Writing
- Franco ZeffirelliScreenplay
- Paul DehnScreenplay
- Suso Cecchi d'AmicoScreenplay
- William ShakespeareTheatre Play
Production
- Richard McWhorterExecutive Producer
- Franco ZeffirelliProducer
- Richard BurtonProducer
- Guy LuongoProduction Supervisor
- Roberto CoccoUnit Manager