Film
Superbad
Two inseparable best friends spend their last stretch of high school on a doomed quest to score alcohol for a party that might finally get them laid — or at least noticed. It's crude, filthy-mouthed, occasionally sweet, and paced like a fever dream you can't escape. Underneath the dick jokes is real dread about growing apart. For anyone who remembers being seventeen and terrified of everything, including each other.
If you liked this
Booksmart2019
The gender-swapped spiritual sibling: two overachieving best friends try to cram four years of partying into one last night before graduation. Same structure, same heart, arguably funnier set pieces.
But If you've already seen Superbad a dozen times, this can feel like watching the same movie with better cinematography.

American Pie1999
The granddaddy of the horny-teens-on-a-mission genre — cruder and less character-driven, but the template Superbad is clearly riffing on and improving.
But The humor is broader and meaner, with less of the tenderness that makes Superbad work underneath the filth.

Dazed and Confused1993
Richard Linklater's shaggy, hangout classic about the last day of school — barely any plot, just vibes, weed, and the ache of things ending.
But Nothing really happens. If you need a goal or a mission driving the night, this will feel aimless by comparison.

The wildcard
Something you would not have found on your own.
Y Tu Mamá También2001
Same engine — two codependent boys, one intense journey, filthy talk masking real fear of growing apart — but Cuarón plays it as heartbreak instead of comedy.
Two inseparable teenage best friends, a road trip fueled by sex talk and bravado, and an ending that quietly reveals how much they were using the noise to avoid something sadder.
But It's in Spanish, sexually explicit rather than comic, and lands somewhere closer to grief than laughter.

More like this (8)
The 40 Year-Old Virgin2005no page yet
Same Apatow-adjacent DNA — filthy dialogue, real sweetness, a hero terrified of sex — just with the age dial turned up twenty years.
But It's slower and more sentimental, without the frantic single-night urgency that drives Superbad forward.
Good Boys2019no page yet
The exact same premise — young guys on a chaotic quest fueled by anxiety about girls — dropped to age twelve. Somehow just as filthy.
But The jokes land differently with actual children delivering them; some viewers find it more uncomfortable than funny.
Pineapple Express2008
Rogen and Franco, made by the same circle of collaborators, swap the party-planning panic for a drug deal gone sideways but keep the loyal-idiots energy.
But It leans much harder into action and violence than character comedy — a genuinely different kind of ride.

Blockers2018
Flip the perspective: three parents try to stop their daughters losing their virginity on prom night. Same panicked-quest structure, different generation entirely.
But The comedy is broader and more slapstick, with less of the wistful melancholy sitting underneath Superbad.

Sex Drive2008no page yet
A road-trip comedy running on the same raunchy-but-secretly-earnest engine — a virgin on a cross-country dash to lose it, chased by chaos the whole way.
But It's a lesser-known B-tier entry in the genre; the jokes don't land as sharply or as often.
Knocked Up2007
Same year, same crew, same commitment to filthy dialogue hiding real feeling — just about the panic of adulthood instead of the panic of leaving high school.
But It's a longer, slower, more grown-up film; the manic teenage energy is completely gone.

American Graffiti1973
Superbad's entire shape — one frantic night standing in for the end of adolescence — is lifted straight from this 1973 classic.
The original one-last-night-before-everything-changes movie — cruising, radio static, a whole ensemble of teenagers who don't yet know this is the end of something.
But It's chaste by comparison, more elegiac than funny, and slower-paced than modern comedies train you for.

Big Mouth2017
Takes Superbad's core idea — teenage sexual terror voiced as comedy — and builds it into a whole animated mythology running for years instead of one night.
Same puberty panic, same filthy mouths, same weirdly tender heart — just stretched into an animated series where the anxieties get literal monster forms and years to breathe.
But It's an ongoing animated sitcom rather than one tight night, and the crudeness is even more extreme, sustained across seasons.

People
Cast
Jonah HillSeth
Michael CeraEvan
Christopher Mintz-PlasseFogell
Bill HaderOfficer Slater
Seth RogenOfficer Michaels
Martha MacIsaacBecca
Emma StoneJules
Aviva BaumannNicola
Joe Lo TruglioFrancis the Driver
Kevin CorriganMark
Clement BlakeHomeless Guy
Erica Vittina PhillipsLiquor Store Cashier
Directing
- Greg MottolaDirector
- Scott RobertsonFirst Assistant Director
- Ronit Ravich-BossScript Supervisor
- Steven F. BeaupreSecond Assistant Director
Writing
- Evan GoldbergWriter
- Seth RogenWriter
Production
- Allison JonesCasting
- Dorian FrankelCasting Associate
- Dara WeintraubCo-Producer
- Evan GoldbergExecutive Producer
- Seth RogenExecutive Producer
- Christine BonnemLocation Manager
- Judd ApatowProducer
- Shauna RobertsonProducer
- Edward AllenProduction Accountant
- Scott KocheProduction Assistant
- Sara ScarrittProduction Coordinator
- Christa VausbinderProduction Supervisor
- Dara WeintraubUnit Production Manager
Recommended by
The Inbetweeners, American Pie, Freaks and Geeks, Dazed and Confused, This Is the End, American Graffiti, Everybody Wants Some!!, Easy A, Booksmart, 21 Jump Street, Pineapple Express, Juno, Blockers, Undeclared, Fast Times at Ridgemont High, Step Brothers, Old School, Knocked Up, Teenage Mutant Ninja Turtles: Mutant Mayhem, Ferris Bueller's Day Off, 22 Jump Street, On My Block, The Hangover