Film
Bachelorette
- Comedy
- Light-hearted
A raunchy comedy about three former mean girls forced to be bridesmaids for the girl they bullied in school. It's a loose, profane hang with your worst friends—crude without reaching for shock value, funny because the characters are genuinely terrible and impossible to root for. For people who like their comedies messy and their heroines unheroic.
If you liked this
Bridesmaids2011
The template for ensemble female comedies with actual warmth beneath the chaos. Hilarious set pieces, genuine heart, and a cast firing on all cylinders—it's why everyone wanted to make this movie.
But The tone is uneven; it swings between raunchy farce and sincere emotional climax in ways that don't always land together.

Old School2003
That same energy of adults behaving badly without apology. It commits to the bit, finds weird humanity in its idiots, and doesn't waste time pretending anyone deserves redemption.
But It's essentially a feature-length riff that works better in moments than as a sustained thing. The plot is gossamer-thin.

The Hangover2009
Ensemble comedy where the fun is in watching likeable people make terrible choices and scramble to fix them. Propulsive, quotable, and the cast has real chemistry doing nothing much.
But It spawned a franchise mentality that made every comedy think it needed a mystery box. First time is lightning; sequels tried to recapture it.

Not sure tonight? Get a pick in a minute, starting from Bachelorette
The wildcard
Something you would not have found on your own.
Withnail & I1987
Both are comedies where the friendship is more interesting than any external goal. You watch them to see what chaos the main characters create just by being themselves.
Two jobless actors on a disaster of a holiday: it's about the specific chemistry between two terrible people who need each other. Profane, quotable, and endlessly rewatchable because the writing is so precise.
But It's British, deeply weird, and moves like a drag. If you're expecting plot momentum, you'll be bored.

More like this (8)
Mean Girls2004
The obvious ancestor: smart about high school hierarchies, genuinely funny, and works as both satire and legitimate teen comedy. It's the film this one is riffing on.
But It's become such a cultural touchstone that it's hard to find anything new in it now. Overquoted to death.

Wedding Crashers2005
Two guys crashing weddings to meet women: premise is thin but the execution is loose, the supporting cast is great, and it understands that chaos is the point.
But The romance subplot takes itself way too seriously in the third act. The energy drops when it tries to earn feelings.

Forgetting Sarah Marshall2008
A breakup comedy that actually gets the wretchedness of post-relationship limbo right. Funny because the pain is real, and it doesn't rush past the mortification.
But Halfway through it shifts into a redemption arc that feels slightly safe and audience-pleasing.

I Love You, Man2009
A bromance comedy that understands loneliness and the weird vulnerability of needing people. Unexpectedly tender without losing the jokes.
But It runs long and the emotional beats occasionally overwhelm the comedy. Paul Rudd's sadness is very real.

Superbad2007
Teen comedy about misfits that gets the desperation and wrongness of adolescence right. It's sweet under the crudeness, which is harder to pull off than it looks.
But People have decided it's a masterpiece, which means watching it now feels like attending a lecture rather than laughing with friends.

Girls Trip2017
Female ensemble comedy with the same DNA: women behaving badly, actual friendship underneath, and genuine laughs that don't require you to like anyone.
But It leans harder on sentiment than *Bachelorette* does, and sometimes the jokes get buried under character arcs.

Goodbye to All That2014
Both refuse to make their female characters likeable in conventional ways. They're selfish, cruel sometimes, and the film lets you just watch them without demanding you feel better about them.
A woman in her forties walks out on her marriage and life, and the film doesn't judge her or make her earn redemption. It's about the messy reality of reinvention and selfishness without apology.
But There's no plot arc; it's a character study that some will find plotless and depressing. It's also difficult to find.

Ken Park2003
Both use comedy and transgression to look at damage done in social hierarchies, but *Ken Park* goes to the dark places *Bachelorette* stops short of. It's what happens when you remove the laughter entirely from a story about cruelty.
A brutal, unsentimental look at privileged suburban teenagers that makes no moral judgments and offers no comfort. It's art-damaged and uncompromising in a way mainstream comedy never is.
But It's genuinely disturbing, sexually explicit, and made by Larry Clark. It's not entertaining in any normal sense. You watch it to feel something difficult.

People
Cast
Kirsten DunstRegan Crawford
Rebel WilsonBecky Archer
Lizzy CaplanGena Myers
Isla FisherKatie Lawrence
James MarsdenTrevor Graham
Adam ScottClyde Goddard
Kyle BornheimerJoe Barnes
Hayes MacArthurDale Beaumont
Ann DowdVictoria Archer
Andrew RannellsManny
Sue Jean KimWedding Planner
Ella Rae PeckStefanie
Directing
- Leslye HeadlandDirector
- Mark CashFirst Assistant Director
- Kim DeliseScript Supervisor
- Jack MandellSecond Assistant Director
- Alejandro RamiaSecond Second Assistant Director
Writing
- Leslye HeadlandScreenplay
- Leslye HeadlandTheatre Play
Production
- Tom DonaldsonArt Department Production Assistant
- Colette HallinanAssistant Accountant
- Geoffrey BoothAssistant Location Manager
- Danny SanchezAssistant Production Manager
- Brian ReadyAssociate Producer
- Matthew Vose CampbellAssociate Producer
- Jennifer EustonCasting
- Emer O'CallaghanCasting Associate
- Carly HugoCo-Producer
- Leslye HeadlandCo-Producer
- Matthew ParkerCo-Producer
- Genevieve GouauxExecutive Assistant
- Chris HenchyExecutive Producer
- Jason JanegoExecutive Producer
- Paul ProkopExecutive Producer
- Tom QuinnExecutive Producer
- Krystle RobiberoExtras Casting Coordinator
- Danny SanchezKey Production Assistant
- Elizabeth KrekelLocation Manager
- Kristen MinkLocation Manager
- Adam McKayProducer
- Brice Dal FarraProducer
- Claude Dal FarraProducer
- Jessica ElbaumProducer
- Lauren MunschProducer
- Will FerrellProducer
- Jessie HainProducer's Assistant
- John 'J.R.' CraigmileProduction Accountant
- Ben ColumbusProduction Assistant
- Carter WardProduction Assistant
- Frank Trotta Jr.Production Assistant
- Harry NangleProduction Assistant
- Joshua ThurstonProduction Assistant
- Thomas F. O'NeillProduction Assistant
- Clara CampoliProduction Secretary
- Parry CreedonProduction Supervisor