Film
Goodbye to All That
A middle-aged man navigates the wreckage of his marriage and attempts to rebuild his life through awkward dating and fractured parenting. It's a gentle, unglamorous comedy about ordinary unhappiness—messy but humane, more interested in uncomfortable conversations than easy laughs.
If you liked this
About a Boy2002
A divorced man forced to grow up and reckon with fatherhood, learning that love isn't a transaction but a daily choice. Witty without being mean, tender without being saccharine.
But The tone drifts between comedy and melodrama in ways that occasionally jar. Some scenes feel written for a different film.

Philomena2013
A story about people picking through the ruins of their own mistakes and finding an unexpected friendship. Quiet, thoughtful, genuinely moving without manipulating you into tears.
But It's deliberately small and slow. If you need plot momentum or big dramatic moments, this will feel like nothing happens.

Crazy, Stupid, Love.2011
Multiple middle-aged characters wrestling with marriage, adultery, and the gap between who they thought they'd be and who they actually are. Funny and smart about adult relationships.
But It has a much bigger budget and broader appeal, so it smooths some edges. The happy endings come easier than in real life.

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The wildcard
Something you would not have found on your own.
Paterson2016
Both films find the profound within the mundane: men adrift in their own lives, learning that meaning lives in small, repeated acts of attention, not grand gestures or dramatic turning points.
A bus driver writes poetry and walks his dog and watches his marriage fray at the edges. It's utterly ordinary and utterly absorbing—a film about the dignity and loneliness of showing up every day.
But Essentially plotless. If you need narrative momentum or character arcs that resolve, this will feel like watching someone's actual boring life, which is exactly what it is.

More like this (8)
The Good Girl2002
A character study of quiet desperation and poor decisions made by smart people. Aniston gives a remarkably unglamorous performance as someone stuck in her own life.
But It's grimmer than you might expect—there's real darkness here, and not all roads lead anywhere good.

Togetherness2015
A miniseries about a married couple letting friends move in and everything falling apart in real time. It captures the daily friction and small betrayals of proximity with uncomfortable accuracy.
But The characters are often infuriating and the humor is cringe-based. Watching people sabotage their own lives gets exhausting.

Olive Kitteridge2014
A woman in her sixties reckonings with marriage, regret, and the specific loneliness of being known by someone for decades. Four episodes, each one a small revelation about how people stay or leave.
But Ostensibly a miniseries, but it's really four standalone stories. The structure will feel frustrating if you want continuous narrative.

Nebraska2013
An aging father and grown son take a road trip to claim a lottery prize that probably doesn't exist. Achingly funny about masculine awkwardness and the things fathers and sons can't quite say.
But Shot in black and white and deeply melancholic. The humor emerges from sadness, which can feel like the film is joking about pain.

Nights in Rodanthe2008
Two lonely, damaged people find each other briefly in a coastal inn during a hurricane. Simple, earnest, and surprisingly moving about what happens when loneliness recognizes itself.
But It's a Nicholas Sparks adaptation, so emotional directness borders on sentimentality. If you hate sincere romance, stay far away.

Win Win2011
A struggling lawyer takes in a high school wrestler he barely knows, and both of them start to heal through proximity and low expectations. Gentle and funny about how people surprise you.
But Not much happens. It's a small story about incremental change, which can feel thin if you're looking for genuine conflict or stakes.

Fleabag2016
Both explore the performance of normalcy—how people pretend to have their lives together while drowning quietly. Both understand that the jokes people make are often just armor.
A woman in her thirties stages a fake wedding for family while falling apart privately. Devastatingly funny about self-sabotage, loneliness, and the gap between how you appear and who you actually are.
But It's performed largely in fourth-wall breaks and has a deliberately theatrical register. If you need naturalistic dialogue and traditional TV structure, the style will feel exhausting.

The Mule2018
A man realizing late that he's made all the wrong choices and finding unexpected direction through an unlikely relationship. Both films understand that reinvention at fifty isn't noble—it's just necessary.
An elderly man becomes a drug courier out of financial desperation and discovers an unexpected sense of purpose. A surprisingly warm film about how people find meaning in the margins of their lives.
But Clint Eastwood films can feel politically muddled, and this one is no exception. The sympathetic portrayal of a criminal might sit wrong depending on your tolerance.

People
Cast
Paul SchneiderOtto Wall
Anna CampDebbie Spangler
Michael ChernusFreddie
Heather GrahamStephanie
Ashley HinshawMildred
Heather LawlessLara
Melanie LynskeyAnnie Wall
Audrey P. ScottEdie Wall
Amy SedarisHolly
Celia WestonJoan
Steve CoulterLawyer- Robert HaulbrookReal Estate Broker
Directing
- Angus MacLachlanDirector
- Scott LarkinFirst Assistant Director
- Pamela RookScript Supervisor
- Karla StrumSecond Assistant Director
Writing
- Angus MacLachlanWriter
Production
- Mark BennettCasting
- Summer SheltonCo-Producer
- Angus MacLachlanExecutive Producer
- Ethan D. LederExecutive Producer
- Mark P. CleinExecutive Producer
- Mitzi CorriganLocal Casting
- Tara CarrozzaPost Production Coordinator
- Anne CareyProducer
- Mindy GoldbergProducer
- Cynthia ChouProduction Coordinator
- Corey DecklerUnit Production Manager