Film
The Bubble
A pandemic-era ensemble comedy about actors and crew trapped in a luxury hotel trying to film a blockbuster sequel. It's chaotic, anarchic, and stuffed with recognizable faces riffing on ego, desperation, and the absurdity of making art under impossible constraints. For fans of workplace comedies with a cast that feels like a party you weren't invited to.
If you liked this
Tropic Thunder2008
A similarly meta comedy about a disaster-plagued action film production, with an ensemble cast playing exaggerated versions of themselves and Hollywood types. Sharp, hilarious, and endlessly quotable.
But The satire can feel dated now, and some of the humour hasn't aged well or relies on impressions that tire quickly.

Curb Your Enthusiasm2000
Larry David's cringe-comedy masterpiece thrives on awkward ensemble dynamics and the comedy of people trapped in impossible social situations. The chaos and mounting absurdity will feel familiar.
But It demands patience with deeply unlikeable characters, and the episodes can drag if the premise isn't landing for you that day.

Eating Raoul1982
A cult comedy about ordinary people attempting something insane in isolation. It's deadpan, weird, and has the same anarchic energy as watching a plan fall apart in real time.
But It's deliberately low-budget and silly in a way that feels distant from modern comedy—very much a product of its era.

Not sure tonight? Get a pick in a minute, starting from The Bubble
The wildcard
Something you would not have found on your own.
Rope1948
Both trap characters in a confined space and watch the psychology and egos unravel under pressure, relying on ensemble dynamics rather than plot.
Hitchcock's chamber piece about two men confined to an apartment after committing murder, filmed in real-time across eighty minutes. It pioneered the 'locked room' format and the escalating social chaos of people trapped together under pressure.
But It's a 1948 thriller, not a comedy—black and very tense, with none of the laughs. The technique is fascinating but can feel stagey and slow.

More like this (8)
Four Rooms1995
An ensemble ensemble film set in one location over one night, with multiple writers and directors creating chaos. The 'trapped in one space' premise and the rotating collection of guest stars gives it similar DNA.
But It's patchy, ambitious in a way that doesn't always work, and some segments completely fall flat while others shine.

The Comeback2005
Lisa Kudrow's mockumentary series about a faded actress attempting a comeback captures the same desperation and delusion of people clinging to fame. It's uncomfortable and brilliant.
But The cringe factor is intense, and if you're not on board with that brand of awkward humour, it's just painful to watch.

30 Rock2006
A behind-the-scenes comedy about making television with an ensemble cast riffing on show business chaos. Fast-paced, joke-dense, and full of recognizable faces playing versions of themselves.
But The pace can feel frantic and joke-reliant rather than character-driven, which might feel exhausting if you prefer story to zingers.

The Righteous Gemstones2019
Danny McBride's ensemble chaos-comedy about a dysfunctional family with outsize egos trapped in situations of their own making. Wild, dark, and genuinely funny.
But The tone is uneven—it swings wildly between broad comedy and genuine darkness, which doesn't always land smoothly.

Bachelorette2012
Lena Dunham's scrappy comedy about a bachelorette party gone catastrophically wrong. It's messy, character-focused, and captures the energy of people in close quarters making increasingly bad decisions.
But It's rough around the edges and indie in a way that can feel unpolished compared to studio comedies, and the characters are grating on purpose.

The Disaster Artist2017
James Franco's love letter to filmmaking failure captures the earnest delusion of people trying to make art despite having no business doing so. It's warm and funny about creative ambition gone wrong.
But If you haven't seen The Room, this loses half its punch, and the film can feel overly forgiving of its subject matter.

The Regime2024
Both feature strong ensemble casts navigating social hierarchies, ego, and power plays within confined environments, where alliances shift constantly.
Kate Winslet in a brutal, tense HBO limited series about a powerful woman in an oppressive political system. Completely different register, but it's a masterclass in ensemble acting and the comedy of desperation.
But It's heavy, serious, and intensely bleak—you're watching power dynamics and psychological manipulation, not laughing. Tonally the opposite of The Bubble.

The Gentlemen2020
Both explore how ego and self-interest fracture group dynamics; both use ensemble casts where everyone's playing a version of themselves and competing for dominance.
Guy Ritchie's crime caper structures itself as nested stories told by multiple characters, each with their own agenda and version of events. It's a playful, complex ensemble piece about people trying to maintain control and status.
But It's a violent crime film, not a comedy, and the tricksy narrative structure can feel more clever than satisfying. Requires rewatching to appreciate.

People
Cast
Karen GillanCarol Cobb
Iris ApatowKrystal Kris
Fred ArmisenDarren Eigen
Maria BakalovaAnika
Vir DasRonjon
David DuchovnyDustin Mulray
Samson KayoBola
Keegan-Michael KeySean Knox
Guz KhanHowie Frangopolous
Leslie MannLauren Van Chance
Kate McKinnonPaula the Studio Head
Pedro PascalDieter Bravo
Directing
- Annie HitchcockCrowd Assistant Director
- Judd ApatowDirector
- Ben HowardFirst Assistant Director
- Lois GrationScript Coordinator
- Laura MilesScript Supervisor
- Charlie VaughanSecond Assistant Director
- Jason RickwoodSecond Second Assistant Director
- Mark LaytonSecond Second Assistant Director
- James O'DonnellSecond Unit Director
- William BookerSecond Unit First Assistant Director
- Charlotte Amelia MilesThird Assistant Director
- James ExcellThird Assistant Director
- Robbie DavidsonThird Assistant Director
Writing
- Judd ApatowWriter
- Pam BradyWriter
Production
- Deena RosenblattAssociate Producer
- Savannah KellyAssociate Producer
- Gayle KellerCasting
- Victor JenkinsCasting
- Allison KirschnerCasting Associate
- Andrew DawsonCo-Producer
- Andrew DawsonCo-Producer
- Dave KingCo-Producer
- Judah MillerCo-Producer
- Steve DawsonCo-Producer
- Tim InmanCo-Producer
- Nancy ValleExecutive In Charge Of Post Production
- Michelle BrattsonExecutive In Charge Of Production
- Barry MendelExecutive Producer
- Donald SabourinExecutive Producer
- Pam BradyExecutive Producer
- Judd ApatowProducer
- Scott EatonProduction Supervisor
- Michael KriarisUnit Production Manager
- Michelle MullenUnit Production Manager