Film
A Real Pain
Jesse Eisenberg's feature directorial debut tracks two cousins—one anxious and controlled, the other chaotic and free—reuniting for a Holocaust heritage tour through Poland. It's a comedy-drama that finds real tenderness in family friction, balancing jokes with genuine historical weight. For anyone who loves character-driven stories about how we hurt the people closest to us.
Should you watch it?
Watch it if you love the prickly, funny-sad chemistry of two cousins who keep undercutting each other, and you want comedy that stays alert to real grief rather than using it as a punchline.
Skip it if you want a tidy plot with a clear destination, since this is loose, meandering and often more interested in awkward silences than in where the tour is heading.
What it asks of you: Ninety minutes of talk-led scenes, with long pauses that let discomfort settle before any laugh arrives.
Not sure? Find tonight's pick in a minute.
If you liked this
The Farewell2019
A family gathers around a grandmother's illness, and like A Real Pain, it finds comedy in cultural specificity and deep love underneath surface chaos. Awkwafina is magnetic, and the tone walks that same tightrope between funny and moving.
But It's quieter than you might expect, and the emotional payoff requires patience with scenes that don't punch a joke.

Dìdi (弟弟)2024
Sean Penn plays a struggling father in 1980s New York; it's another film about a man learning to be gentle with someone he loves. Unglamorous, deeply felt, and funny in the way real life is—when you're not looking for it.
But The poverty and desperation are not softened for comfort. It can feel grim, even when it makes you smile.

Moonlight2016
Three chapters of a man's life, told with formal precision and intimate tenderness. Like A Real Pain, it understands that family and desire are entangled, and that vulnerability is the hardest thing to show the people who matter most.
But It's meditative and sparse. If you need plot momentum or clear resolutions, the stillness might frustrate you.

Not sure tonight? Get a pick in a minute, starting from A Real Pain
The wildcard
Something you would not have found on your own.
The Substance2024
Both films use comedy to approach pain that isn't funny. Both are about the things we inherit—grief, shame, expectations—and how they live in our bodies whether we want them to or not.
Demi Moore in a body-horror film about aging, vanity, and women's rage. It's a horror film that functions as social satire, grotesque and funny and furious all at once. Wildly original and utterly committed to its premise.
But The practical effects are intentionally nauseating. If you're squeamish, this will punish you, and the film doesn't apologize for that.

More like this (7)
Superbad2007
Two best friends on the eve of a party; it's a perfect comedy about the fear that growing up means losing each other. Genuinely funny, but it cares about its characters in a way that makes the sentiment land hard.
But It's a product of 2007 in ways that haven't aged perfectly, and some of the humour feels dated now.

Manchester by the Sea2016
Casey Affleck as a withdrawn man forced back into family responsibility. It finds humanity in someone who's defended himself half to death. Quietly devastating, with moments of real levity that feel earned.
But The grief here is heavy and unresolved. There's no epiphany or neat catharsis, just a man learning to live alongside his pain.

Minari2021
A Korean American family chases the American dream in Arkansas; it's about aspiration, disappointment, and the small miracles of being seen by the people you love. Steven Yeun is phenomenal, and the script never condescends to its characters.
But If you're looking for a rousing underdog story, the film is too ambivalent about whether anyone truly wins here.

C'mon C'mon2021
Joaquin Phoenix and a ten-year-old cross America together. Shot in black and white, it's a meditation on how we talk to the people we care about and how often we fail. Funny, aching, and totally original.
But The black-and-white cinematography and experimental structure aren't for everyone. It prioritizes mood over narrative drive.

The Worst Person in the World2021
Renate Reinsve as a woman in her twenties refusing to settle, hurting people she loves in the process. It's a comedy-drama about being selfish and human at once, with real affection for its flawed protagonist.
But The protagonist makes choices that alienate viewers. If you need to root for someone without ambivalence, this isn't your film.

Aftersun2022
A father and daughter on holiday in Turkey; it's oblique and poetic, about how little we truly know the people closest to us. Visually stunning and emotionally precise in ways that linger long after the credits.
But It resists clarity and plot. The story moves in impressions and silences, which some find maddening rather than meditative.

Stalker1979
A Real Pain and Stalker both use journeys—one literal, one spiritual—to interrogate what we owe the dead and what we're hoping to find in reverence. Both films suggest that the search itself might be the point.
Tarkovsky's science-fiction metaphysical journey about desire and what we're actually searching for. Shot in saturated color, it moves like a dream, asking profound questions about meaning and faith. For viewers ready to think alongside a film rather than passively receive it.
But It's 163 minutes long and deliberately paced. Modern audiences often find it glacially slow, and there's no conventional climax or payoff.

People
Cast
Jesse EisenbergDavid Kaplan
Kieran CulkinBenji Kaplan
Will SharpeJames
Jennifer GreyMarcia
Kurt EgyiawanEloge
Liza SadovyDiane
Daniel OreskesMark
Ellora TorchiaPriya
Olha BosovaFlight Attendant- Jakub GąsowskiReceptionist
Piotr CzarnieckiConductor
Directing
- Jesse EisenbergDirector
- Mieszko FalanaFirst Assistant Director
- Renata GałuszkaScript Supervisor
- Gniewko FalanaSecond Assistant Director
Writing
- Jim BeggarlyScript Consultant
- Jesse EisenbergWriter
Production
- Remy LoveAssociate Producer
- Jessica KellyCasting
- Kornelia KamieniarzCasting Assistant
- Laura FeldmanCasting Associate
- Jasmine DaghighianCo-Executive Producer
- Jennifer WestinExecutive Producer
- Kevin KellyExecutive Producer
- Michael BloomExecutive Producer
- Ryan HellerExecutive Producer
- Metta StahlFirst Assistant Accountant
- Becky GlupczynskiLine Producer
- Magdalena MaliszLine Producer
- Ali HertingProducer
- Dave McCaryProducer
- Emma StoneProducer
- Ewa PuszczyńskaProducer
- Jennifer SemlerProducer
- Jesse EisenbergProducer