Film

Flower

Zoey Deutch is a sharp-tongued seventeen-year-old chaos agent in the San Fernando Valley who blackmails her high school teacher alongside her ragtag crew. It's anarchic, sometimes uncomfortably dark, and moves between comedy and genuine pathos without warning. For viewers who like their teen protagonists morally messy and their humor with an edge.

TMDb rating3.2

Should you watch it?

Watch it if you like prickly, funny teenage protagonists who make a mess of everything around them, and you don't mind a comedy that stays uncomfortable on purpose.

Skip it if you need likable leads and a comedy that keeps its jokes light; this one is abrasive, sour in places, and its moral sense is deliberately murky.

What it asks of you: Ninety-four minutes of loose, episodic scenes that linger on discomfort instead of sprinting from joke to joke, so patience matters more than laughs per minute.

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The wildcard

Something you would not have found on your own.

The Diary of a Teenage Girl2015

Both center teenage girls who break rules and blur moral boundaries; both treat their chaotic choices as psychologically real rather than lessons being taught.

Minnie Driver's directorial debut follows a fifteen-year-old starting an affair with her mother's boyfriend in 1970s San Francisco. Animated sequences, period specificity, and a protagonist you can't quite defend but completely understand. Rare film about female desire rather than female victimhood.

But The sexual content and the protagonist's lack of moral clarity disturb many viewers. It requires stomach for uncomfortable truths.

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Two high school misfits chase girls and beer through a single night. Juno Temple and the duo of Jonah Hill and Michael Cera are magnetic. It's crude, fast, and surprisingly tender.

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Daria1997

MTV cartoon about a deadpan outsider navigating high school with her sardonic friend Jane. Consistently intelligent, funny without being mean-spirited, and the female friendship at its heart is exactly right.

But The animation is deliberately flat and occasionally crude by modern standards. Some episodes are weaker than others.

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Never Rarely Sometimes Always2020

A quiet, observational film about a teenager seeking an abortion. Eliza Hittman's direction is precise and respectful; it trusts the audience to feel without being told how. Incredibly moving.

But It's deliberately slow and minimalist. Some find this contemplative; others find it glacial. It requires patience.

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We're the Millers2013

A small-time pot dealer recruits his stripper neighbor and two broke kids to pose as his family for a smuggling run to Mexico. It's chaos, comedy, and surprisingly feels like an actual found family.

But It aims for broad laughs sometimes at the expense of specificity. The humor can feel generic when it reaches for it too hard.

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The Sex Lives of College Girls2021

Mindy Kaling's series about four first-year roommates at an Ivy League college navigates sex, identity, class, and friendships without moralizing. Smart, funny, genuinely sexy.

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Assassination Nation2018

When hackers leak intimate photos, a town descends into hysteria targeting four teenage girls. Chaotic, uneven, but visually audacious and genuinely interested in how scapegoating works.

But The tone is deliberately abrasive and scattered. It wants provocation more than coherence, which exhausts some viewers quickly.

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mid90s2018

Both use Los Angeles geography and subculture as character, both are about misfits assembling their own family units, both have genuine affection for their disasters.

Jonah Hill's only film as writer-director follows a lonely thirteen-year-old in 1990s Los Angeles who finds belonging with a skate crew. Gorgeously shot on Super 16mm, intimate without being intrusive, funny and sad in the same breath.

But The narrative is loose and episodic. Viewers who need three-act structure will feel it meandering. Some find the male-focused group dynamic less interesting than promised.

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Kids1995

Both refuse to make teenage misbehavior sympathetic or wrong—they're interested in documenting the texture of amoral youth. Both are visually committed and narratively loose.

Gritty, controversial debut of Larry Clark and Harmony Korine tracking kids in New York City over one day. Unsettling, shot with documentary-like immediacy, and absolutely committed to the amorality of adolescence without judging or defending it.

But It's deliberately transgressive and contains scenes involving minors in sexual situations that are treated matter-of-factly. Many find it exploitative; others find it unflinching. Absolutely not for everyone.

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