Film

We're the Millers

A small-time pot dealer assembles a fake family—a stripper, a lonely neighbor, and a runaway teen—to smuggle marijuana across the Mexican border. It's a brightly lit, genial comedy that treats drug dealing as a plausible suburban job. Designed for people who find trashy premises genuinely funny and like their crime stories consequence-free.

TMDb rating3.4

Should you watch it?

Watch it if you like broad, chaotic comedy where a bunch of mismatched people improvise their way through escalating trouble, and where the sharp rhythm of the jokes matters more than the plausibility of the plot.

Skip it if you find the raunchy humour and crude sight gags wearing thin fast, or you want crime stories to carry real menace, since this one keeps the danger mostly at the level of a sitcom.

What it asks of you: Over almost two hours it keeps moving at a brisk clip, asking you to go along with a lot of silly set-ups and to laugh easily without needing the story to be tidy.

Not sure? Find tonight's pick in a minute.

If you liked this

Horrible Bosses2011

Three ordinary men plot against their abusive employers with increasing desperation and comedy. It shares that same tone: everyday people in wildly inappropriate situations, never quite crossing into genuine darkness.

But The humor relies heavily on shock value, and the plotting is basic. It's got the same mid-budget feel that hasn't aged brilliantly.

Horrible Bosses poster

Game Night2018

A couple gets caught up in real crime while attending what they think is a murder mystery party. It has the same DNA: a fake-out setup, likeable people spiraling, and genuine laughs from premise collision rather than wit.

But The self-aware tone occasionally feels cutesy, and the mystery plot mechanics overshadow character moments you might actually care about.

Game Night poster

Pineapple Express2008

A process server and his drug dealer friend tumble into violence after witnessing a murder. Same warmth toward lovable idiots, same casual tone about criminal activity, and Seth Rogen's easy chemistry with a co-lead.

But The action sequences feel awkwardly grafted onto the comedy, and some viewers find stoner humor one-note. It's uneven.

Pineapple Express poster

Not sure tonight? Get a pick in a minute, starting from We're the Millers

The wildcard

Something you would not have found on your own.

Ozark2017

Both use the family-as-cover-story as their spine, but Ozark treats it as a tragic implosion rather than a setup for laughs.

A financial advisor launders money for a drug cartel by moving his family to the Ozarks. It's the dark version of the smuggling premise: same criminal infrastructure, but the weight is real, the family fractures, and consequences accumulate.

But It's genuinely bleak and asks you to watch people make worse and worse choices. The later seasons feel bloated. This is not a comedy.

Ozark poster
More like this (8)

Old School2003

Three older men throw a rager from a house they rent, and everything spirals. Peak Will Ferrell chaos in a premise that's equally dumb and equally confident. No apologies, pure commitment to the bit.

But The jokes punch down at women and are frequently cringe-adjacent by modern standards. It's also formless—a sketch that happens to run ninety minutes.

Old School poster

The Hangover2009

Four men wake up in Vegas with no memory and a tiger in their bathroom. It's the template for this kind of movie: a simple premise, mounting complications, and enough heart to make you care if things work out.

But Once you've seen it, the mechanics are transparent. The sequels poisoned it slightly. It's been quoted to death.

The Hangover poster

Due Date2010

A man is forced to road-trip across America with an annoying stranger. Premise-driven chemistry comedy with Robert Downey Jr. being insufferable in the best way, and a plot that keeps throwing obstacles at them.

But Zach Galifianakis can be grating, and the sentimental third act feels obligatory. The movie never quite earns the emotional beats it's reaching for.

Due Date poster

Mr. & Mrs. Smith2005

A married couple discovers each of them is a secret assassin assigned to kill the other. Bright, violent, and structured around the specific chemistry between leads. It's fun without requiring much thought.

But The plot is thin and the action is more glossy than thrilling. It coasts on charm, which only works if you're charmed.

Mr. & Mrs. Smith poster

Ride Along2014

A security guard and his future brother-in-law go on a cop ride-along. Kevin Hart and Ice Cube have genuine comedy together, and the premise is light enough that it doesn't overstay its welcome.

But It's formulaic buddy-cop stuff with minimal surprises. By the end you've seen every beat before, and the action doesn't compensate.

Ride Along poster

The Nice Guys2016

A pulpy detective story set in 1970s Los Angeles, built entirely on two men bickering. Sharp writing, real chemistry, and it trusts you to enjoy character moments as much as the mystery.

But The plot gets convoluted and stops mattering. If you need a coherent crime story, this isn't it—it's a two-character stage play with a smog filter.

The Nice Guys poster

Pain & Gain2013

Same year, same energy of "criminals who are kind of dumb," but Pain & Gain leans into the meanness. It's We're the Millers if it believed in consequences.

Michael Bay's true-crime comedy about Miami gym meatheads who kidnap and extort a rich man. It's absurdist and trashy and completely committed to treating stupidity as comedy, with actual violence underneath.

But The tone is genuinely difficult—it laughs at cruelty and treats real victims as punchlines. The excess can feel cruel rather than fun.

Pain & Gain poster

Bonnie and Clyde1967

The ancestor of all "likeable criminals" movies. It's the serious, beautiful version of the same question: why do we root for people breaking the law?

Two beautiful young drifters become bank robbers and outlaws in Depression-era America. Visually radiant and violent, it romanticizes crime while making clear it ends badly. Warren Beatty and Faye Dunaway are luminous.

But It's methodical where modern comedies are quick, and the violence is shocking. It's a crime film, not a heist romp—more art than entertainment.

Bonnie and Clyde poster

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