Film
The Diary of a Teenage Girl
Adapted from Phoebe Gloeckner's illustrated memoir-novel, this is Marielle Heller's directorial debut, set in a hazy, disco-lit 1976 San Francisco where Minnie narrates her sexual awakening through comic-strip fantasy sequences that erupt off the page. It's frank, funny, uncomfortable and tender at once — never salacious, never scolding. For anyone who wants teenage female desire told from the inside, without a lesson attached.
If you liked this
Eighth Grade2018
Bo Burnham's exquisitely anxious portrait of a thirteen-year-old navigating puberty and social media shares Minnie's unfiltered interiority — the same tenderness toward an age adults love to condescend to, the same refusal to look away from awkwardness.
But It's gentler and entirely non-sexual, so if you wanted the transgressive charge of Diary, this feels tame by comparison.

Lady Bird2017
Greta Gerwig's semi-autobiographical mother-daughter battle has the same period specificity and wounded comic tenderness — another girl inventing herself in open defiance of the woman raising her.
But Much less explicit and no illicit affair — the stakes here are college applications, not statutory transgression, a softer landing.

The Edge of Seventeen2016
Hailee Steinfeld plays a whip-smart, self-sabotaging teenager who talks and thinks like an actual teenager, mixing crude humour with real heartbreak in exactly the Diary spirit.
But It's a more conventional studio comedy shape, tidy where Diary is messy — the danger Minnie courts barely registers.

The wildcard
Something you would not have found on your own.
Persepolis2007
Minnie's diary literally animates on screen whenever she draws herself as a superhero; Persepolis takes that exact idea and builds an entire film out of it — a teenage girl's illustrated self-portrait, format included, from the frames outward.
A whole feature built from the same graphic-novel-diary logic Minnie uses for her fantasy panels: hand-drawn, first-person, unflinching about a girl's coming of age amid chaos.
But Black-and-white animation and the Iranian revolution as backdrop make for a much bigger tonal and political leap than you might expect.

More like this (8)
Fish Tank2009
Andrea Arnold's British counterpart: a working-class teen girl drawn into a dangerous, sexually charged relationship with her mother's boyfriend, filmed with the same unblinking, nonjudgmental intimacy.
But Bleaker and angrier, with none of Diary's warmth or humour — this one doesn't let you off easy.

American Honey2016
Andrea Arnold again, sending a teenage girl out into America's underbelly on a magazine-crew road trip, sexual awakening tangled up with hunger, freedom, and real danger.
But Nearly three hours long, loose and meandering by design — patience-testing if you want a tight plot.

Thirteen2003
Catherine Hardwicke's raw account of a young teen sliding into drugs and sex, co-written from Nikki Reed's own adolescence, shares the diary's confessional urgency and nerve.
But Much darker and more punishing in tone, without Diary's saving grace of humour or hope.

Palo Alto2014no page yet
Gia Coppola's woozy adaptation of James Franco's linked stories follows suburban teens drifting toward sex, drugs, and trouble, including a girl's charged bond with her soccer coach.
But Cooler and more detached in tone, atmosphere over character — might leave you wanting more interior life.
The Virgin Suicides2000
Sofia Coppola's dreamy 1970s-set portrait of teenage girlhood watched, desired, and destroyed by the adults around it — a hazy period piece with real teeth.
But Told from the boys' perspective looking in, not the girls' — the interiority Diary gives Minnie is exactly what's withheld here.

Juno2007
Teen pregnancy played for quick-witted comedy rather than misery, with the same appetite for a girl narrating her own mess without apology or shame.
But Much lighter and safer overall — the sharp edges of Diary's sexual content are entirely sanded off here.

Diary of a Lost Girl1929no page yet
Nearly ninety years before Minnie, Pabst told almost the same story under almost the same title — a teenage girl sexually exploited by an adult, exiled by respectable society, left to find her own way through a world of men who fail her.
Louise Brooks gives a performance so alive it barely reads as ninety years old, playing a teenage girl seduced, cast out, and forced to survive among men who fail her at every turn.
But Silent, black-and-white, and stagey by modern standards — the melodrama of 1929 asks for real patience.
Tarnation2003
Diary is a fictional teenager reconstructing her adolescence through drawings in a scrapbook; Tarnation is a real one doing the literal same thing with a camcorder — the diary-as-film idea taken to its rawest, truest extreme.
A documentary built entirely from decades of home movies, photographs, and answering-machine tapes into one relentless, self-authored portrait of growing up — cheap, inventive, and devastatingly honest.
But Far more harrowing than Diary, built from real family trauma and mental illness, with no comic relief to soften it.

People
Cast
Bel PowleyMinnie Goetze
Kristen WiigCharlotte Worthington
Alexander SkarsgårdMonroe Rutherford
Christopher MeloniPascal MacCorkill
Austin LyonRicky Wasserman
Madeleine WatersKimmie Minter
Margarita LevievaTabatha- Quinn NagleChuck Saunders
- Abby WaitGretel
- John ParsonsBurt
Miranda BaileyAndrea- Carson D. MellMichael Cocaine
Directing
- Marielle HellerDirector
- Andrea MannersScript Supervisor
Writing
- Phoebe GloecknerNovel
- Marielle HellerScreenplay
Production
- Shani GevaAssociate Producer
- Nina HenningerCasting
- Corentin De SaedeleerCo-Producer
- Debbie BrubakerCo-Producer
- Amanda MarshallExecutive Producer
- Amy NauiokasExecutive Producer
- Jorma TacconeExecutive Producer
- Michael SagolExecutive Producer
- Debbie BrubakerLine Producer
- Anne CareyProducer
- Bert HamelinckProducer
- Madeline SamitProducer
- Miranda BaileyProducer
Recommended by
Lady Bird, PEN15, Big Mouth, Tiny Furniture, Eighth Grade, American Splendor, Welcome to the Dollhouse