Film
The Edge of Seventeen
Nadine Franklin is a raw nerve given legs and a mouth: bitter, funny, hopelessly self-sabotaging after her father's death and her best friend's defection to her brother. Hailee Steinfeld makes cruelty and vulnerability feel like the same muscle. It's a teen movie with real grief underneath the one-liners — for anyone who likes their coming-of-age stories caustic rather than cute.
If you liked this
Lady Bird2017
Same acid wit, same impossible mother-daughter friction, same sense that being a teenage girl is a low-grade emergency. Saoirse Ronan is every bit Nadine's equal in prickly, lovable difficulty.
But It's gentler and more nostalgic where this film stays angrier for longer — don't expect the same bite.

Eighth Grade2018
Bo Burnham gets so far inside teenage anxiety it's almost uncomfortable to watch. If Nadine's inner monologue were externalized and one year younger, this is what it would look like.
But It's cringe by design — if secondhand embarrassment makes you squirm, this one really leans into it.

Booksmart2019
The friendship-under-strain energy and the fast, filthy, heartfelt dialogue are close cousins. It's a warmer film, but the two leads argue with the same devastating precision Nadine deploys.
But Broader and sunnier — one wild night rather than a slow-burn junior year, so the tone lands lighter overall.

The wildcard
Something you would not have found on your own.
Welcome to the Dollhouse1996
Same unlikeable-but-true teenage-girl anger and social exile as Nadine, pushed to a punishing, unresolved extreme instead of a redemptive arc.
Todd Solondz's queasy, unsparing 90s classic follows an unloved, unlikeable-on-purpose middle schooler through genuine social torment, no safety net, no easy laughs.
But It's much bleaker and stranger — barely a comedy, and it refuses to let you like or comfort its heroine.

More like this (8)
The Perks of Being a Wallflower2012
Same mix of outsider narration, real grief, and a protagonist who talks themselves into and out of disaster. Hailee Steinfeld actually appears in this one too, in a different key.
But More earnest and less funny — the humor here is gentler and the emotional beats more on the nose.

Easy A2010
Emma Stone narrates her own social catastrophe with the same rapid, self-aware sarcasm Nadine uses as armor. Both films know that being smart doesn't save you from being humiliated.
But Broader high-school satire with a tidier resolution — less interested in grief, more in reputation and farce.

Juno2007
An offbeat, quick-tongued teenage girl narrates her way through a crisis that's genuinely hers to deal with, not a lesson for adults. The voice is the whole appeal, same as here.
But The dialogue is more stylized and quippy throughout — some find it too cute where Nadine feels lived-in.

10 Things I Hate About You1999
A sharp-tongued girl, a meddling sibling dynamic, and comedy that doesn't sand down the heroine's edges. It's the genre's classic template, done with real charm.
But Firmly a rom-com with a happy engine running underneath — less interested in grief or family fracture.

Say Anything...1989no page yet
An earlier, gentler ancestor: teenage longing played completely straight, without irony, and trusted to be as important as any adult drama. Good companion piece for the sincerity underneath Nadine's sarcasm.
But Slower, softer, and decidedly unfunny by comparison — this is mood and yearning, not jokes.
Mean Girls2004
The genre touchstone for quotable teenage cruelty and social warfare. If you want the joke density turned all the way up after Nadine's dry delivery, this delivers it.
But Broader, campier, less emotionally grounded — it's satire first, character study a distant second.

My So-Called Life1994
Same interior, confessional teenage voice and messy family dynamics, but stretched across a season instead of compressed into two hours — the format lets the ache breathe.
The show that basically invented the modern prestige teen drama — Angela Chase's diary-voice narration and fraught family life gave this whole genre its blueprint.
But It was cancelled after one season, so it ends abruptly, and its pacing is slower and more melodramatic by today's standards.

Turning Red2022
Same volcanic teenage-girl anger and suffocating parental friction, just reimagined as family-friendly fantasy instead of ground-level realism.
Pixar's loudest, funniest film about a thirteen-year-old whose rage and embarrassment literally transform her body — mortifying mother-daughter conflict rendered as pure, colorful chaos.
But It's a kids' animated film with a friendly bow on the ending — nowhere near as raw or grief-laden as Nadine's story.

People
Cast
Hailee SteinfeldNadine Franklin
Woody HarrelsonMr. Bruner
Haley Lu RichardsonKrista
Blake JennerDarian Franklin
Kyra SedgwickMona Franklin
Hayden SzetoErwin Kim
Alexander CalvertNick Mossman
Eric KeenleysideTom Franklin
Nesta CooperShannon
Meredith MonroeGreer
Katie StuartJeannie
Lina RennaLittle Nadine
Directing
- Kelly Fremon CraigDirector
- James BitontiFirst Assistant Director
- Dan MansfieldSecond Assistant Director
Writing
- Kelly Fremon CraigWriter
Production
- Lisa WalderAssociate Producer
- Coreen MayrsCasting
- Heike BrandstatterCasting
- Melissa KostenbauderCasting
- Francine MaislerCasting Consultant
- Amy BrooksCo-Producer
- James BitontiCo-Producer
- Adam FogelsonExecutive Producer
- Brendan FergusonExecutive Producer
- Cathy SchulmanExecutive Producer
- Donald TangExecutive Producer
- Jerry YeExecutive Producer
- Oren AvivExecutive Producer
- Pete CorralExecutive Producer
- Robert SimondsExecutive Producer
- Wang ZhongjunExecutive Producer
- Wang ZhongleiExecutive Producer
- James L. BrooksProducer
- Julie AnsellProducer
- Kelly Fremon CraigProducer
- Richard SakaiProducer
- Dan ClarkeProduction Manager
- Brendan FergusonUnit Production Manager
Recommended by
Turning Red, Lady Bird, Eighth Grade, Booksmart, Never Have I Ever, The Perks of Being a Wallflower, The Diary of a Teenage Girl, Love, Simon, The Half of It