Film
The Half of It
A quiet, literate teen romance that borrows Cyrano de Bergerac's shape and gives it a queer, small-town twist. Ellie ghostwrites love letters for a boy she barely knows, only to fall for the girl he's wooing herself. It's funny, melancholy, and unusually thoughtful about friendship, class and identity — a coming-of-age film that trusts silence as much as dialogue. Best for anyone who wants romance a little sad and a lot smart.
If you liked this
Love, Simon2018
Also about a shy teenager circling the truth of who they love, but pitched sunnier and glossier — a good double bill if you want the same tenderness with a happier ending.
But The secret-identity, misdirected-feelings mechanics are similar enough that it might feel like the same story with the volume turned up.

The Edge of Seventeen2016
Hailee Steinfeld's prickly, grief-stricken teenager captures the same specific ache of feeling unseen and awkward, with jokes as sharp as the sadness underneath.
But It's straight and much angrier in tone — less quiet melancholy, more caustic outbursts, if you wanted more of Ellie's stillness.

Booksmart2019
Same generation, same overachiever anxiety, but turned up into a loud, filthy, big-hearted friendship comedy — great if you want the humor without the heartbreak.
But It trades melancholy for chaos; if you loved the stillness of The Half of It, this will feel like a different species of movie.

The wildcard
Something you would not have found on your own.
The Shop Around the Corner1940
The Half of It borrows Cyrano's engine of love expressed through someone else's words; this is the film that proved the trick could carry a whole tender romance decades before email or texting existed.
The original mistaken-identity romance the whole genre keeps stealing from — two coworkers who despise each other are secretly falling in love through anonymous letters. Witty, warm, and shockingly modern in feeling.
But Black-and-white, slower by modern pacing standards, and entirely heterosexual — it asks patience from anyone used to quicker rhythms.

More like this (8)
10 Things I Hate About You1999
Another teen romance built on a classic text — Shakespeare instead of Rostand — with a fake courtship that becomes real, breezier and sillier but with the same bones.
But It's pure late-90s rom-com gloss — no interiority, no ambiguity, just a fun ride if that's not the mood you're after.

The Perks of Being a Wallflower2012
Shares the introspective, letter-writing, outsider-looking-in sensibility, and the same sense that being smart and unseen in high school is its own quiet tragedy.
But It leans harder into trauma and mental health than romance, so the tone shifts from wistful to genuinely heavy.

Easy A2010
A whip-smart teen comedy about reputation, rumor and being defined by other people's stories — sharper and funnier, with a heroine just as articulate as Ellie.
But It's broader and more farcical, with none of the quiet ache — good company, but an entirely different mood.

The Miseducation of Cameron Post2018
A more serious, unflinching look at a queer teenager navigating an unwelcoming world, sharing The Half of It's interest in repression, identity and the cost of hiding.
But There's real institutional cruelty here — a conversion-therapy camp — with no comedy net beneath it, so brace yourself.

Happiest Season2020no page yet
A glossy studio queer rom-com with big laughs and a starry cast — good if you want the reassurance of a lighter, more mainstream happy ending.
But It's a family holiday comedy at heart, closer to a Christmas movie than a coming-of-age drama, so the register is very different.
Fire Island2022no page yet
Another modern rom-com rerouting a classic text — Austen this time — through a queer lens, funny and unabashedly horny where The Half of It stays chaste.
But It's adult, urban and explicit in ways that have nothing to do with small-town teenage shyness — a different world entirely.
Roxanne1987
Both films are direct descendants of the same 19th-century play, using a go-between who writes or speaks someone else's love for them — Roxanne just plays it for big laughs instead of quiet ache.
Steve Martin's beloved comic riff on Cyrano de Bergerac, transplanted to a small fire-station town, is broader, sillier, and openly romantic in a way The Half of It never allows itself to be.
But It's a straight, mainstream-80s comedy with none of the melancholy or queerness — the same skeleton wearing entirely different clothes.

Saving Face2004no page yet
Same director, same interest in queer identity colliding with family expectation and cultural silence — watching it shows you where Wu's voice started before it got quieter and more assured.
Alice Wu's directorial debut, made sixteen years earlier, about a Chinese-American woman hiding a relationship with a dancer from her traditional mother — funnier, messier, and just as tender.
But It's an earlier, rougher film with a smaller budget and a more chaotic family-comedy structure, less polished than her later work.
People
Cast
Leah LewisEllie Chu
Daniel DiemerPaul Munsky
Alexxis LemireAster Flores
Enrique MurcianoDeacon Flores
Wolfgang NovogratzTrig Carson
Catherine CurtinColleen Munsky
Becky Ann BakerMrs. Geselschap
Collin ChouEdwin Chu
MacIntyre DixonFather Shanley
Alec TincherSenior Guy (In Hallway)
Bonnie FlannerySenior Girl (In Hallway)
Tyler CrozierTruck Teen
Directing
- Alice WuDirector
- Adam EscottFirst Assistant Director
- Sam EvoyScript Supervisor
- Nick VanderpoolSecond Assistant Director
Writing
- Alice WuWriter
Production
- Bruce WinantADR Voice Casting
- Dann FinkADR Voice Casting
- Jeanne McCarthyCasting
- Leslie WooCasting
- Rori BergmanCasting
- Elizabeth ValentiCasting Assistant
- Emily GrillCasting Assistant
- Dayna KatzCasting Associate
- David BauschCo-Producer
- Erica MatlinExecutive Producer
- Gregory ZukExecutive Producer
- Kristian SorgeExtras Casting
- Lucy PhoExtras Casting
- Alexis M. SteinbachFirst Assistant Accountant
- Kurt EngerLocation Manager
- Amanda DudzinskiPost Production Coordinator
- Alice WuProducer
- Anthony BregmanProducer
- M. Blair BreardProducer
- Jenny LovinProduction Accountant
- Amry LandsbergProduction Office Coordinator
- Jenny LovinProduction Supervisor
- M. Blair BreardUnit Production Manager
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