Film
The Correction
- Social drama
- Very dark
An eight-minute Greek short confronting homophobia head-on. A man living in a shared Athens apartment is appalled by his lesbian neighbours, and the film doesn't look away from his disgust—or from what his contempt threatens to become. It's a provocation wrapped in discomfort, asking what 'normal' really means. For anyone ready to sit with difficult ideas.
Should you watch it?
Watch it if you want short, unflinching work that confronts prejudice head-on and can sit with discomfort long after it ends, and you care more about the moral question than about plot.
Skip it if you need some distance or relief, since this stark piece about sexual violence offers no respite, and it can feel more like a provocation than a drama.
What it asks of you: Under eight minutes, it is blunt and close-quarters, with little space between scenes and nothing to let the air out before it stops.
Not sure? Find tonight's pick in a minute.
If you liked this
SKAM2015
Norwegian series about teenagers navigating identity, sexuality, and belonging with startling honesty. Each season follows a different character; the Isak arc is quietly revolutionary in how it depicts a young man coming out and finding love.
But It moves slowly and requires patience with teenage social dynamics. Subtitled, and some seasons feel overly precious about their drama.

Moonlight2016
Three chapters of a Black man's life, from childhood through adulthood, shot with painterly beauty. It's tender and urgent at once, exploring identity and desire without needing to announce itself. Deeply moving without ever feeling sentimental.
But Very quiet, deliberately paced. If you're expecting narrative propulsion or clear answers, you'll feel adrift. Some find its restraint cold.

Pariah2011
A 17-year-old Black lesbian in Brooklyn navigates family, faith, first love, and her own sense of self with fierce honesty. Writer-director Dee Rees makes you feel her interior life—the joy and the cost of claiming yourself.
But It doesn't soften the religious disapproval she faces. Some characters remain unsympathetic, which can feel punishing if you're looking for catharsis.

Not sure tonight? Get a pick in a minute, starting from The Correction
The wildcard
Something you would not have found on your own.
Dogville2003
Both use the domestic sphere—a building, a town—as a pressure chamber for exposing how ordinary people justify extraordinary cruelty toward those they've decided don't belong.
Lars von Trier's three-hour provocation: a woman arrives in a small American town with a dark secret, and slowly the townspeople's contempt and cruelty escalate in ways that become unbearable to watch. It's about how societies justify their own monstrosity.
But Deliberately ugly and punishing. It looks like a stage play, the dialogue is sometimes theatrical to the point of artifice, and von Trier offers no comfort. Many find it nihilistic and cruel for its own sake.

More like this (7)
The Half of It2020
Charming coming-of-age about a queer Chinese-American girl who writes love letters for a boy, only to fall for the girl herself. It's witty, warm, and smartly structured, with genuine chemistry between its leads.
But Ticks some indie boxes—the art-film framing, the literary references. Some find it a touch too neat and self-aware for its own good.

What Remains2016
A documentary about a photographer who spent decades documenting his partner's dying from AIDS, then lost him. It's an act of love and testimony, painful and necessary, made with complete integrity.
But Deeply sad and unflinching. It's about death and disease, not easily escaped. Requires you to sit with real grief, not cinema's version.

Tangerine2015
Shot on an iPhone, this follows two trans women on Christmas Eve in Los Angeles. It's fast, funny, raw, and full of life and joy. A genuine original that puts you right in their world.
But Deliberately abrasive and overstimulating at times. The handheld chaos can feel grating, and the story itself isn't concerned with being likeable or neat.

Rafiki2018
A Kenyan film about two women falling in love in Nairobi, shot with colour and sensuality and real heart. It's tender and sexy and alive in ways that feel transgressive precisely because mainstream cinema so rarely shows it.
But It was banned in Kenya for 'promoting homosexuality.' If you're seeking uncomplicated optimism, the political reality will intrude.

Animalistic2015
A short film about a teenage girl navigating her sexuality and the cruelty of her peers. It's made with real empathy and doesn't excuse anyone, just observes with sharp attention.
But The cruelty is unflinching. It's a difficult watch specifically because it gets something true about how people can be. No easy villains.

Kes1970
Where The Correction shows active contempt directed at others, Kes shows the silent, systematic contempt of institutions for those deemed disposable. Both ask what society deems 'normal' and who pays the price.
Ken Loach's 1969 masterpiece about a working-class Yorkshire boy and his hawk. What looks like a nature film is actually about how institutions crush the spirit of those they're supposed to help. Devastating and humane.
But It's nearly sixty years old, in a regional accent some find hard to parse, and it's relentlessly bleak. No redemption, no second chances. The ending is brutal.

Acasă, My Home2020
Like The Correction, it's about who gets to occupy space, whose presence is deemed 'sick' or wrong, and what happens when society decides you don't belong in your own home.
A documentary following a Romanian family living illegally in a Bucharest apartment building, threatened with eviction. It's intimate, funny, and enraging—a study in how bureaucracy criminalizes simply existing in the wrong place.
But It's a real-time documentation of homelessness and state violence without the distance of traditional narrative. Some find the handheld style fatiguing, and there's no resolution—just ongoing precarity.

People
Directing
- Evi KoroniDirector