Film
Happiest Season
A sharp romantic comedy about a woman whose meticulously planned proposal derails when her girlfriend admits she hasn't come out to her family. It's warm without being saccharine, funny without punching down, and genuinely invested in the messiness of love, loyalty, and self-protection. A holiday film for people who like their sentiment earned.
Should you watch it?
Watch it if you enjoy warm, sharp holiday comedies where the laughs come from awkward family dinners and a couple's private bickering, with real affection underneath the teasing.
Skip it if you want a light, breezy rom-com; the tension over being closeted and the strain on the relationship sit close to the surface and can feel heavy in a festive setting.
What it asks of you: Around an hour and forty minutes, with a steady rhythm of banter and small uncomfortable moments that build gradually, asking you to stay with the characters' discomfort as much as their jokes.
Not sure? Find tonight's pick in a minute.
If you liked this
Licorice Pizza2021
A love story told with infectious energy and real stakes, about two people circling each other across a changing landscape. Paul Thomas Anderson captures the thrill and awkwardness of genuine connection with tenderness and humour.
But The 1970s San Fernando Valley setting feels deliberately narrow, and the pacing is deliberately loose. Some find it meandering rather than charming.

Crazy, Stupid, Love.2011
Ensemble romantic comedy that juggles multiple relationships without losing sight of what makes love worth the risk. Genuinely funny, genuinely touching, and does the hard work of making you care about all of these people.
But The third act relies on some pretty broad, sitcom-y plotting. It occasionally leans on charm to get away with easier choices.

The Half of It2020
A witty, tender coming-of-age love story about identity, loyalty, and the person you become for love versus the person you actually are. Alice Wu writes with real intelligence and warmth for all her characters.
But It's a quiet film in a crowded genre. If you need constant momentum and high stakes, the introspective pace might feel slow.

Not sure tonight? Get a pick in a minute, starting from Happiest Season
The wildcard
Something you would not have found on your own.
Pride2014
Both films understand that coming out and identity are not individual moments but relational ones—they happen in the space between you and the people you love, and they require something from everyone in the room.
A true-story drama about British gay activists in the 1980s who travelled to a Welsh mining village to fundraise during the miners' strike. It's funny, moving, and fundamentally about people showing up for each other across difference.
But It's a period piece about class and activism before it's a love story, and that shift in register will catch some viewers off guard. It's political in a way that won't suit everyone.

More like this (8)
Imagine Me & You2006
A joyful romantic comedy about a woman who meets someone on her wedding day and has to reckon with what she actually wants. It's openly romantic, funny, and unapologetic about desire without being cynical about commitment.
But The premise involves infidelity and emotional chaos. If you need your rom-coms to revolve around uncomplicated scenarios, this gets messier than that.

Schitt's Creek2015
A family comedy about privilege, humility, and unconditional love that earns its emotional weight through seven seasons. The character work is phenomenal, and it's genuinely hilarious without ever being cruel.
But The early seasons play some jokes broadly. It takes a while to settle into what makes it special, and that's a bigger commitment than a film.

You've Got Mail1998
An enduring romantic comedy that understands the specific joy of connection, misunderstanding, and realisation. It's witty, warm, and utterly aware of its own artifice without ever winking at you.
But The New York setting and literary references give it a particular cultural bubble. Some find its tone more arch than the earnestness of more recent films.

Red, White & Royal Blue2023
A contemporary romance that's funny, textually queer, and interested in the actual barriers people face. It takes its emotional stakes seriously while maintaining genuine comic energy throughout.
But It's very much a movie of its cultural moment. If you find contemporary dialogue rhythms affected, this will feel very aware of itself.

Booksmart2019
A coming-of-age comedy that's genuinely interested in friendship, desire, and the space between who you are and who you want to be. Olivia Wilde directs with real style and generosity toward her characters.
But The tonal shifts between comedy and sincere emotion are pretty steep. Some find the blend uneven rather than effective.

The Wedding Banquet1993
A film about identity, family expectations, and the compromises we make for love—all told through a deceptively light romantic comedy framework. Ang Lee directs with real warmth and subtle wisdom.
But The cultural context is specific, and some plot mechanics feel dated. The comedy also comes at points where the film is asking more serious questions.

Aftersun2022
Where Happiest Season finds humor in the gaps between what people show and what they feel, Aftersun finds tragedy in those same gaps—the film is interested in the cost of that distance, the things we cannot say even to those we love most.
A portrait of a father and daughter on holiday, shot with such tenderness and formal precision that it becomes about memory, time, and the impossibility of fully knowing another person. It's quiet and devastating and formally beautiful.
But There is almost no plot. If you need narrative propulsion, this will feel like slow staring. It's also emotionally heavy in ways that creep up on you afterward.

Heartstopper2022
Happiest Season is about the hard truth that coming out is complicated; Heartstopper is about the radical possibility that it doesn't have to be. Together they frame the full landscape—what we fear and what becomes possible when fear lifts.
A British teen romance series about two boys finding each other. It's visually gorgeous, genuinely funny, and treats young queer joy as the straightforward, uncomplicated thing it deserves to be. Each episode is a small gift.
But It's deliberately gentle and optimistic in ways that some find saccharine. If you need conflict and complication in your romance, the ease of this love story will feel unearned.

People
Cast
Kristen StewartAbby
Mackenzie DavisHarper
Mary SteenburgenTipper
Alison BrieSloane
Mary HollandJane
Dan LevyJohn
Burl MoseleyEric
Aubrey PlazaRiley Johnson
Sarayu BlueCarolyn McCoy
Jake McDormanConnor
Ana GasteyerHarry Levin
Directing
- Clea DuVallDirector
- Darin RivettiFirst Assistant Director
- Kim H. WintherFirst Assistant Director
- Sooze BuliavacScript Supervisor
- Alyssa BatchelorSecond Assistant Director
- Jonathan MedeirosSecond Second Assistant Director
Writing
- Clea DuVallScreenplay
- Mary HollandScreenplay
- Clea DuVallStory
Production
- Fabiana ArrastiaADR Voice Casting
- Bethany DilucenteAssistant Location Manager
- Chris RuppenthalAssistant Location Manager
- Amber RobsonAssistant Production Coordinator
- Rich DeliaCasting
- Erin Rose KellyCasting Assistant
- Adam RichardsCasting Associate
- Jaclyn Huntling SwattCo-Producer
- Jonathan McCoyExecutive Producer
- Wyck GodfreyExecutive Producer
- Chelsea BanglesdorfExecutive Producer's Assistant
- Chelsea Lynn PetersonExtras Casting
- Chuck PetersonExtras Casting
- Giela FredmanFirst Assistant Accountant
- Donna BelajacLocal Casting
- Eric DilucenteLocation Manager
- Nicole BasilePayroll Accountant
- Isaac KlausnerProducer
- Marty BowenProducer
- Avital SiegelProducer's Assistant
- Jake SalcudeanProducer's Assistant
- Cabernet MurrayProduction Accountant
- Adam ShahenProduction Assistant
- Alexis Owen-GuentherProduction Assistant
- Bálint OltvaiProduction Assistant
- Dylan McCullyProduction Assistant
- Eric RasmussenProduction Assistant
- Isaac ShuppasProduction Assistant
- Jim KateluzosProduction Assistant
- Kailee GrebProduction Assistant
- Kamari SomersProduction Assistant
- Mark GazicaProduction Assistant
- Nathaniel FitzgeraldProduction Assistant
- Nathaniel PetersProduction Assistant
- Stephanie TolksdorfProduction Assistant
- Billy ColeProduction Coordinator
- Laurel ThomsonProduction Executive
- James Croal JacksonProduction Secretary
- Nathan MattSecond Assistant Accountant
- Jonathan McCoyUnit Production Manager
- Richard E. Chapla Jr.Unit Production Manager
Recommended by
The Half of It, Noelle, Bros, Faking It, Love the Coopers, The Twelve Dates of Christmas, In a Relationship, The Christmas Setup