Film
Breakfast on Pluto
A transgender woman named Kitten escapes 1970s rural Ireland for London, chasing love and answers about her past. Neil Jordan's film is tender and mischievous—it refuses both tragedy and sentimentality, letting Kitten be funny, flawed, and resilient in equal measure. For anyone hungry for character-driven stories that find joy in the margins.
Should you watch it?
Watch it if you like episodic, picaresque stories where a wry, unsentimental heroine drifts through chaos with her sense of style intact, and you don't mind the tone lurching from giggles to something darker.
Skip it if you need a tight plot, since this is loosely strung together and lets its episodes wander for long stretches at just over two hours.
What it asks of you: Its mood swings quickly, so you must go along with the shifts rather than wait for them to settle, and it needs a long, loose stretch of attention.
Not sure? Find tonight's pick in a minute.
If you liked this
Hedwig and the Angry Inch2001
A transgressive musical about identity, belonging, and the guts required to remake yourself. Like Kitten, Hedwig's survival is an act of defiance, but this one vibrates with rock music and dark humour that'll stay in your head for days.
But It's avant-garde and deliberately shambolic—if you need conventional narrative structure or traditional musical numbers, this will feel like controlled chaos.

Moonlight2016
Three chapters of a Black man's life moving through desire, family, and self-recognition. It has Breakfast on Pluto's refusal to pity its protagonist and the same belief that intimacy and tenderness are acts of resistance.
But Quiet and elliptical—it trusts you to find meaning in silences and looks. Some find that meditative; others find it glacial.

The Half of It2020
A queer coming-of-age set in small-town America with genuine warmth and humour. It understands loneliness and the hunger to be known, and it never condescends to its characters' provincial setting or their dreams.
But The central premise (a love letter exchange) can feel contrived if you're not already won over by the characters' voice.

Not sure tonight? Get a pick in a minute, starting from Breakfast on Pluto
The wildcard
Something you would not have found on your own.
Orlando1992
Both films use their protagonist's gender as a doorway into questions about identity and belonging rather than as the subject itself. Both refuse to ask for permission to exist.
Sally Potter's adaptation of Virginia Woolf: a being who wakes up one morning and changes sex, then wanders through centuries of English history. Baroque, witty, and philosophically audacious—it treats gender fluidity as both metaphor and lived reality, no separation.
But Deliberately artificial and formally strange. If you're expecting naturalism, you'll feel alienated; if you need plot, you'll be baffled.

More like this (8)
Transamerica2005
Felicity Huffman plays a pre-transition trans woman who embarks on a cross-country road trip. It's both tender and funny, and it shares Breakfast on Pluto's interest in how we find family and purpose outside convention.
But The script leans toward the pedagogical—it sometimes teaches you about transness rather than just living it, which can feel didactic.

My Own Private Idaho1991
Gus Van Sant's portrait of two young men surviving on the streets of Portland is intimate and strange, full of beauty in rough places. The same refusal to make poverty or queerness into uplift narratives.
But It's oblique and dreamlike; plot barely registers. If you need clear forward momentum, you'll be frustrated.

Everything Everywhere All at Once2022
A multiverse romp that's actually about connection, acceptance, and choosing to love people despite (or because of) their flaws. Wild tonal shifts and genuine heart—very much in Jordan's spirit.
But Exhaustingly busy. Some viewers find the constant visual and narrative hijinks overwhelming rather than joyful.

Tomboy2011
A French film about a 10-year-old who decides to live as a boy in a new neighbourhood. Quiet and precise, it captures the certainty and confusion of gender identity without moralizing or overexplaining.
But Subtitled, deliberately paced, and deeply interior. It's not a plot—it's an observation. That can feel slight if you're not in the mood.

The Miseducation of Cameron Post2018
A young queer woman sent to conversion camp finds survival and sisterhood. It's funny and furious without ever losing sight of the real harm being done—both things at once, like Kitten.
But The indie sensibility and the specific rage of American faith-based trauma won't resonate with everyone.

Prayers for Bobby2009
A true story: a mother's journey from rejecting her gay son to becoming an activist. Raw and difficult, it doesn't soften the damage faith and family rejection cause, but it finds meaning in that reckoning.
But Heavy and earnest throughout. If you need levity or complexity in how it handles its themes, you'll find it one-note.

Prick Up Your Ears1987
Both centre outsider artists from working-class origins who remake themselves through performance and style, and both understand that style isn't frivolous—it's survival.
A biography of Joe Orton, the anarchic British playwright, with Gary Oldman feral and brilliant. It's a love story and a tragedy and a portrait of a man who made art from appetite and refusal. Darkly hilarious.
But Violent, sexually explicit, and devoted to a man whose life ends in tragedy. The tone can be shockingly casual about both sex and death.

Antebellum2020
Like Breakfast on Pluto, it trusts the viewer to stay with a protagonist through fractured chronology and shifting realities, and it argues that survival itself requires a kind of performance and reinvention.
A formally audacious thriller that locks you inside one woman's fractured consciousness. The filmmaking is startling in how it uses genre and structure as mirrors of psychological rupture and the search for self.
But It requires patience with ambiguity and a tolerance for disorientation. The twist won't satisfy everyone, and some will feel the concept overwhelms the character.

People
Cast
Cillian MurphyPatrick 'Kitten' Braden
Stephen ReaBertie
Brendan GleesonJohn Joe Kenny
Liam NeesonFather Liam
Eva BirthistleEily Bergin
Ruth NeggaCharlie
Laurence KinlanIrwin
Bryan FerryMr. Silky String
Ruth McCabeMa Braden- Morgan JonesBuilding Site Worker
Mary CoughlanHousekeeper- Conor McEvoyYoung Patrick Braden
Directing
- Neil JordanDirector
- Robert QuinnFirst Assistant Director
- Renee BurkeScript Supervisor
Writing
- Pat McCabeNovel
- Neil JordanScreenplay
- Pat McCabeScreenplay
Production
- Brendan DonnisonADR Voice Casting
- Vanessa BakerADR Voice Casting
- Susan MullenAssociate Producer
- Susie FiggisCasting
- Brendan McCarthyExecutive Producer
- Cameron McCrackenExecutive Producer
- François IvernelExecutive Producer
- Mark WoodsExecutive Producer
- Jo HomewoodLine Producer
- Dermot ClearyLocation Manager
- Alan MoloneyProducer
- Neil JordanProducer
- Stephen WoolleyProducer
- Breda WalshProduction Manager
- Patrick O'DonoghueProduction Manager
Recommended by
Nuns on the Run, The Likely Lads, The Hole, Goldfish Memory, Eating Out, Everybody's Talking About Jamie, Under the Yum Yum Tree, Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feeling So Sad, Connie and Carla