Film

The Inbetweeners Movie

The Inbetweeners Movie is a raucous British comedy that spins off from the beloved TV series, following four socially awkward lads on a disastrous Greek holiday. It's crude, fast-paced, and deeply funny if you're game for relentless jokes about sex, embarrassment, and friendship. Perfect for fans of the show or anyone who loves comedies that swing for the fences without apology.

TMDb rating3.1

Should you watch it?

Watch it if you enjoy comedy that lives in excruciating social moments, where the boys are rude to each other but clearly devoted, and the mortification is the point rather than a side effect.

Skip it if you want a film with a tight plot or gentle warmth, since this one runs on crude gags and escalating humiliation that many viewers will find wearing rather than funny.

What it asks of you: Ninety-seven minutes of loose, sunburnt set pieces with little breathing room; you laugh at small indignities as they arrive rather than waiting for a story to build.

If you liked this

Superbad2007

Two teenage outsiders navigate a booze-fuelled party night with the same mix of desperation, delusion, and genuine affection. Nails the specific comedy of boys convinced they're cooler than they actually are.

But The comedy relies heavily on you finding underage drinking funny, and the dated references feel a bit stale now.

Superbad poster

The Hangover2009

A holiday gone catastrophically wrong with escalating chaos and increasingly absurd reveals. The structure—disasters building on disasters—mirrors the Greek island trajectory perfectly.

But It's broader and less character-driven than The Inbetweeners, and the third act gets a bit slack.

The Hangover poster

Skins2007

British teen comedy-drama that shares the same irreverent energy and cast of lovably dysfunctional misfits. The early seasons especially capture that specific blend of crude humour and real friendship.

But It gets increasingly grim and loses the comedy as it goes on. Also very long if you want to match the tone.

Skins poster

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The wildcard

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Summer of '421971

Both are about the gap between adolescent fantasy and reality, but Summer of '42 locates the comedy in the sadness, while The Inbetweeners finds sadness in the comedy. Same story, opposite emotional register.

A nostalgic, bittersweet film about teenage boys on a summer holiday discovering adulthood. It's got the same DNA—the island setting, the coming-of-age group dynamic, male vulnerability—but told as something genuinely tender and melancholic instead of purely comedic.

But It's a 1971 film about teenage sexual inexperience, and while it's not crude, there's a dated quality to how it treats a key plot point that won't sit right with modern sensibilities.

Summer of '42 poster
More like this (8)

The IT Crowd2006

Ridiculous British comedy about socially incompetent people trying to navigate normal life. Has the same cringe-humour DNA and that particular British comedy fearlessness about being uncomfortable.

But Very theatrical and stylised. If you want naturalism, this isn't it—it's closer to sketch comedy.

The IT Crowd poster

Four Rooms1995

A night of escalating chaos as a group of friends try to survive their environment. The confined-location-gone-wrong template works similarly, and the ensemble cast dynamic is tight.

But It's a '90s artifact that feels dated in ways beyond just the references. Pacing is uneven and some bits don't land.

Four Rooms poster

Project X2012

Found-footage comedy about a house party that spirals wildly out of control. Matches the 'normal holiday, catastrophic results' premise and has genuine belly-laugh moments throughout.

But The found-footage conceit is restrictive, and the female characters are pretty thinly sketched. Also, the humour is relentless in a way some find exhausting rather than funny.

Project X poster

National Lampoon's Van Wilder2002

Irreverent comedy about a group trying to maximize their freedom before real life begins. Stupid, quotable, and surprisingly warm about the friendship beneath the chaos.

But Pretty dated now. The comedy is gentler than The Inbetweeners, so if you want that edge, it won't deliver.

National Lampoon's Van Wilder poster

Peep Show2003

British comedy told through the heads of two damaged flatmates, with that same unflinching look at male inadequacy and social failure. Darkly funny and genuinely clever about human mess.

But The visual conceit of seeing through each character's eyes is gimmicky, and it gets quite bleak. Much longer commitment than a film.

Peep Show poster

Love Island2015

If you want to see actual people living out the same holiday fantasies as the Inbetweeners lads, with the same gap between expectation and reality. Unintentionally hilarious at times.

But It's reality TV, so it lacks the controlled comedy writing. Also morally complicated in ways the film isn't—harder to laugh guilt-free.

Love Island poster

Mallrats1995

Both are comedies structured around a time-bounded adventure (holiday vs. one day) where four male friends' delusions keep crashing against reality. But Mallrats is a '90s indie comedy, so it's entirely different in texture—quotable, clever, much less physically cringe.

Kevin Smith's comedy about directionless young men trying to salvage their lives over the course of one day. Dialogue-heavy, deeply silly, and genuinely affectionate about male friendships and their specific brand of idiocy.

But The '90s reference density is exhausting if you're not of that era. It's also very talky—long scenes of guys just riffing that work only if you're already into that rhythm.

Mallrats poster

Boyhood2014

Both are coming-of-age stories about the end of boyhood, but where The Inbetweeners laughs at it, Boyhood grieves it. Same emotional moment, completely opposite tone—Boyhood shows you what happens when the holiday ends and it actually matters.

Richard Linklater's twelve-year chronicle of a boy becoming a man, told through tiny moments and conversations. It has genuine stakes about growing up and leaving your friends behind that The Inbetweeners only hints at underneath the jokes.

But It's three hours of naturalistic dialogue with virtually no plot. If you want propulsive comedy, this is the opposite—it's quiet, slow, and will feel like a chore if you're not patient with it.

Boyhood poster

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