Film

My Super Ex-Girlfriend

A romantic comedy premise weaponized: what happens when you break up with someone who has superpowers and absolutely zero chill? Uma Thurman owns the chaos as a woman scorned with laser vision and a god complex. It's silly, occasionally mean-spirited, and genuinely funny if you're here for the spectacle of romantic vengeance played for laughs.

TMDb rating2.6

If you liked this

DodgeBall: A True Underdog Story2004

Same era, same comedic sensibility—absurd premises played completely straight by game actors. Vince Vaughn and Ben Stiller commit fully to the stupidity, and the result is weirdly endearing and consistently hilarious.

But If you want clever wordplay or layered satire, this is not your movie. It's broad, dumb, and content to stay that way.

DodgeBall: A True Underdog Story poster

Forgetting Sarah Marshall2008

A breakup comedy that actually understands both the sting of rejection and the comedy of moving on. Jason Segel's earnestness anchors absurd situations; it's heartfelt without being sappy, funny without being cruel.

But It requires some emotional investment in its characters' feelings. If you just want chaos, this one actually cares about its people.

Forgetting Sarah Marshall poster

She's Out of My League2010

Another mid-2000s romantic-comedy-with-a-gimmick that leans into the weirdness of attraction and status. Jay Baruchel makes self-deprecation charming, and the supporting cast is genuinely funny.

But It's pretty conventional once you get past the high-concept hook. The third act plays it safe and sincere in ways that might feel like it's backing down.

She's Out of My League poster

Not sure tonight? Get a pick in a minute, starting from My Super Ex-Girlfriend

The wildcard

Something you would not have found on your own.

Kick-Ass2010

Both use superhero mythology to explore relationships and power dynamics, but where My Super Ex-Girlfriend plays vengeance for laughs, Kick-Ass shows what that vengeance would actually do to a body and a soul.

A teenager decides to become a superhero with no powers and gets thoroughly beaten down by reality. It's a brutal deconstruction of superhero fantasy that's darkly funny and genuinely thrilling—and it knows exactly what it's doing with violence in ways that make My Super Ex-Girlfriend's vengeance comedy look quaint.

But This is visceral, graphic, and relentless. It's not here to be sweet or romantic; it's here to show you the actual cost of what fantasy scenarios would mean. The tone is closer to horror than comedy.

Kick-Ass poster
More like this (8)

Hancock2008

Superhero mythology meets romantic dysfunction. Will Smith as a damaged, drunk Superman figure finding connection is a better pitch than the actual movie manages, but it's got charm and genuine stakes underneath the comedy.

But It's tonally confused—can't decide if it's comedy, action, or drama. The tonal whiplash between silly and serious is the film's biggest problem.

Hancock poster

The Ugly Truth2009

Katherine Heigl and Gerard Butler in a love-hate dynamic that hinges entirely on comic chemistry. If that chemistry lands for you, it's an easy, fun watch. The premise is dumb; the execution is charming.

But The gender politics are pretty clumsy, and the romantic trajectory is predictable from the opening scene. It's wish-fulfillment dressed up as comedy.

The Ugly Truth poster

Tropic Thunder2008

Ben Stiller, Robert Downey Jr., and Jack Black in a war-movie satire that's genuinely ambitious in its comedy. The commitment to the bit from all involved is infectious, and it's smarter than it looks.

But Some of the humor relies on shock value and insult comedy that hasn't aged perfectly. If you're looking for gentleness, this film doesn't have it.

Tropic Thunder poster

I Love You, Man2009

Paul Rudd and Jason Segel have such genuine affection for each other that their bromance becomes the movie's emotional core. It's sweet without being saccharine, and the comedy about masculinity and vulnerability actually lands.

But It's a bit long, and some subplots feel padded. The romantic elements (Rudd's fiancée) are less interesting than the friendship at its heart.

I Love You, Man poster

Superbad2007

Jonah Hill and Christopher Mintz-Plasse as misfits trying to navigate attraction and friendship. It's crude and raunchy but underpinned by real affection for its characters and genuine insight into loneliness.

But The sex comedy elements are pretty heavy, and the humor is aggressively juvenile. It's not for anyone uncomfortable with that register.

Superbad poster

Jumper2008

Hayden Christensen discovers he can teleport and uses it for selfish reasons. It's a pulpy sci-fi action romp with light romantic elements, similar energy to My Super Ex-Girlfriend's high-concept silliness.

But It's genuinely kind of a mess—scattered plot, inconsistent tone, and not quite committed enough to any of its ideas. It's a guilty-pleasure watch at best.

Jumper poster

Yes Man2008

Both films hinge on a relationship disrupted by someone's inability to accept 'no,' but they approach it from opposite directions. Yes Man makes acceptance beautiful; My Super Ex-Girlfriend makes rejection catastrophic.

Jim Carrey says yes to everything and accidentally transforms his life. It's a gimmick-premise comedy that's surprisingly generous toward its characters—it actually believes in the possibility of growth and connection, and Carrey's commitment sells the transformation.

But It's very earnest underneath the goofiness, and if you're cynical about self-help culture, the film's sincerity might feel naive or irritating.

Yes Man poster

The Phantom1996

Both love superheroes played straight—G-Girl and the Phantom are equally committed to the mythology, equally unaware of how ridiculous they actually are. They're separated by a decade and a completely different tonal register, but they share the same fondness for the genre's inherent goofiness.

A pulpy, earnest 1990s action film about a superhero in a purple suit fighting cartoonish villains. It's gorgeously shot, charmingly committed to its comic-book aesthetic, and completely aware of its own absurdity in a way that feels like a spiritual ancestor to mid-2000s superhero comedies.

But It's from the pre-CGI era and looks it. The pacing is glacial by modern standards, and the earnestness might read as camp if you're not in the mood for it. It's a '90s relic in the best and worst ways.

The Phantom poster

People

Cast

Directing

Writing

Production

Recommended by