Film
Ted
- Comedy
- Urban fantasy
- Light-hearted
A raunchy comedy about a man whose childhood wish transforms his teddy bear into a foul-mouthed, semi-sentient adult. It's Seth MacFarlane doing what he does best: crude, pop-culture-soaked jokes rapid-fired at full volume. For people who find that funny, it's a gleeful 100 minutes. For others, it's exhausting.
Should you watch it?
Watch it if you like raunchy, foul-mouthed buddy comedy where a talking teddy bear gets to be as crude as the man who shares his couch, and you enjoy jokes that land on pop culture references.
Skip it if you tire of shock-value gags, since much of its 107 minutes leans on sex, drugs and gross-out bits rather than sharp writing.
What it asks of you: Expect a brisk hour and a half of easygoing, mostly light attention, with the laughs arriving fast and the sentiment kept on a short leash.
Not sure? Find tonight's pick in a minute.
If you liked this
Family Guy1999
MacFarlane's sensibility distilled: absurdist jokes, celebrity cameos, and a willingness to offend. If Ted worked for you, this is the motherlode.
But Seventeen seasons in, the writing is uneven. Many episodes feel like collections of bits rather than stories. The humor hasn't evolved.

The Hangover2009
A raunchy ensemble comedy with genuine plot momentum and character work underneath the jokes. It proved crude humor could live in a real story.
But The sequels don't hold up, and once you know the twists, the first one loses impact on rewatches.

Superbad2007
Two teenage misfits on a night out. The humor is filthy but rooted in real friendship and longing. It's outrageous and touching in equal measure.
But It's from a specific comedy moment (late 2000s Apatow-era), and the slang dates it. Also darker than Ted—more awkwardness, less wish-fulfillment fantasy.

Not sure tonight? Get a pick in a minute, starting from Ted
The wildcard
Something you would not have found on your own.
Elf2003
Both use magical realism (a childhood wish made real) as the engine for comedy, but Elf proves that engine can power something warmhearted instead of mean-spirited.
Will Ferrell as a human raised by elves in the North Pole. It's absurdist comedy, but grounded in genuine sweetness and a real emotional core. Proof that silliness and sincerity aren't enemies.
But It's relentlessly optimistic and kind-hearted—almost the opposite register from Ted's cynicism. If you hate earnestness, you'll hate this.

More like this (8)
The Other Guys2010
MacFarlane's comedy sensibility meets a real cop-buddy structure. Will Ferrell and Mark Wahlberg have genuine chemistry, and the absurdism serves the story.
But If you don't like Ferrell's particular brand of screaming idiot, nothing here will convert you.

Hot Fuzz2007
British buddy-cop action comedy with the same irreverent tone but tighter writing. Jokes land because the film respects its own plot.
But It's more clever than Ted, which means fewer obvious gags. Requires more attention.

Tropic Thunder2008
Peak ensemble comedy from an era when studios let comedians be weird. Robert Downey Jr. in blackface, Tom Cruise as a screaming producer—fearless and funny.
But Some of the shock humor hasn't aged well. Also requires you to care about satire for the best jokes to land.

Role Models2008
Seann William Scott and Paul Rudd in a buddy comedy about grown men who grow up. Crude but with heart and a genuine emotional arc.
But The second half gets sentimental. If you want jokes all the way through, you'll find the tonal shift jarring.

Old School2003
Will Ferrell at peak absurdity in a comedy that swings for the fences. It's silly and confident and rarely stops to apologize for itself.
But It's a period piece now (early 2000s comedy), and some of the humor punches down. The plot is genuinely thin.

The Nice Guys2016
Ryan Gosling and Russell Crowe as bumbling detectives in 1970s LA. Sharp, funny, and weirdly touching. Proves you can be smart and hilarious at once.
But It's less interested in broad comedy than in character and mystery. If you want to laugh constantly, this has longer stretches of plot.

Team America: World Police2004
Both put a fantastical creation (talking bear, marionettes) in the real world to satirize adulthood, but Team America goes further—there's no sentimentality, only anarchic mockery.
Puppet-based comedy from the South Park guys. Every joke is crafted for maximum irreverence, but the film is also a technically inventive masterpiece. Absurd and ambitious.
But It's South Park's sensibility cranked to eleven: juvenile, offensive, and sometimes incomprehensible. Also physically crude in ways Ted only approximates.

Moonlight2016
Both films center on adult male relationships and the question of who we must become versus who we wish to stay. Ted jokes about the tension; Moonlight lives inside it quietly, and finds something true.
Three-part character study following a Black man from childhood to adulthood. Poetic, quiet, devastating. Cinematography that stuns. The opposite of noise: it's pure listening.
But There's no plot in the traditional sense, no jokes, no resolution. It demands patience and introspection. After Ted's bombardment, it might feel like nothing is happening.

People
Cast
Mark WahlbergJohn Bennett
Mila KunisLori Collins
Seth MacFarlaneTed (voice)
Joel McHaleRex
Giovanni RibisiDonny
Matt WalshThomas
Jessica BarthTami-Lynn
Aedin MincksRobert
Bill SmitrovichFrank
Patrick StewartNarrator (voice)
Norah JonesNorah Jones
Directing
- Seth MacFarlaneDirector
- Eric HeffronFirst Assistant Director
- Richard OswaldSecond Assistant Director
- Scott RogersSecond Unit Director
Writing
- Seth MacFarlaneLyricist
- Alec SulkinScreenplay
- Seth MacFarlaneScreenplay
- Wellesley WildScreenplay
- Seth MacFarlaneStory
Production
- Sheila JaffeCasting
- Brittany BurkeCasting Associate
- Eric HeffronCo-Producer
- Mark KamineCo-Producer
- Andrew Francis FenadyExecutive In Charge Of Production
- Jon MoneExecutive Producer
- Jason ClarkProducer
- John JacobsProducer
- Scott StuberProducer
- Seth MacFarlaneProducer
- Mark KamineUnit Production Manager