Film
Role Models
- Comedy
- Light-hearted
A comedy about two arrested salesmen forced into mentorship as court-ordered punishment. It's warm without being saccharine, funny without punching down, and finds real affection between its mismatched pairs. For anyone who likes ensemble comedies that earn their heart, or just wants to watch Paul Rudd and Seann William Scott bounce off each other for ninety minutes.
Should you watch it?
Watch it if you like raunchy buddy comedy where two grown-up screw-ups grudgingly grow up, with sharp improvised-feeling banter and a warm streak under the crude jokes, in the lineage of Judd Apatow-style man-child comedies.
Skip it if you want your comedies tight and plot-driven, since this one wanders into long riffing scenes and a rude, sometimes exhausting tone that some viewers will find more grating than funny.
What it asks of you: Roughly ninety-nine minutes of loose, chatty comedy that rewards patience with the side characters and doesn't mind a few scenes running longer than the gag needs.
Not sure? Find tonight's pick in a minute.
If you liked this
Tropic Thunder2008
A comedy about terrible people in an absurd situation, with a massive ensemble cast firing on all cylinders. The jokes land constantly, the performances are committed, and it has genuine chemistry between its leads.
But The humour gets darker and meaner than Role Models, and it requires you to find characters actively terrible at their jobs funny rather than endearing.

I Love You, Man2009
Paul Rudd excels at playing the well-meaning guy caught between worlds, here a groom bonding with his best man. Warm, funny, and genuinely interested in its characters beyond the setup. Rudd and Jason Segel have an easy rapport.
But The romantic subplot is conventional, and some viewers find the tone uneven when it tries to balance comedy with sincerity.

Step Brothers2008
Two grown men forced into brotherhood creates the same kind of escalating chaos. It's committed to the joke, endlessly quotable, and has a similar mix of absurdity and real heart underneath.
But The humour is broader and meaner; if you need the emotional earnestness of Role Models, this leans harder into pure comedy cringe.

Not sure tonight? Get a pick in a minute, starting from Role Models
The wildcard
Something you would not have found on your own.
Freaky Friday2003
Both films believe in transformation through being forced into someone else's perspective. The mentor learning as much as the mentee.
A body-swap comedy where Jamie Lee Curtis and Lindsay Lohan must walk in each other's shoes—the literal core of Role Models' mentorship theme. Curtis is hilarious, Lohan is winning, and the film genuinely understands empathy through chaos.
But It's overtly a Disney film aimed at younger audiences; if you need your comedies to feel adult, the tone will feel lightweight and safe.

More like this (7)
Wedding Crashers2005
Two guys causing chaos in unfamiliar territory, then finding themselves through the experience. Great ensemble cast, consistent laughs, and surprisingly sincere about friendship and growing up.
But It's longer and takes more time to find its emotional core; the comedy is sometimes at the expense of female characters in ways that haven't aged perfectly.

DodgeBall: A True Underdog Story2004
Vince Vaughn and Ben Stiller carry a sports comedy that's genuinely clever about its own ridiculousness. Fast-paced, quotable, and interested in both the laughs and the friendship at its centre.
But The satire is sometimes broad, and the film coasts on charm more than plot in the second half. It assumes you're okay with that.

The Other Guys2010
Will Ferrell and Mark Wahlberg as mismatched partners discovering chemistry through chaos. Absurdist humour, great supporting cast, and genuinely committed performances from both leads.
But The plot is thinner than Role Models and exists mostly as scaffolding for comedy. If you need story substance, this won't provide it.

Talladega Nights: The Ballad of Ricky Bobby2006
Will Ferrell as a man-child learning through mentorship, with an ensemble of character actors doing excellent work. The humour is loose and willing to follow tangents; the energy is infectious.
But It's longer than Role Models and gets repetitive; the broad comedy is not for everyone, and the supporting cast sometimes overshadow the leads.

Horrible Bosses2011
Three friends navigating a terrible situation together, leaning on their chemistry to carry the film. Good-natured despite the premise, with a strong ensemble and constant comedic momentum.
But The plot is thinner than you'd hope, and it leans on ensemble charm rather than tight writing. Some jokes feel obligatory rather than earned.

Rushmore1998
The core relationship: a flawed adult and a difficult kid discovering they need each other. Both are about the mentor's redemption as much as the kid's growth.
A film about an unconventional mentorship between a burned-out adult and a bright but troubled kid, written with Wes Anderson's precision and heart. It's funny, touching, and genuinely original in how it treats both characters.
But It's quieter and more stylized than Role Models; the humour is drier and more character-based. If you need broad laughs and momentum, this will feel slow.

Moonlight2016
The structural and thematic heart: how a mentor's love can change the trajectory of a life, and how that relationship reshapes both people. Role Models says this with laughs; Moonlight says it with silence.
Three chapters of a man's life shaped by mentorship and connection. It's quiet, thoughtful, and profoundly moving. Mahershala Ali gives a performance of devastating warmth as a man who saves a life through presence alone.
But It's not a comedy; it's a slow, meditative drama about pain and beauty. Nothing like Role Models in tone, register, or pace.

People
Cast
Seann William ScottAnson Wheeler
Paul RuddDanny Donahue
Christopher Mintz-PlasseAugie Farks / Blufgan of Xanthia
Bobb'e J. ThompsonRonnie Shields
Elizabeth BanksBeth
Jane LynchGayle Sweeny
Ken JeongKing Argotron
Ken MarinoJim Stansel
Kerri KenneyLynette Farks
A.D. MilesMartin
Joe Lo TruglioKuzzik of Xanthia
Matt WalshDavith of Glencracken
Directing
- David WainDirector
- Josh KingFirst Assistant Director
- Susan BierbaumScript Supervisor
Writing
- David WainScreenplay
- Ken MarinoScreenplay
- Paul RuddScreenplay
- Timothy DowlingScreenplay
- Timothy DowlingStory
- William Blake HerronStory
Production
- Lisa BeachCasting
- Sarah KatzmanCasting
- Beth LipariCasting Associate
- Charla BowersoxCasting Associate
- Juan CastroCo-Producer
- Andrew Z. DavisExecutive Producer
- Dan KolsrudExecutive Producer
- Jason ShumanExecutive Producer
- Matt SeigelExecutive Producer
- William SherakExecutive Producer
- Luke GreenfieldProducer
- Mary ParentProducer
- Scott StuberProducer
- Lois WalkerProduction Coordinator
Recommended by
Wet Hot American Summer, Get Him to the Greek, Ted, Hot Tub Time Machine, Neighbors, Dinner for Schmucks, 21 & Over, Kicking & Screaming, I Love You, Man, Fanboys, The Underdog's Tale, Let's Go to Prison, Harold & Kumar Go to White Castle, The Virginity Hit, I Hope They Serve Beer in Hell