Film
Freaky Friday
This early-2000s remake trades the original's suburban mom for a widowed therapist juggling a wedding and a career, and swaps in Lindsay Lohan's teenage scorn for good measure. It's glossy, broad, PG-rated comfort food -- mistaken identity, band auditions, a last-minute vow renewal -- built for anyone who wants a warm, low-stakes hour and a half about a mother and daughter finally hearing each other.
If you liked this
The Parent Trap1998no page yet
Lohan again, this time playing twins engineering their divorced parents' reunion -- same mischievous energy, same knack for slapstick sincerity, and proof this was her breakout instinct before Freaky Friday even happened.
But It's a broader, younger film -- more slapstick, less about mother-daughter friction, and the sentimentality is laid on thick.
13 Going on 302004
Jennifer Garner wakes up thirty instead of thirteen, and the culture-shock comedy runs on the same engine as Freaky Friday: someone forced to live the life they used to mock.
But It's romance-comedy first, family comedy second -- if you wanted the mother-daughter angle specifically, this swaps it for a will-they-won't-they.

Big1988
Tom Hanks turned a wish into an entire genre -- a kid trapped in an adult body, discovering the world is stranger and sadder than he thought. The template for every swap comedy after it.
But No mother-daughter dynamic at all, and the pacing is gentler and stranger than the frantic body-swap comedies it inspired.

The wildcard
Something you would not have found on your own.
Freaky2020
It's a direct riff on the Freaky Friday title and premise, swapping the family-comedy chassis for a horror one -- same magic-swap mechanic, same question of what you'd learn wearing another body, but here the stakes are survival, not a wedding.
The same body-swap engine, but now it's a teenage girl and a lumbering serial killer trading places, and the film plays the identity horror completely straight -- gore, dread, and a wicked sense of humour about what it means to wear someone else's body.
But It's a slasher movie -- bloody, R-rated, genuinely tense -- a very long way from the PG warmth you just watched.

More like this (8)
Vice Versa1988no page yet
A father and son swap places via a cursed Thai statue, and Judge Reinhold plays childish glee with real commitment. It's the boys' answer to Freaky Friday's mother-daughter version.
But It's dated, a little forgotten, and the humour leans more slapstick sitcom than the 2003 film's sharper comic timing.
17 Again2009no page yet
Zac Efron plays a middle-aged dad who wakes up as his teenage self, reliving his own high school with a parent's regret -- swap comedy, but aimed backward instead of sideways.
But It's sweeter and more wistful than farcical, and Efron's teen-heartthrob charm may grate if you're not already fond of him.
Mean Girls2004
Lohan again, a year later, playing the person doing the changing rather than the person changed -- sharper, meaner, and funnier, if you want to see what she did right after this.
But No fantasy premise here -- it's straight teen social comedy, so the magic-swap hook you liked isn't present.

The Hot Chick2002no page yet
Rob Schneider swaps bodies with a teenage girl via cursed earrings, and plays it filthier and dumber than Freaky Friday ever dared -- same year, same trope, opposite instincts.
But It's crude, juvenile, and unapologetically lowbrow -- the family-friendly warmth of Freaky Friday is nowhere in sight.
It's a Boy Girl Thing2006no page yet
Two feuding teenage neighbours -- one prim, one crude -- swap bodies and genders overnight, forcing each to walk a mile in the other's underwear. Gleefully silly and very 2000s.
But It's a minor, largely forgotten teen comedy with broader gender-swap gags than the more grounded mother-daughter version.
18 Again!1988no page yet
George Burns swaps souls with his college-age grandson after a car crash, giving the elderly-teen mismatch a wry, generational twist decades before this remake tried the mother-daughter version.
But It's a genuinely obscure '80s comedy, slower-paced and creakier than anything from the 2000s swap boom.
Turnabout1940
This is one of the earliest Hollywood body-swap comedies, based on a Thorne Smith novel -- proof the exact device driving Freaky Friday was already a going concern in American cinema six decades before Lohan and Curtis traded places.
A bickering married couple wish upon a statue and swap bodies in this pre-war screwball comedy, decades before Hollywood discovered the trope was a genre. Fast, brittle, and full of era-appropriate gender-role jabs.
But It's a creaky black-and-white curio with dated attitudes and stiff performances by modern comic standards -- charming as history, not always as comedy.

Your Name.2016
Same premise -- two people forced to live each other's daily life -- but stretched from teen comedy into something achingly romantic and structurally daring; it shows how far the body-swap trope can travel in tone once you change medium and culture.
Two teenagers in different cities keep waking up in each other's bodies, and what starts as slapstick comedy slowly turns into something aching and time-bent. Gorgeous animation, and one of the most purely emotional films of its decade.
But It's subtitled Japanese animation with a melancholy, almost sci-fi third act -- nothing like the broad family comedy you just watched.

People
Cast
Lindsay LohanAnna Coleman
Jamie Lee CurtisTess Coleman
Harold GouldGrandpa
Mark HarmonRyan
Stephen TobolowskyMr. Bates
Christina Vidal MitchellMaddie
Ryan MalgariniHarry Coleman
Haley HudsonPeg
Rosalind ChaoPei-Pei
Lucille SoongPei-Pei's Mom
Willie GarsonEvan
Directing
- Mark WatersDirector
- Benjamin RosenbergFirst Assistant Director
- Pamela AlchScript Supervisor
- Eric A. PotSecond Assistant Director
- Paula JanosSecond Second Assistant Director
- Paul MoenSecond Unit Director
Writing
- Mary RodgersBook
- Heather HachScreenplay
- Leslie DixonScreenplay
Production
- Karen Faust-CrossleyAssistant Accountant
- Nancy S. RandAssistant Accountant
- Kim CrabbAssistant Location Manager
- Laura BrownAssistant Location Manager
- Marie HealyAssistant Location Manager
- Erin KaufmanAssistant Production Coordinator
- Marci LiroffCasting
- Jamie Sparer RobertsCasting Associate
- Ann Marie SanderlinCo-Producer
- Mario IscovichExecutive Producer
- Maryellen AvianoExtras Casting
- Seve SpracklenFirst Assistant Accountant
- Jody HummerLocation Manager
- Amy Denning WinfreyPayroll Accountant
- Andrew GunnProducer
- Barbara GutmanProduction Accountant
- Ellen WolffProduction Coordinator
- Charline St. CharlesProduction Secretary
- Paul MoenUnit Production Manager
Recommended by
Back to the Future, 13 Going on 30, Shazam!, Big, Freaky, Turnabout