Film
Harriet the Spy
A spirited sixth-grader's secret spy notebook gets exposed, turning her classmates against her and forcing her to reckon with the consequences of her sharp observations. It's warm, funny, and genuinely interested in how kids navigate friendship, honesty, and growing up—neither sappy nor cynical. For anyone who loved being nosy and still does.
Should you watch it?
Watch it if you enjoy a sharp, slightly prickly kid's-eye view of small-town friendships, where the comedy comes from a child's deadpan notebook observations and the sadness is taken seriously.
Skip it if the pace is unhurried and the mood gentle, so if you want a brisk plot with big set pieces, its 101 minutes may drag like a long recess.
What it asks of you: its shape is episodic and conversational, a series of small scenes and diary-style asides that reward patience more than close attention.
Not sure? Find tonight's pick in a minute.
If you liked this
Matilda1996
A brilliant, unusual kid navigates an adult world that doesn't understand her. Like Harriet, Matilda finds power in her own mind and refuses to shrink down for anyone's comfort.
But The tone is darker and more surreal than you might expect from a family film about a precocious girl. It's also visually busy in ways that can feel dated.

The Baby-Sitters Club2020
Charming, earnest show about middle-school friendship, entrepreneurship, and the small betrayals and repairs that real friendships require. It understands kids as people, not mascots.
But Deliberately gentle and low-stakes. If you want plot momentum or dramatic stakes, this moves at its own comfortable pace.

Freaky Friday2003
A body-swap comedy that's genuinely interested in how parents and kids fail to understand each other until they walk in the other's shoes. Sharp, kind, and frequently hilarious.
But Peak early-2000s Disney aesthetic. If anachronistic pop-culture references and saccharine moments make you wince, this will test your patience.

Not sure tonight? Get a pick in a minute, starting from Harriet the Spy
The wildcard
Something you would not have found on your own.
Heavyweights1995
Both are comedies about kids learning to navigate peer pressure and authenticity. Both have an edge that regular family films avoid. Both believe in the kid's perspective as valid even when—especially when—adults disagree.
A kids' film that's genuinely weird and subversive—written by and starring Judd Apatow as a maniac camp director. It takes its young characters seriously and lets them be complicated and flawed.
But Comedy from the mid-'90s that hasn't aged smoothly. Some jokes land with a thud, and the aesthetic is aggressively dated. Needs patience and goodwill.

More like this (8)
Bridge to Terabithia2007
Captures the absolute seriousness with which kids take their inner worlds and friendships. Beautiful, strange, and genuinely moving without ever talking down to its audience.
But Shifts from adventure fantasy into genuine grief partway through. Some find the tonal turn jarring; others find it the whole point.

Harriet2019
A different Harriet, but shares the DNA: a brave kid determined to find her own path while everyone else expects her to fit a mold. Stirring and smart without being preachy.
But Historical drama, not comedy. Much darker stakes than the 1996 film. It's a different animal entirely, which is the point.

Ramona and Beezus2010
Affectionate adaptation of Beverly Cleary. Captures the genuine chaos and emotional reality of childhood—the way a small thing feels enormous, and imagination fills every gap.
But Slight and unambitious. It does what it sets out to do without attempting anything more, which some find forgettable.

Now and Then1995
Four childhood friends reunite as adults and remember who they were. Funny and sad at once. Genuinely interested in how friendship survives and changes over time.
But Heavily '90s in its emotional register—lots of meaningful gazes and montages. The pacing can feel slack to modern viewers.

Nim's Island2008
A self-sufficient kid alone on an island, using her wits and her imagination to survive. Energetic and inventive, with real affection for characters who think their own thoughts.
But Family adventure that tries to do too many things at once. The tonal shifts between realism and fantasy don't always land.

Lemony Snicket's A Series of Unfortunate Events2004
Dark, arch, and witty. Treats kids with intelligence and doesn't shy away from the fact that childhood can be genuinely difficult and unfair.
But Deliberately gloomy and cynical. If you want warmth or conventional happy resolution, you're in the wrong place. Also quite creaky as cinema.

My Friend Dahmer2017
Both films are about surveillance and secrets among young people—what happens when you watch people closely, notice things you shouldn't, keep journals you ought not keep. Both ask: what do we owe people when we know their truth?
A graphic novel adaptation that treats a sensitive subject with real nuance: a high-school friendship with someone who became a killer, and how people internalize secrecy and difference. Haunting and unexpectedly tender.
But Serialized killer context makes this heavy in ways Harriet isn't. Black-and-white cinematography and slow burn will feel grim compared to a bright family comedy.

Ghost World2001
Like Harriet, Ghost World is about a girl who observes the world closely and keeps herself separate from it through wit and judgment. Both ask what happens when that armor of superiority cracks, and whether connection requires vulnerability.
A graphic novel adaptation about two teenage girls navigating the gap between childhood and adulthood, friendship and betrayal, performance and authenticity. Funny, dark, and genuinely about something.
But Thoroughly adolescent and aimless. The characters make strange choices that don't resolve neatly. Some find this honesty profound; others find it frustrating and slight.

People
Cast
Michelle TrachtenbergHarriet
Gregory SmithSport
Vanessa Lee ChesterJanie
Rosie O'DonnellOle Golly
J. Smith-CameronMrs. Welsch
Robert JoyMr. Welsch
Eartha KittAgatha K. Plummer
Charlotte SullivanMarion Hawthorne- Teisha KimRachel Hennessy
- Cecilley CarrollBeth Ellen Hansen
Dov TiefenbachBoy with Purple Socks- Nina ShockCarrie Andrews
Directing
- Bronwen HughesDirector
- Andrew SheaFirst Assistant Director
- Kellie JoTackettSecond Assistant Director
- Ken A. SmithSecond Assistant Director
Writing
- Louise FitzhughNovel
- Doug PetrieScreenplay
- Theresa RebeckScreenplay
- Greg TaylorStory
- Julie TalenStory
Production
- Julia PistorAssociate Producer
- Jill Greenberg SandsCasting
- Debby BeeceExecutive Producer
- Marykay PowellProducer
- Manny DanelonUnit Production Manager
- Robert GrandUnit Production Manager
Recommended by
The Mysterious Benedict Society, A Cinderella Story, My Parents Are Aliens, Agent Cody Banks, The Baby-Sitters Club, It Takes Two, Nancy Drew, Unaccompanied Minors, Ramona and Beezus, Zenon: Girl of the 21st Century, The New Adventures of Pippi Longstocking, Zapped, Pippi Longstocking, Recess: School's Out