Television series
10 Things I Hate About You
Other titles called 10 Things I Hate About You: the 1999 film.
A half-hour comedy about two sisters navigating high school social chaos, romantic entanglements, and an overprotective father. It's sharper and more character-driven than standard teen fare, balancing genuine wit with real stakes. For anyone who loved the film but wanted to spend more time in this world, or who enjoys ensemble comedies with bite.
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Gilmore Girls2000
Fast-paced, dialogue-heavy comedy about complicated female relationships and coming-of-age. The mother-daughter dynamic has real warmth beneath the banter, and it respects its characters' intelligence.
But Seven seasons is a lot, and the early seasons move so quickly the jokes sometimes blur together. Some find the constant pop-culture references exhausting.

Bunheads2012
Same creator as Gilmore Girls. A show about young women finding themselves through dance and friendship, with smart dialogue and genuine heart. Michele Lee is magnetic as the lead.
But Only ran two seasons before cancellation, so there's unfinished business. The tone wavers between comedy and drama in ways that don't always land.

Dawson's Creek1998
Teen ensemble that actually grows with its characters, balancing comedy with real emotional weight. The relationships feel earned, and there's genuine chemistry across the cast.
But Aired in the late 90s, so the earnestness and production style can feel dated. Some plot threads get repetitive across six seasons.

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Something you would not have found on your own.
Freaky Friday2003
Both use comedy to explore the specific friction between overprotective parents and daughters trying to become themselves. The stakes are personal, not cosmic.
Mother-and-daughter body-swap comedy that's genuinely smart about empathy and understanding the person you love most. Jamie Lee Curtis and Lindsay Lohan have real chemistry, and the script respects both generations.
But It's a family film, so the emotional beats are clear and satisfying in ways that might feel predictable. Some of the early-2000s humor hasn't aged well.

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Veronica Mars2004
Mystery-driven comedy about a sharp teenage girl who solves crimes. Witty, inventive, and genuinely funny, with a protagonist who doesn't compromise her edges for popularity.
But The mystery plots can feel overstuffed, and the show sometimes prioritizes jokes over story coherence. Tonal shifts between comedy and noir-ish drama aren't always smooth.

Mean Girls2004
The spiritual predecessor to this series, sharper than its reputation suggests. Tina Fey's script actually has things to say about female competition and conformity, wrapped in comedy that lands.
But It's a film, not a series, so you're in and out in 90 minutes. Some jokes feel dated now, and rewatches expose how much it relies on mean-spirited humor.

Community2009
Smart ensemble comedy about misfits finding family in unexpected places. Endlessly inventive and genuinely warm, with characters who develop real depth across the series.
But Gets increasingly meta and experimental in later seasons, which delights some viewers and alienates others. The first two seasons are the strongest.

Never Have I Ever2020
Contemporary teen comedy with real emotional intelligence about identity, family, and belonging. Devi is a protagonist with actual flaws and contradictions, and the show doesn't shy away from complexity.
But The voiceover can feel heavy-handed, and some supporting characters are thinly sketched. The humor occasionally leans on stereotypes it doesn't fully interrogate.

Schitt's Creek2015
An ensemble comedy about finding yourself when everything falls apart. Warm without being saccharine, funny without being cruel, and the character arcs are genuinely transformative.
But The first season is rough and the pacing sometimes drags. Takes a while to find its heart, so patience is required.

Young Sheldon2017
A prequel to The Big Bang Theory focused on a brilliant, awkward kid navigating small-town Texas. Surprisingly emotional and well-observed about adolescence and not fitting in.
But If you never watched the original show, some in-jokes land differently. Some find the sentimentality cloying or the kid protagonist annoying in ways the show doesn't quite acknowledge.

Sweet Magnolias2020
Both center female relationships as the engine of the story. Both understand that high school—and the world after it—is fundamentally about navigating sisterhood and loyalty.
A Southern ensemble drama about women navigating family, friendship, and heartbreak. It has the same DNA as 10 Things—sharp-eyed observation of relationships and social dynamics—but trades comedy for genuine emotional excavation.
But It's genuinely serious, often melancholic. If you wanted more comedy, this swings hard the other direction. Some plot twists feel soapy rather than earned.

Fleabag2016
Both use sharp comedy and family dynamics as vehicles for real insight about identity and belonging. Both trust that their female leads don't need to be likable—they need to be true.
A messy, furious, hilarious show about a complicated woman and her even more complicated family. It's formally inventive, genuinely profound about shame and love, and laugh-out-loud funny in unexpected ways.
But The protagonist is selfish and cruel in ways the show doesn't sand down. The tone whiplashes between comedy and devastating seriousness. Only two seasons, so it ends just as you're settled in.

People
Cast
Production
- Nick PavonettiAssociate Producer
- Scott HartleAssociate Producer
- Robin SchiffConsulting Producer
- Wendy GoldmanConsulting Producer
- Carter CovingtonExecutive Producer
- John ZiffrenExecutive Producer
- Robin SchiffExecutive Producer
- Barry SafchikProducer
- Jon RossProducer
- Michael PlattProducer
- Shawn WiltProducer
- Erin EhrlichSupervising Producer
- Lesley Wake WebsterSupervising Producer