Film

The Fifth Element

Luc Besson's 1997 space opera is pure sugar-rush spectacle: a cosmic taxi-driver-saves-the-world plot dressed in Jean-Paul Gaultier couture, orange-haired Milla Jovovich, and Chris Tucker turned up to eleven. It's loud, ridiculous, gorgeous and completely unembarrassed about any of it. Watch it for the production design and the sheer joy of a blockbuster that refuses to take itself seriously for even one second.

TMDb rating7.6

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Guardians of the Galaxy2014

Same DNA: a ragtag crew, wisecracking banter, primary-colour spectacle, and a soundtrack doing half the emotional work. It's the closest modern Hollywood gets to Besson's gleeful maximalism.

But Marvel house style is safer and more formulaic than Besson's genuine weirdness — less of a swing, more of a formula.

Guardians of the Galaxy poster

Big Trouble in Little China1986

Kurt Russell at his most gloriously overconfident in a kung-fu monster mash-up that never once winks — it just commits, hard, to its own nonsense.

But Eighties cheese is baked in; the effects and pacing show their age more than Besson's do.

Big Trouble in Little China poster

Total Recall1990

Verhoeven's gonzo, gory, genuinely funny sci-fi action picture — Schwarzenegger battling reality itself with the same shameless pulp energy.

But Meaner and bloodier than Fifth Element's cartoonish violence; the satire has real teeth.

Total Recall poster

The wildcard

Something you would not have found on your own.

Flash Gordon1980

Fifth Element's love of glam costuming and cheerful self-parody has a direct ancestor here — Flash Gordon proved decades earlier that you could save the universe in sequins and mean it.

Queen's soundtrack blasting under Max von Sydow chewing scenery as Ming the Merciless — this is camp space opera at its most unashamed, glitter and all.

But The effects are deliberately, gloriously cheesy — if you need your sci-fi to look convincing, this will hurt.

Flash Gordon poster
More like this (8)

Valerian and the City of a Thousand Planets2017no page yet

Besson again, decades later, throwing even more money at the same comic-book impulses — a thousand-species city, another luminous alien heroine, wall-to-wall imagination.

But The visuals dazzle but the story sags; it's spectacle without the same tight comic timing.

Men in Black1997

Same year, same appetite for alien slapstick and deadpan world-saving, but shrunk down to a buddy comedy with Will Smith and Tommy Lee Jones trading one-liners.

But Much smaller scale and far less visually extravagant — a sitcom next to Besson's opera.

Men in Black poster

Starship Troopers1997

Verhoeven's other 1997 sci-fi satire, gleefully over-the-top and gorier, mocking the genre while fully indulging in it.

But The satire is sharper and darker underneath the fun — this one has a mean streak Fifth Element never bothers with.

Starship Troopers poster

The Matrix1999

Turn-of-the-millennium sci-fi cool with a chosen-one plot and iconic style, proving the late-90s were obsessed with humanity's last line of defence.

But Cerebral and slick where Fifth Element is silly and warm — a much more serious ride.

The Matrix poster

Speed Racer2008

The Wachowskis' candy-colored fever dream is the closest thing to Besson's visual sugar high — a movie that looks like it was directed by a Skittles packet.

But Plot is thin even by this genre's standards, and the hyperactive style can be genuinely exhausting.

Speed Racer poster

Barbarella1968

The godmother of glam space camp — Jane Fonda in increasingly absurd costumes, saving the galaxy with sincerity and zero self-consciousness.

But Very much a product of its decade; the pacing is slack and the effects are charmingly cheap.

Barbarella poster

Heavy Metal1981

This is the visual bloodline made explicit: the same comic-book artists who imagined Fifth Element's flying taxis and alien empresses cut their teeth on this anthology first.

An animated anthology adapting the same French Métal Hurlant comic magazine whose artists — including Mœbius, who co-designed Fifth Element's world — dreamed up this exact strain of lurid, sexy, cosmic sci-fi.

But Episodic and dated, with tonal whiplash between stories and animation that shows its VHS-era roots.

Heavy Metal poster

Metropolis1927

Besson's stacked, flying-car Manhattan and his 'one person holds humanity's fate' plot both trace straight back to Fritz Lang's original blueprint for future-city spectacle.

The silent film that invented the vertical dystopian megacity and the idea of a singular figure who might redeem or doom all of humanity — astonishing to look at even a century on.

But Silent, slow by modern standards, and demands patience Fifth Element never asks of you.

Metropolis poster

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