Television series
Master of None
Aziz Ansari's dramedy follows Dev, a working actor drifting through New York trying to sort out what to eat, who to date, and who he owes what. It's loose and generous, unusually attentive to the people orbiting its hero — parents, exes, friends — and happy to swing from silly to devastating inside one episode. Comedy with real appetite and real stakes.
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Atlanta2016
Same prestige-comedy DNA: anthology-style episodes that swerve into surreal, genre-bending territory while staying warm and personal underneath the strangeness. Donald Glover at his most fearless.
But Leans abstract and dreamlike where Dev's world is grounded — some episodes prioritize mood and metaphor over plot.

Fleabag2016
The same intimate, confessional register — comedy that turns devastating without warning, and a protagonist trying, badly, to become a better person.
But Single-perspective and theatrical, with fourth-wall breaks that can feel claustrophobic if you want an ensemble.

Insecure2016
Friendship, career anxiety, and romantic missteps rendered with the same specificity and warmth, just relocated to LA with a longer emotional arc.
But More serialized soap-opera plotting across seasons, less of the standalone-vignette structure Master of None loves.

The wildcard
Something you would not have found on your own.
Big Night1996
Dev's pasta pilgrimages and family dinners have a spiritual ancestor here — food-as-love-language storytelling didn't start with prestige TV, it started decades earlier in one small, doomed kitchen.
Two immigrant brothers pour everything they have into keeping their Italian restaurant alive over one impossible night, and the food becomes grief, love and pride all at once.
But Deliberately slow and theatrical, with an ensemble style some find mannered rather than moving.

More like this (8)
Ramy2019
A half-hour dramedy about identity, family expectation, and faith, carried by the same restless, searching energy as Dev's aimlessness.
But Darker and more morally uncomfortable — Ramy's spiritual crisis has real teeth where Dev stays easygoing.

High Maintenance2016
Anthology vignettes of New Yorkers whose lives brush together for twenty minutes, giving small human moments real weight and tenderness.
But No central character or arc to hold onto — it's purely episodic, which some viewers find unsatisfying.

Easy2016
Chicago relationships, food, sex and parenting told with the same loose, naturalistic charm as Dev's early dating misadventures.
But Uneven from episode to episode, with a less starry cast and lower visibility than the shows around it.

You're the Worst2014
A rom-com that gets more honest and painful as it goes, sharing Master of None's appetite for messy relationships under sharp wit.
But Its characters are prickier and nastier — the tone runs colder than Dev's fundamentally sweet outlook.

Love2016
Judd Apatow's two-hander charts one relationship's real mess with the same millennial malaise and comic timing that powers Dev's dating life.
But Tightly focused on a single couple, trading the anthology variety and globe-trotting for a narrower lens.

The Bear2022
Same reverence for food as identity and inheritance, wrapped in a prestige half-hour dramedy about family, grief, and cooking.
But Much more anxious and intense — kitchen chaos energy replaces Dev's laid-back charm almost entirely.

The Namesake2006
Take the 'Parents' episode, strip out every laugh, stretch it across two full hours — this is what's left underneath, and it's worth sitting with.
A quietly devastating generational saga following an Indian-American son negotiating names, expectations, and grief across two continents and two decades.
But No jokes to soften it — this plays the show's best subject, immigrant parents' sacrifice, entirely straight, and some nights you'd rather have the relief.

Paris Is Burning1991
Denise's arc is about being seen and choosing your own family; this is the lived, unvarnished original of that idea, filmed long before television caught up to it.
A vital, joyful, heartbreaking documentary about New York's ballroom scene and the families people build when their own won't hold them.
But It's a real documentary from a specific, painful moment in queer history, not scripted comfort — the losses are genuine.

People
Cast
Writing
- Alan YangCreator
- Aziz AnsariCreator
- Cord JeffersonStory Editor
Production
- David E. O'BrienAssociate Producer
- Cord JeffersonCo-Executive Producer
- Eric WareheimCo-Executive Producer
- Amy WilliamsCo-Producer
- Zach CowieConsulting Producer
- Alan YangExecutive Producer
- Aniz AnsariExecutive Producer
- Aziz AnsariExecutive Producer
- Dave BeckyExecutive Producer
- David MinerExecutive Producer
- Igor SrubshchikExecutive Producer
- Lena WaitheExecutive Producer
- Mike SchurExecutive Producer
- Naomi AckieExecutive Producer
- Paul SaronyProducer
Recommended by
Atlanta, Please Like Me, High Maintenance, Love, Easy, Modern Love, Dear White People, The Big Sick, Ramy, Stolen Kisses