Television series

Comedians in Cars Getting Coffee

Jerry Seinfeld drives comedy's sharpest minds around in vintage cars, stops for coffee, and lets them talk. Intimate, funny, sometimes profound—structured like a long conversation with people you wish you knew. For anyone who loves comedy as much as comedians love telling it.

TVMaze rating3.7

Should you watch it?

Watch it if you love loose, unscripted conversation, where the real pleasure is watching comedians riff on cars, coffee and each other's rhythms rather than following a plot.

Skip it if you need a plot, stakes or a fixed structure, since each episode is just a host and a guest driving and talking, and the chatter can feel thin across eleven seasons.

What it asks of you: Each episode runs about seventeen minutes and moves at the pace of a long coffee, so you are asked for loose, undemanding attention rather than close focus.

Not sure? Find tonight's pick in a minute.

If you liked this

The Marvelous Mrs. Maisel2017

A love letter to standup itself: the grind, the obsession, the need to make people laugh. Rachel Brosnahan's Midge finds her voice through comedy in 1950s New York, and the writing is sharp enough to make you laugh and ache simultaneously.

But Moves very fast and can feel overstuffed. The constant verbal riffing exhausts some viewers, and the supporting characters sometimes overshadow the lead.

The Marvelous Mrs. Maisel poster

Master of None2015

Aziz Ansari's show about creative ambition and friendship in New York. Like Seinfeld, it finds philosophy in small moments—meals, conversations, choices—but explores them with genuine vulnerability alongside the comedy.

But The first season feels looser and less focused than viewers expect. Some episodes veer toward navel-gazing, and the gender politics of season two divided fans.

Master of None poster

The Office2005

Like Comedians in Cars, it's about the comedy in the everyday—the small awkwardnesses and absurdities that define life. Steve Carell's Michael Scott chases connection and laughs the same way Seinfeld does in every episode.

But Mockumentary style can feel dated now. The cringe humor is intense, and some characters take seasons to become likeable.

The Office poster

Not sure tonight? Get a pick in a minute, starting from Comedians in Cars Getting Coffee

The wildcard

Something you would not have found on your own.

The Sunset Limited2011

Both understand that two people talking is enough. Both trust that attention to how people speak and think is entertainment. But where Seinfeld finds comedy in the gap between what we say and who we are, McCarthy finds tragedy in the same gap.

Two men in a room talking philosophy, death, faith, and meaning. Tommy Lee Jones and Samuel L. Jackson in a Cormac McCarthy adaptation that's exactly what Comedians in Cars is structurally—conversation as the entire event—but haunted and grave instead of light.

But Intensely bleak. No jokes, no relief, no car rides. If you came for laughs, this is the opposite temperature.

The Sunset Limited poster
More like this (6)

Curb Your Enthusiasm2000

Larry David's loosely improvised show about social transgression and unspoken rules. It has the same DNA as Seinfeld but meaner, weirder, and less interested in being likeable—a natural evolution.

But Much more uncomfortable than Comedians in Cars. If you don't like Larry, ten seasons of him is a heavy ask.

Curb Your Enthusiasm poster

Veep2012

Sharp-edged ensemble comedy built on rapid-fire writing and performances you could watch forever. Julia Louis-Dreyfus and the cast circle each other like comedians in a room—every word earned.

But The humor is cynical and relentless. No character is redeemable, which some find liberating and others find exhausting.

Veep poster

The Late Late Show with Craig Ferguson2005

Ferguson's monologues and interviews with comedians capture the spirit of unscripted conversation. He genuinely listens and plays off his guests, creating moments of real connection and hilarity.

But Requires a broad interest in late-night format. Some segments drag, and not every interview lands the way Seinfeld's did.

The Late Late Show with Craig Ferguson poster

Seinfeld1989

If you've never seen the original, it's essential—and shockingly fresh. The show about nothing is actually tightly constructed comedy architecture. Watching it explains why everyone Seinfeld sits down with respects him.

But The '90s sitcom tone feels dated, and some comedy hasn't aged well. If you've seen it all, there's nothing new here.

Seinfeld poster

I Think You Should Leave with Tim Robinson2019

Tim Robinson's sketch show is absurdist, uncomfortable, and built on the same principle as Seinfeld: find the weird logic in mundane situations and push it until it breaks. Pure comedic architecture.

But The humor is aggressive and deliberately awkward. If you need likeable characters or resolution, this will frustrate you.

I Think You Should Leave with Tim Robinson poster

Dinner for One1963

Seinfeld's show is about ritual and the comedy in small repeated gestures. This film is pure ritual—the same sequence looped and varied until meaning shifts. Both find infinity in routine.

A 18-minute German skit: an elderly woman and her butler go through the motions of an elaborate dinner party where she plays both host and guest. Hypnotic, tender, and structured like a perfect joke—setup, variations, payoff.

But Very slow and deliberately repetitive. No dialogue to speak of. If you need plot or contemporary sensibility, it's inscrutable.

Dinner for One poster

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Recommended by

Conan, Between Two Ferns with Zach Galifianakis, Louis C.K.: Shameless, Russell Peters: Almost Famous, Inside Comedy, The Kelly Clarkson Show, The Meltdown with Jonah and Kumail