Television series
We Are Lady Parts
- Comedy
- Backstage musical
- Light-hearted
A British comedy about an awkward microbiology PhD student recruited as guitarist for an all-Muslim punk band in London. Sharp, warm, and genuinely funny about identity, belonging, and female friendship. It moves between chaotic band rehearsals and Amina's search for love with real emotional weight underneath the jokes. For anyone who loves character-driven ensemble comedy with heart.
Should you watch it?
Watch it if you like comedies about messy personal lives, where the funniest moments come from characters who take their own chaos seriously, and where punk energy on stage feels earned rather than decorative.
Skip it if you want a relentless laugh-a-minute sitcom, since this is gentler and more observational, with the romance and family pressure often sitting heavier than the gags.
What it asks of you: Short half-hour episodes that go down easily in a sitting, though its quieter stretches between gigs and arguments ask you to stay with the characters rather than the jokes.
Not sure? Find tonight's pick in a minute.
If you liked this
Fleabag2016
Brilliant ensemble cast, messy characters you genuinely love, and a lead who's trying to figure out who she is while everything falls apart around her. The emotional honesty underneath the comedy is devastating.
But The constant fourth-wall breaks aren't for everyone, and the humour is often quite dark and relies on you finding dysfunction funny.

Schitt's Creek2015
A fish-out-of-water ensemble where a disparate group learns to become a real family. Warm without being sentimental, genuinely moving character arcs, and the kind of show that makes you love every person in it.
But The early seasons are rougher than later ones, and some of the humour lands better once you're invested in who these people are.

Derry Girls2018
Teenage girls navigating friendship, identity, and their place in the world with razor-sharp comedy and real tenderness. The friendship at the centre feels lived-in and true, and the ensemble is absolutely firing.
But It's specifically about Irish Catholic teenage girls in the 1990s—if that setting doesn't grab you, the in-jokes might feel exclusionary.

Not sure tonight? Get a pick in a minute, starting from We Are Lady Parts
The wildcard
Something you would not have found on your own.
Bend It Like Beckham2002
Both centre on young women navigating multiple worlds—family expectations versus the life they actually want—and both find comedy and tenderness in that collision rather than mocking either side.
A young Sikh woman hides her love of football from her traditional parents while pursuing her dream. It's about identity, belonging, and growing into yourself with warmth and actual joy. The friendships feel real.
But It's a 2000s sports film, so there are some dated elements and the romance subplot sometimes overshadows the main story. The cultural tensions are resolved fairly neatly.

More like this (8)
Russian Doll2019
A woman trapped in a time loop slowly peels back the layers of why she's so afraid of connection. Gorgeous cinematography, genuinely inventive structure, and a lead performance that moves from sarcasm to raw vulnerability.
But The second season shifts tone significantly and some viewers found it less sharp than the first. It can be quite bleak.

Crazy Ex-Girlfriend2015
A musical comedy about a woman dissecting her own terrible life choices with musical numbers that are genuinely brilliant. It's funny and self-aware but also takes its characters' pain seriously.
But The musical format is a genuine commitment, and the protagonist is intentionally self-destructive—watching someone sabotage themselves constantly can wear you down.

Sense82015
Eight strangers on different continents suddenly connected psychically. Wildly ambitious, gorgeously shot, celebrates neurodiversity and queer love, and has genuine stakes and wonder underneath the spectacle.
But The first season is slow and confusing before it clicks; later seasons suffer from budget cuts. You have to commit to its messiness.

The Good Place2016
A woman dies and wakes in the afterlife; nothing goes as expected. Philosophical without being preachy, emotionally devastating by the end, and the ensemble cast's chemistry is absolute magic.
But The final season divides people, and if you don't find the central philosophical questions interesting, the plot can feel thin.

Master of None2015
A New York actor fumbles through career, family, and relationships with genuine curiosity and generosity toward everyone he encounters. Beautiful cinematography, thoughtful humour, and a quietly radical kindness.
But It's essentially a sketch show that looks like a narrative series—some episodes are standalone riffs. The tone is deliberately low-key, which some find precious.

Special2019
A semi-autobiographical comedy-drama about a young man with cerebral palsy navigating sex, identity, and friendship in LA. Awkward and genuine, finding real humour in discomfort without punching down.
But It's quite uncomfortable by design, second-hand embarrassment is the baseline, and it only lasted two seasons so commitment feels risky.

Stop Making Sense1984
It captures something essential about what a band *is*—the collective energy, the way individuals become something bigger together. Lady Parts finds that same anarchic joy in community and collaboration.
A concert film so inventive it became an art form. David Byrne and Talking Heads performing as a band evolves in real-time on stage with minimalist choreography. It's joyful and absolutely hypnotic.
But It's a concert film with almost no plot or dialogue. If you need narrative momentum or don't connect with the music, you'll be bored.

Pride2014
Both are about people on the margins finding power and identity through community and music. Both celebrate the misfits and outliers, and both argue that joy and solidarity are radical acts.
A ragtag group of LGBTQ+ activists and their unlikely allies organize a benefit concert during the 1984 miners' strike. It's funny, moving, politically furious, and full of genuine love for messy, flawed people doing their best.
But It's British political drama with a sprawling cast, so keeping track of who's who takes attention. Some will find the tone uneven—it lurches between comedy and real anger.

People
Cast
Writing
- Nida ManzoorCreator
Production
- Nida ManzoorAssociate Producer
- Eric FellnerExecutive Producer
- Mark FreelandExecutive Producer
- Surian Fletcher-JonesExecutive Producer
- Tim BevanExecutive Producer
- Rachel AlabasterLine Producer
- John PocockProducer